This Halloween, The Westdale screened the 1975 cult classic, The Rocky Horror Picture Show, with an extra special drag pre-show with Hamilton drag performers
By Naomi Moshe, Arts & CUlture contributor
The Rocky Horror Picture Show has been drawing in audiences worldwide for over 45 years for a reason. The cult classic film is not only jam packed with fun, but it is also a landmark piece of cinema for the 2SLGBTQIA+ community. The film exudes the message of radical self acceptance, and being unafraid of the hidden desires that live deep within all of us––a sentiment that the queer community of the mid 1970’s desperately needed to hear. As a result, midnight screenings of Rocky Horror became safe spaces for the queer community to socialize and connect with one another at a time when simply existing as a gay person in broad daylight was a dangerous act.
When I heard that The Westdale was screening Rocky Horror on Halloween night, including a special drag pre-show with local Hamilton drag performers Jessie James and Karma Kameleon, I knew I needed to go. Besides, is there any better way to spend Halloween night than heckling profanities at a giant screen surrounded by hundreds of other people?
The atmosphere at The Westdale was, in a word, electrifying. Of course, crowds of people dressed up as characters from the movie. But more importantly, people were genuinely excited for the show, even though most people in attendance probably have seen this film more times than they could count on both hands. The energy was infectious––the entire theater was buzzing with anticipation.
The drag pre-show, hosted by Jessie James and Karma Kameleon, was a blast. Karma and Jessie performed campy lip syncs of songs from the movie’s soundtrack, including “Dammit Janet” and “Touch-A, Touch-A, Touch Me.” The highlight of the night for me was Jessie’s incredible live vocal performance of “Sweet Transvestite.” I had the pleasure of speaking with Jessie shortly after the event to get some insight on the importance of nights such as these for Hamilton’s queer community.
“Visibility is so important. I didn’t see myself growing up, and I struggled a lot with that. Being able to put on public events where people can come see us be explicitly queer, it’s the first step in having a conversation about [queerness.] It demystifies the queer experience. It brings a lot of joy into it,” explained Jessie.
When asked about her personal highlight of the night, Jessie said that it was when the whole theater got up and did the Time Warp with her and Karma. “To look out into the audience and see everyone standing up and dancing along…There [are] very few words I could use to describe the energy you feel from that. It’s almost addictive in a weird way,” said Jessie.
The Rocky Horror Picture Show continues to bring together people from all walks of life, even 45 years after its release. And, for Hamilton’s LGBTQ+ community, events like these create space for authentic self expression and unapologetic queerness.
C/O Christian Braun
The Silhouette: Please introduce yourself.
Wil Fujarczuk: My name is Wil Fujarczuk. I use he/him pronouns. I currently manage the sexual violence prevention education program and the sexual violence prevention and response office, which are under the equity and inclusion office. My alter-ego is Miss Unita Assk and she's a consent-educating drag queen. I use Unita to open the doors into what can be a really tough conversation around sexual violence and to provide some queer representation.
What inspired you to enter this role?
Fujarczuk: I had a big moment in grad school that flipped my thinking . . . I took a course on gender, peace-building and human security . . . After the course ended, some classmates invited me to San Jose, the capital city, to write anti-street harassment messages. I noticed all the men who came to speak to us came to speak to me. Not any of my women classmates. It was a moment of recognizing what it means to use your privilege for others. I started to learn more about sexual harassment and sexual violence more broadly and these experiences really gave me the opportunity to think about: "What's my role as a cis, queer man in this work? What does it mean to use the social location I occupy, the privileges I have, the oppression I face, all these pieces?" It's also allowed me to reflect on my own sense of self, my relationship to my gender. I think I've become a better human and a better man because of doing this work, grounding myself in feminism and learning from people who have been doing this work for so long.
What inspired you to start doing drag, particularly at McMaster?
Fujarczuk: I know folks in the corporate world who are my age who are not open about their sexuality at work. We know the stats are even higher for trans folks in workplaces. That bring[s] into question: "Is this a safe place for me? Do I have to compromise certain elements of myself to be "professional"?" Part of it is demonstrating to students that — no, you don't.
For me, it's also about queer representation on campus. I think of myself as an awkward, queer, scrawny first-year: had I known that there was a staff member who was a part-time drag queen on campus [and] how that would impact me. It's about that representation and visibility. It's about making this conversation a little bit more approachable. At Welcome Week, [it’s about] having Unita present and that level of visibility. And I'll actually be hosting Mac Welcome this year, which is very exciting.
"I think of myself as an awkward, queer, scrawny first-year: had I known that there was a staff member who was a part-time drag queen on campus [and] how that would impact me. It's about that representation and visibility. It's about making this conversation a little bit more approachable."
Wil Fujarczuk (aka Unita Assk), Sexual Violence prevention Education Manager
Part of the idea with Unita was also to focus on strengths. At grad school, we learned about negative peace and positive peace. Negative peace is the absence of war, the absence of violence. Positive peace is the presence of reconciliation, all these other beautiful things. I think about that in terms of sexual violence. Yes, it's important to talk about what we don't want: a world without sexual violence. But, yes, it's important to talk about what we do want . . . healthy sexuality, healthy relationships, queer representation and people being comfortable with who they are. So Unita's taking it out of this first peace into this peace around: What do we want? What is the world we want to build?
"Yes, it's important to talk about what we don't want: a world without sexual violence. But, yes, it's important to talk about what we do want . . . healthy sexuality, healthy relationships, queer representation and people being comfortable with who they are. So Unita's taking it out of this first peace into this peace around: What do we want? What is the world we want to build?"
Wil Fujarczuk (aka Unita Assk), Sexual Violence prevention Education Manager
What advice would you give to your younger self or incoming 2SLGBTQIA+ students at McMaster?
Fujarczuk: The first thing that comes to mind is stealing Priyanka's words — winner of Canada's Drag Race season one — just be gay. But I also know that journey of coming to where I am was [a] part of it. I couldn't just be gay because we grow up in, not just heteronormative, but homophobic families, cultures, societies and schools. It's also self-compassion, not "just be gay". It doesn't mean letting myself off the hook for everything. It means acknowledging what's going on in my life. I'm doing what I can and that I don't have to always give it my all.
Also, find people who embrace you for who you are. I know that this isn't new but there's a truth to it. Sometimes we bend ourselves into a different shape to accommodate what we think people expect of us. Then the folks who might be drawn to us in our full, true, authentic selves might not be drawn to us. We miss that connection. By having that self-compassion, by being yourself as much as we're able, I think we can draw folks in who celebrate us. That's key.
Pride month is coming to an end, but its impacts can be seen throughout the year with the increase of queer culture coming into the mainstream. One such example is the popularization of “RuPaul’s Drag Race”, a show that puts drag queens through competition-style challenges, competing to become America’s next drag superstar. The show has recently expanded to Thailand, Chile, the United Kingdom and on July 2, “Canada’s Drag Race” premieres on Crave.
12 drag queens from across the country will showcase their various drag styles. One contestant, Priyanka, hails from Toronto. Not only has she been crowned Miss Crews and Tangos (2018-2019) and NOW’s 2019 Readers’ Choice winner for Best Drag Performer, but you may know her as a former host of YTV’s “The Zone”. Priyanka recently decided to do drag as a full-time profession due to its boundless limitations.
“Whenever you do something for so long and you have a creative frame, you tend to get bored because your brain is always [wondering], ‘what’s next?’ . . . At the end of my kids TV career . . . I kinda hit my ceiling and the natural progression was to enter drag and see what I can do there. [T]he cool thing about drag is there is no limit on what you can do. You can do everything, which I love,” said Priyanka.
July 5 marks the queen’s birthday, having been involved with the Toronto drag scene for three years. In that amount of time, Priyanka has carved out her own space within the queer community while representing people of colour, which is reflected on “Drag Race” as she is the first Guyanese contestant. Much of Priyanka’s drag is representative of pop stars such as Beyonce or Rihanna; however, she integrates her cultural heritage into each and every performance.
“[G]rowing up, you’re so scared to bring your chicken curry to school because you don’t want your white friends to smell it, and now everyone is like ‘Oh my god Priyanka is the first ever Guyanese drag queen on Drag Race’, said Priyanka. “At this time in my life, I am the proudest to be who I am because I’m representing people who need to be proud of who they are.”
Priyanka recalled her early beginnings as a drag queen, comparing her looks to driving down a long road and seeing roadkill, but then blossoming into a gorgeous gay goddess. She attributes much of what she knows about drag to her drag mother, Xtacy Love, who has been with Priyanka since the beginning of her career.
“There was one time where I was painting my face and my drag mother, Xtacy Love, sat across from me, [watching] me paint and questioned everything I was doing. I wanted to be put up for adoption because it was the worst experience of my life. It was awful, but the thing is because she was questioning me, I was learning so much about makeup and why you’re putting things in the places you’re putting [them] . . . for my kind of drag, you’re sculpting your face to really sell into this illusion,” said Priyanka.
Typically Pride month is a busy time of year for drag entertainers. With festivals across the province moving to an online platform, performers have been finding different ways to still participate. Priyanka has been hosting Zoom parties, posting on YouTube, livestreaming on Instagram and performed as a part of Pride Hamilton’s Digital Pride.
Priyanka believes that a virtual Pride has its own merits as it allows people to reevaluate the importance of why we have a month dedicated to the 2SLGBTQIA+ community and to focus on how to create inclusivity amongst one another. While it might not be fun staying indoors during a time usually spent celebrating, it’s important to remember Pride’s roots and why we are all here.
Advocacy and drag have always been intertwined within the Queer community. For Priyanka, it’s important to use the platform she has acquired to share information with those who follow her.
“Here’s the tea. Drag entertainers are the mascots of the [2SLGBTQIA+] community. People listen to us, people will hear us and they will jump on things . . . drag queens have always been political. We kind of fell into a pocket where it was all lipsync for your lives, sparkly costumes, big wigs and glittery eyeshadow, but as I said before, it’s so good that we’re all at home because drag queens have to use their platforms to help share the information to what’s politically correct,” said Priyanka.
“Here’s the tea. Drag entertainers are the mascots of the [2SLGBTQIA+] community. People listen to us, people will hear us and they will jump on things . . . drag queens have always been political. We kind of fell into a pocket where it was all lipsync for your lives, sparkly costumes, big wigs and glittery eyeshadow, but as I said before, it’s so good that we’re all at home because drag queens have to use their platforms to help share the information to what’s politically correct,” said Priyanka.
“We are like the approachable popstars, like you can’t talk to Beyonce, you can’t talk to Lady Gaga, but trust and believe when you message the Queen Priyanka, she will hit you back with [a] message because I’m desperate for love”, she joked.
As we approach the end of June and the end of Pride month, “Canada’s Drag Race” serves as a reminder that there is always time to be loud and proud about who you are regardless of the time of year. For many Canadian queens in particular, the show also offers an opportunity for worldwide exposure and a chance to showcase their talents on a platform that is tried and true.
“Here’s what I’ll say. Canadian TV shows have a reputation of whenever they do a spin off, it looks a little janky . . . the cool thing about Canada’s Drag Race . . . is the quality of the show is beyond,” said Priyanka. “So now, [“Canada’s Drag Race” has] opened up this whole new ball game for drag entertainers to really work on their style, get better and thrive to do something, because there was a time where being a local girl in Toronto, you could only do so much but now you can do all of it”.
For the Queen Priyanka, getting onto Drag Race felt like the next step in her drag career, both personally and professionally as it was the culmination of a dream. She feels like this is a sentiment that students could apply to their academic lives as well.
“I think that being in school is weird. Being in high school, being in med school, being in university and college is also very weird because you’re like, ‘oh, once I graduate, I have to go find a real job’. But I think that it’s just important to whatever program that you’re in and [whatever] you’re doing, just keep focused, keep your eye on the prize and if your heart isn’t in it, get out while you can because you have to love it to do it for the rest of your life.”
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By Adrian Salopek, Contributor
In light of COVID-19 prompting social gathering limitations, Pride Hamilton’s festival weekend was one such event that had been affected. Although not an ideal way to honour Pride and its roots, new ways of celebrating the 2SLGBTQIA+ community have emerged, bringing Hamiltonians together during these recent difficult and lonely times.
One of the most anticipated Pride events in Hamilton was “Pride in the Park”, originally planned for June 19. This was replaced by Digital Pride, which occurred on June 14, consisting of livestreamed Facebook and Youtube shows and featuring drag performers from the Hamilton drag scene. Heart, crown and even dollar bill emojis flooded the chats under the live performances along with the odd “yass” or “slay”.
Among the featured talents, McMaster alumna Kamilla Flores Kameleon, who also goes by the Spice of Hamilton, dazzled audiences with her virtual drag performance. Through a comically tragic love story and aggressive salsa dance, Kamilla starred in a mini telenovela reminiscent of the ones she watched growing up in Lima, Peru, and showed the world what it really means to be a Latina diva.
“I thought it would be a fun way to live out what I had always watched as a child [and] show a campier side of my drag,” said Kamilla Kameleon.
Behind the comedy, campiness and five pounds of makeup, Kamilla celebrates her background and culture with those who attend her shows. Many of the queen’s influences are of Latin descent, such as pop stars Shakira and Jennifer Lopez.
“My drag has always been about representing my culture and a way I have done that is by paying homage to the legendary Latina pop stars that came before me,” explained Kamilla. “I have always felt Shakira embodied what it meant to be empowered and an entertainer and that’s what drew me to her.”
“My drag has always been about representing my culture and a way I have done that is by paying homage to the legendary Latina pop stars that came before me,” explained Kamilla. “I have always felt Shakira embodied what it meant to be empowered and an entertainer and that’s what drew me to her.”
In the current political climate, this celebration of diversity and the artistic contributions of Black, Indigenous and People of Colour is needed now more than ever. Digital Pride not only celebrated the 2SLGBTQIA+ community, but also provided an opportunity for discussions surrounding racism and policing within Hamilton, and facilitated a platform for Black community leaders to speak. Moreover, the event showed that drag can offer artists an opportunity to advocate for issues they are passionate about.
For Kamilla, the art of drag plays an important role — especially in the current climate — in disseminating love and advocating for movements fighting for justice.
“Drag can play a huge role in the spread of information about these issues such as the Black Lives Matter movement and protests,” explained Kamilla, “I have experienced racism as a person of colour, and it is important, now more than ever, to not be silent when issues continue to persist.”
Behind the wigs and makeup, drag is a crucial part of the 2SLGBTQIA+ community’s culture and history and plays a major role in catalyzing social change from within. Besides the laughter and enjoyment one usually finds when attending a drag show, attendees will surely find themselves learning something new and being inspired when watching the performances of drag queens like Kamilla.
In the queen’s own words, “Don’t stop fighting for what’s right and always wear your heart on your wig. Te amo McMaster!”
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By Nadia Business, Contributor
If you had told me five years ago that drag would become mainstream, I would have looked at you funny. Today, queer culture has permeated many aspects of society, from the way we apply our makeup to what we see on our TV screens. Like many others, I found drag during high school. It really let me understand myself in a myriad of ways, from my sense of gender to untapped aspects of my personality. But what even is drag?
Drag is the performance of gender often taken to its extreme. A typical show could include lip syncs, dancing, comedy and more. I would note that drag is different from being transgender, as one is a job or hobby, the other is an identity, respectively. Drag has been used as a tool to help many people discover that they are trans, nonbinary or fluid.
Growing up as a queer, closeted Arab kid was not particularly a fun experience. I was born in Hamilton but I grew up in Beirut, Lebanon where being soft-spoken, polite and sensitive was absolutely not the male norm. I got plenty of ribbing from male peers for being a little too effeminate and just as many tuts from my mother to stop crossing my legs or to “walk like a man”.
When I moved back to Canada near the end of middle school, I had barely accepted the fact that I was gay after years of trying to tell myself otherwise. Queer content did not exist within my own little bubble, which consisted of being bombarded with media idealizing hegemonic masculinity, which had no room for boys like me.
Meanwhile, I had always connected more with female characters — the ones getting wooed who looked beautiful and feminine. When I discovered “RuPaul’s Drag Race” in high school, my outlook on life and similarly, my own self perception, shifted into focus. These drag queens were everything I wanted to be but couldn’t express while living in a home that didn’t understand, during a time where the word “gay” was synonymous with “stupid”.
The queens were sassy, loud, beautiful and oozing with confidence. They had all the traits that I was trying to hide away, but somehow it all clicked. I realized that it’s okay for them to be like that and maybe I could be like that too.
I adapted accordingly, switching my wardrobe to a more colourful ensemble and (not so subtly) hinting to my classmates that I was gay. It was liberating. I finally let myself explore my identity as a gay person, not giving a damn about societal expectations. “Girly things” were not just for girls, I realized, they were just “things”.
I must acknowledge that I did not manage this alone. I was incredibly lucky and privileged to go to a high school that was tolerant and supportive of queer students. More importantly, my friend group consisted of other queer people. I finally wasn’t alone. My friends helped me thrive more than I ever could have on my own.
Finding your community as a queer person is paramount, as many of our biological families reject us for being anything but cisgendered and heterosexual. However, we do get to choose our non-biological families — whether they are friends, teachers, mentors, etc — the people who become your support system, who you get to celebrate your milestones with, like going on your first same-sex date, or finally getting a prescription for hormone replacement therapy. Many of us can’t tell our families this information, for a variety of reasons, be it fear of rejection or of being cut off financially or emotionally.
Until university, drag was always something I had witnessed through a screen, watching when I knew no one could catch me.
The first big change in my life was turning 19, finally giving me access to queer nightlife. A byproduct of homophobia was (and in some places, still is) queer culture going underground, hidden away in bars and nightclubs, inaccessible to questioning youth. As soon as one is of age, you are given access to a slew of new places and a community.
Then, Morgan McMichaels from “Drag Race” was booked to come to McMaster. I was ecstatic, and the day before the show was happening, Campus Events put out a call for students wanting to show off their drag skills. So naturally, without any experience whatsoever, I sent them a message stating my interest! In hindsight, I was truly delusional to think that I could go on stage without a wig or heel to my name. the show was eventually cancelled — but the silver lining was that I got hired by Campus Events through working on the show together!
September 2019 is when I got to see my very first in-person drag show at Supercrawl, featuring many talents that I’m friends with today, such as Karma Kameleon and Hexe Noire. I was giddy watching, and went hoarse cheering. I needed to see more, and as the Hamilton Queer Scene grew, I fell in love with it even more. These were my people — they were loud, they were proud, they were free.
An exciting opportunity was coming up: another queen from “Drag Race”, Jujubee, was booked by Campus Events to perform at McMaster and this time, Mother Nature was not going to intervene. More importantly, due to being part of the events team, I was asked to not only host but open the show. Keep in mind, I had never been in drag before and have only danced in heels and a wig a couple of times. So, I quickly got to work and spent a lot of money.
The fateful night arrived and Nadia Business was born.
The fateful night arrived and Nadia Business was born.
I can confidently say that it was the highlight of my year. I met Jujubee and Karma Kameleon, who both chatted with me and made me feel comfortable. Karma in particular is a queen I greatly admire and has given me advice whenever I needed it. Not quite an official drag mother, but more like my kooky fun step-aunt who has a little too much wine at family gatherings. A drag mother is your mentor, teacher, and part of your chosen family, hence, “mother”. They typically put you in drag for the first time and help turn you from a baby queen to a seasoned performer.
As I did my last check in the mirror, I realized that Nadia was not just a character, but rather an extension of myself. She is the channelling of my “feminine energies” so to speak, and it is incredibly freeing to just be her. It’s not boy-me who’s on stage shaking their butt and making dirty commentary — that’s just Nadia doing what she does best.
I’m a people pleaser at heart, and getting to perform and have people enjoy this part of myself that a heteronormative society has tried to discourage makes me feel welcome and unafraid. Getting to express myself through Nadia has actually made me appreciate my masculinity in addition to my femininity. A long time ago, I used to constantly worry about how masculine I was because I didn’t want people to judge, but now? I’m just as happy in a fitted suit and tie as I am with wearing pounds of makeup and a wig.
I’m a people pleaser at heart, and getting to perform and have people enjoy this part of myself that a heteronormative society has tried to discourage makes me feel welcome and unafraid. Getting to express myself through Nadia has actually made me appreciate my masculinity in addition to my femininity. A long time ago, I used to constantly worry about how masculine I was because I didn’t want people to judge, but now? I’m just as happy in a fitted suit and tie as I am with wearing pounds of makeup and a wig.
Drag is a way to escape society’s, and even our own, expectations of gender — even if only for a night. Contrary to popular belief, drag is not just restricted to cisgendered gay men. As for myself, it has led to understanding and self-acceptance of all aspects that make me who I am today, and who I want to be in the future. Trans women can be drag queens, some of the most talented queens I know are ciswomen. You can even be an androgynous performer. Drag is an art form and there are no rules. Go wild, put yourself out there and explore who you are and who you want to be. Good luck, and don’t fuck it up.
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Hamilton-based drag queen reveals the impact of the pandemic on drag shows and how she has kept her artistry alive
When the series of lockdowns began in Ontario last fall and all public gatherings were put on halt, live performers, including drag queens, were faced with the challenge of keeping the art and community alive from home. However, despite months of stay-at-home orders and cancelled shows, drag queens of Hamilton have proven their resilience and unfaltering devotion to their craft by employing creative digital ways of connecting with their audience.
Like many of us, Karma Kameleon, a Hamilton-based drag queen, didn’t initially know what to do with all the extra time or how to stay connected with her community. Kameleon started performing three years ago and was about to launch her full-time career in drag when the COVID-19 pandemic hit hard in March of last year, cancelling her shows in 10 cities across Ontario. It was devastating to have her long-awaited goal interrupted so suddenly without warning.
To cope with the loss of a physical stage, Kameleon and other drag queens turned to digital content creation. At first, most people remained hopeful that this would be a short-term solution and that live, in-person shows would be back on soon. However, as time went on and reliance on digital platforms became heavier and more important, more queens got creative with their online performances and experimented with various platforms, starting with livestreams.
One of the most memorable livestreams Kameleon did was for St. Patrick’s Day because everyone was still inexperienced in the digital drag era. It was filmed from her decorated basement and although she described it as a “disaster”, it was supported by a great audience. Besides the learning curve of online content creation, Kameleon said the biggest obstacle has been copyright infringements. As livestreams became more popular among drag queens, copyrights forced their videos to get taken down or blocked, pressuring them to get even more innovative with the types of content and move onto other digital outlets such as music videos, Instagram and TikTok.
Kameleon also took on a challenge to improve her makeup and sewing skills during the months in lockdown. She was more known for her comedy and stage performances than her looks. Having extra time for personal skill growth made her more proud, more confident and happier with her artistry.
Despite building a successful online presence during the pandemic and maintaining the art of drag digitally, Kameleon said ultimately, nothing could compensate for the lost experiences of in-house shows.
“I’ve tried every avenue of digital drag and at some point, it just kind of stagnates. I’m glad to have any amount of a platform or any amount of an audience, but after a while I just missed the instant gratification of saying something stupid and someone laughing,” Kameleon said.
Kameleon desperately missed the experiences of being swept up by the atmosphere of a crowd, fighting with seven other drag queens for a mirror and being able to develop a higher level of human connection through real, in-person interactions. Every moment of normalcy she got back during the gaps between lockdowns made her realize how much she missed every aspect of performing live and a greater appreciation for the community of continuous supporters. When Ontario announced its reopening plans, she was beyond grateful to have in-person shows started up again.
Her favourite part about live performances is when only one or two people are paying attention to her song in the beginning but by the end, watching more and more people begin to put down their phones and get captivated by her eccentric performance. That’s the kind of human connection that she longed for the most.
Kemeleon’s first return to live shows was on June 18 at Absinthe Hamilton with the House of Adam and Steve. Her biggest worry during the pandemic was whether she would still have an audience when she could have live shows again.
But to her surprise, the response was overwhelming. The patio reached full capacity and a long line up crowded the streets.
“[During the pandemic], you could have an audience, but you couldn’t necessarily charge a price for there to be audience . . . But as we’ve kind of moved forward, I’m trying this brand-new thing of actually charging for my shows and I was terrified no one would show up. But the response has been phenomenal,” Kameleon said.
Especially in a city like Hamilton without an established queer scene or a dedicated queer space, the resilience of the arts in the city was heartwarming to observe.
Kameleon also missed working with other queens during the months spent doing at-home online shows. The sisterhood of being in a community of individuals with similar struggles, experiences and backstories is an important source of support for any drag queen.
As Ontario enters the next stage in the reopening plan, Kameleon is most excited to showcase her growth as an entertainer over the past year. She also hopes to help reshape the drag scene to ensure artists are treated with respect and compensated fairly for the work that they do.
“[As we are] talking to the people who are part of the [drag] scene in every city, there is this understanding of, ‘Now that we know what it’s like not to have it and now that we know what we miss about it, we also kind of know what we deserve,’” Kameleon said.
More importantly, she is looking forward to more diversity in the drag community and the reopening of the world through the lens of everything that has happened last year, especially regarding the Black Lives Matter movement, Stop Asian Hate movement and the treatment of Indigenous peoples in Canada. She hopes to see the world and the drag community in Hamilton move forward with a more open and inclusive mindset and more credit given to people of colour in the drag scene.
If you love drag or appreciation for any of the arts, Kameleon encourages the local community to provide any form of support. Even if you can’t financially support an artist, every like, comment, or reshare is a form of support that can help boost their online platform and help their art feel more validated after a difficult past year.
