Sarah O’Connor
Staff Reporter

One of Shakespeare’s most popular comedies, A Midsummer Night’s Dream, focuses on four Athenian lovers who are controlled and manipulated by fairies in a forest. With the many characters and interwoven subplots, the play can be mind-boggling for everyone – at least for the first few scenes.

Taking a new stance on an old classic, Dr. Cockett and his Theatre & Film 3S03 students’ production hopes to “unsettle normative gender dichotomies.” They use cross-casting and gender reversing for some characters in order to make the audience re-evaluate their views of gender, sexuality, and power. I can say with full confidence that Dr. Cockett and his team of students were able to achieve this and much more.

The set was created by Emily Gallomazzei, Nick Kozij, and Ian Wilush. It creates the perfect, fuzzy line between dream and reality. The production makes fantastic use of multimedia, orchestrated by Joe Keca, and very cool lighting, which was done by Carissa Kaye, Anthony Scime, and Jennifer Rossetti.

The doubling of the roles for Theseus/Titania and Hyppolita/Oberon were both extremely powerful and effective decisions. The actors, Dan Megaffin and Julie Lane, showed immense acting skills through their ability to portray such diversity. The mischievous Puck was performed by Phillip Krusto and Claudia Spadafora in a stunning act of unison and with great humour. The chorus of fairies also bring to the production some very beautiful songs and hypnotic-like harmonies.

While the group of the four Athenian lovers were both hilarious and heartfelt it was Miles Greenberg who stole the show with his humourous and heartbreaking portrayal of Helena. The ‘group of actors’ played by Matt Blackshaw, David Jackson, Rex Jackson, Nick Kozij, Sasha Stevenson, and Ian Wilush were hysterical and a perfect end to the show. Ian Wilush’s portrayal of Bottom was also hilarious and endearing.

A Midsummer Night’s Dream continues its stage run in Robinson Memorial Theatre (CNH 101) until Nov. 16. viagra generic Tickets can be purchased at Compass or through SOTA at 905-525-9140 ext. 24246.


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