I never actually applied to be the Arts and Culture Reporter, I got here mostly by accident. I applied to a few other positions on staff, but when I got a phone call from our Editor-in-Chief on a windy summer day to offer me a job, it was for A&C Reporter. I didn’t even know it was a paid position for another month.
McMaster isn’t my first school, I went to Western for two and a half years before coming here. In my first year at Mac I didn’t know very much about the school, and to be honest I still don’t know where Thode is — and at this point I’m too afraid to ask. But the Silhouette gave me a home on campus (our little office in the dungeons of the MUSC basement, untouched by natural light), and a group of friends that I didn’t have before. It made me feel like I was a part of a family, and a part of campus.
As Uncle Ben says, “With great power comes great responsibility.”
One of the best parts of working at the Silhouette is being able to give a platform to community events and organizations that matter to me. I’ve had the privilege to write about sustainable fashion, body positivity, local businesses and charitable organizations in addition to exciting arts initiatives. I was gone from Hamilton for a few years, and the Sil helped me to see my hometown in a fresh light. My magnum opus is my article on a local meme page The Hammer Memer. Don’t let your memes be dreams, folks. If there’s something happening in the arts community in Hamilton, don’t hesitate to contribute something to the Sil. It’s worth it.
I’ve also had the opportunity to write for other sections of the Silhouette. Being able to give voice to my thoughts about the Yellow Vests outside of City Hall was something vitally important to me, and the Sil let me do that. If I hadn’t been a part of the team I probably wouldn’t have had the courage to submit something, but I’m so glad I did.
As I sit at my desk at home, I feel a deep sense of loss. This is my final year at Mac, and I don’t think I’ve entirely processed that it’s over now. I can’t chill on the couches in the office and ask Hannah when the desks for the reporters are going to be built (spoiler alert folks: it didn’t happen). I can’t warm up my lunch in the microwave that can’t be used at the same time as the kettle without blowing a fuse. I can’t chat with my friends about the latest tea while munching on the chicken strips from La Piazza. It feels like just as I was settling in — everything ended.
In grade 12 English I read the book Stone Angel, which ends mid-way through a sentence. That’s how these past few weeks have felt for me; like an unfinished ending. It’s unsettling and unsatisfying, and I think we’re all feeling that way. Zoom calls are fine, but they’re not the same as sitting in your final few lectures and talking to your friends over coffee.
It feels wrong to mourn for this when there are people who have it much worse than me right now, but undergrad has been a long and complicated process for me, and I can’t help but feel sad that our end of year festivities have been postponed or cancelled. This is it, this is our last issue for the year, and we can’t have a last hurrah. Oh jeez, I’m crying a bit just thinking about it.
So here it is, my love letter to the Sil. From the bottom of my heart, thank you for this wild ride. Maybe this isn’t an ending, but a beginning. At least I can use the Oxford Comma again, thank the lord. Thank you to everyone on the team for being so kind, and thank you to everyone reading this for getting through to the end of my sentimental ramble. This isn’t a goodbye, just an until next time.
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Historically, McMaster Students Union presidential candidates often have big dreams to tackle issues concerning marginalized communities. Topics that reappear every year include accessibility, reducing financial barriers and sexual violence support. While these platform points can be well-intentioned, they can often be examples of poor allyship instead. Using people of colour, the 2SLGBTQ+ community, disabled people and survivors as talking points for campaigning can be insensitive if candidates are unable to follow through with their platform points.
There are clear examples of platforms that have done this. In 2018, past MSU president Ikram Farah campaigned on reducing financial barriers by re-evaluating the Ontario Student Assistance Program’s structure and reworking it to accurately reflect tuition cost discrepancies between different programs. This would mean that two students who paid different tuition amounts, and who previously qualified for the same amount of financial aid, would instead receive aid that was proportional to their costs. Although Farah completed her presidential term in April 2019, any advocacy done surrounding OSAP hasn’t had a huge impact on OSAP’s structure.
In 2019, current MSU president Josh Marando promised to hire an additional sexual violence response coordinator to address the lack of support for survivors of sexual violence. Marando still has three months left in his term, but the efforts into hiring a new sexual violence response coordinator seem to be lacking. So far, an additional sexual violence response coordinator has yet to be hired.
In addition to an absence of follow-through, candidates also often fail to consult adequately. This year, MSU presidential candidate Krystina Koc aimed to address student safety due to the Westdale and Thorndale break-ins that occurred last year, and to increase support to Maccess. However, Koc’s consultations about student safety were limited and she failed to consult Maccess regarding how to best improve support.
Incoming MSU President Giancarlo Da-Ré’s plans to improve accessibility by making the MSU website compliant with the Accessibility for Ontarians with Disabilities Act and increasing the number of courses that use Echo360 to record lectures. He also wants to implement consent culture modules that would be mandatory for welcome week representatives. Although Da-Ré states he has done 100 consultations and has platform points surrounding accessibility and consent, he did not consult Maccess or the Women and Gender Equity Network prior to campaigning.
Evidently, solidarity with low-income students, people of colour, survivors and disabled people have been a large topic of discussion within presidential platforms. However, these campaign points are rarely acted upon or are executed poorly. This leaves me and many others with questions: if these points don’t result in any visible change, why have them in your platform at all?
During campaign season, presidential candidates are trying to win students’ votes. Therefore, it’s usually important to maintain a good public image. Nothing looks better than advocating for a marginalized population. Regardless of whether these candidates actually care for the marginalized populations they’re advocating for, if they’re coming from a place of privilege and put us into their platforms, it can seem like they’re trying to win brownie points for being good people.
Additionally, this allyship quickly becomes performative if the candidates don’t follow through when it comes to supporting marginalized communities — which they often don’t. Even if you have the best intentions to help others, it is hard to change systemic oppression in a one-year term because these structures have been in place for centuries.
Typically, advocacy movements are initiated by marginalized communities themselves, not presidents. This can be seen with the WGEN, which was created to provide a safe space for women and trans people, as well as students that face sexual violence. WGEN was approved by the Student Representative Assembly because of a community survey that provided statistics of students who faced assaults, misogyny and sexism on campus. Although the SRA did come into play with the creation of this service, consultations and surveys were important in its creation, which is what the presidential candidates have been failing to do. In addition, WGEN was spearheaded by women, trans people and survivors advocating for its existence, proving that marginalized communities have always been at the forefront of these movements — not the MSU president. If the MSU president is serious about advocating for marginalized communities, then they need to consult with the groups who represent the needs of these students.
Despite Koc and Da-Ré’s well-intentioned platforms for improving peer support services and consent education respectively, they failed to consult the communities that are directly affected: Maccess and WGEN. How will you help improve support and remove systemic barriers if you do not talk to those that are directly affected?
Becoming the MSU president doesn’t mean that you suddenly have the ability to support marginalized people. Anyone and everyone can support movements to dismantle oppressive barriers — instead of campaigning on the idea that you will support marginalized people during your presidential term, start by supporting them in your everyday lives. Talk to the people you know and ask them how you can support them. Actually consult the marginalized communities you hope to support, not the institutions that oppress us. Even if you can’t make a huge change during your one-year term, you can still make meaningful change through your individual actions as a person. But if you’re not willing to commit to your platform and actually support marginalized students, please leave us out of it.
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Hamilton has become an increasingly popular destination for production companies to film their projects. From Netflix’s Umbrella Academy to Marvel Studios’ The Incredible Hulk, pictures of all genres were created on the streets that we call home. One such movie is an indie project called Speak Your Mind, directed by Hamilton-born Cyrus Baetz.
Baetz called Dundas home throughout his high school years. When he graduated, he decided to pursue a path in public relations at Humber College. At Humber, Baetz tried out an acting for film and television course for a year and then decided to complete a course on intensive film studies at Ryerson University. Since Baetz completed his studies, he has focused on film, writing, directing and editing two short films and two feature-length projects.
Recently, the director has been working on his latest flick, Speak Your Mind. The film revolves around a struggling actor who was told by his therapist to express everything and anything that is on his mind. He struggles to walk the line between what is socially acceptable and what is honest enough to satisfy his own conscience.
“Speak Your Mind came from a desire to work with [Steve Kaszas]. I have worked with him on a short film called Blue Collar Buddha . . . He was so special, so talented in the audition and he showed up for the film and really sort of stole the show . . . so I wanted to work with him and I wrote an entire feature script,” said Baetz.
Writing film is a methodical process for Baetz. He likes to work and write by himself, setting time aside each day to chip away at scripts. However, for this production, Baetz was operating under a tight time constraint as he wanted to film in Hamilton, but he was set to move to Brooklyn at the end of 2017. Since he had started the script at the beginning of the new year, there was little time to make final revisions before going into production.
Indie films work on far different schedules than those of major motion pictures. Although each have their benefits, Baetz looks more to the indie side of the industry.
“The benefits of the more indie style of the film, once we auditioned the actors, we were able to do a pretty intense rehearsal process . . . it let us perfect the scenes and dig deep in the dynamics, that way we showed up on set and the actors felt comfortable and prepared,” said Baetz.
Post-production, Baetz sat down with his laptop and cut together his film from start to finish. This time, he was no longer pressed with a tight timeline. Finishing the final edit of a project that had occupied so much of his time, Baetz was able to reflect on the movie as a whole.
“The film is designed to be provocative but also very entertaining . . . at the end of the day it’s a comedy, a bit of a dark comedy at times but it’s still a comedy,” said Baetz.
Thus far, the film has been well received,. At the Toronto Independent Film Festival, it won the best no-budget feature, an award for films with budgets under $25,000. While the film has been popular with audiences thus far, Baetz hopes that patrons walk away with their eyes opened to the times that we live in.
“[On] a more personal level and more one-on-one based level, the idea is that we assume things about people based on what we see superficially on the fronts they give us and we think we know people who we’ve been in relationships with and [in] friendships with for years, in fact a lot of the time we don’t. Sometimes the only way to really get to know people is to humble yourself and not assume you know them and ask from a place of vulnerability,” said Baetz.
The Westdale movie theatre (1014 King St. W.) will host a screening of Speak Your Mind followed by a question and answer period with Baetz. While everyone is encouraged to come out and watch the film, the director believes that students especially will take something away from it.
“This film is perfect for students because it’s a film about young people . . . who [are] struggling to find their place in society, in their social circles and find their voice and their confidence,” said Baetz. The emotional yo-yo process that comes along with that, it’s also really relevant in terms of the conversations that any socially and politically engaged student inevitably has been having. It deals with that in a way that genuinely attempts to be fair to all parties and tries to point it in a direction where there’s a compassionate dialogue and I think that’s something that could hopefully be a productive and entertaining fable for any student to enjoy.”
Speak Your Mind will be screened at The Westdale (1014 King St. W.) on Thursday, Nov. 14 and will be followed by a question and answer period with director Cyrus Baetz.
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By Wei Wu, Contributor
On Oct. 30, pro-life demonstrators stood by L.R. Wilson Hall carrying signs with images of aborted fetuses. It is not clear whether the demonstrators were students at McMaster, or whether they had connections to any existing clubs.
According to Michael Coutu, a student at McMaster, the demonstrators exposed passersby to their signs and distributed pamphlets, which contained graphic images of aborted fetuses. Coutu is concerned about whether the demonstrators received clearance to be on campus.
“Although they were not particularly loud or disruptive, I still found the images and rhetoric being spread very concerning and ill-advised,” said Coutu.
Students have raised their concerns online regarding the contrast between the Oct. 30 situation to the May 11 protest during May at Mac, in which student activists were ticketed for trespassing during a peaceful protest that criticized McMaster regarding a range of issues. One of the issues was sexual abuse within student organizations such as the Maroons.
Initially, the May at Mac demonstrators did not provide identification when asked to do so by security and were asked to leave. However, some of these individuals returned and continued their demonstration later on, which resulted in them being ticketed for trespassing.
Mac Daily News released an update after May 11, stating that university security had been working with limited information at the time. According to this update, security had approached the May at Mac protestors because of complaints from community members about the protestors’ pamphlets, which included “unsubstantiated allegations” made against a named McMaster student. Still, the update referred to the method of ticketing as “regrettable and unfortunate”. The university stated they would take steps to rescind tickets and clear them from the students’ records.
The juxtaposition between how the university approached the protests of May 11 and Oct. 30 — initially issuing trespassing tickets and charges for one group but not the other — raises questions regarding the limits of protesting on campus and the types of images that are allowed to be publicized on campus.
In a statement on freedom of expression, McMaster University clearly states that it supports the freedom of expression of all its members, as well as freedom of association and peaceful assembly for all of its members. The university affirms that members of the McMaster community have the right to exchange ideas, challenge received wisdom, engage in respectful debate, discuss controversial issues and engage in peaceful protest.
So long as students do not infringe on the rights and freedoms of others, students are free to host and participate in demonstrations at McMaster. Members of the McMaster community are not required to obtain permission from the university administration in order to protest or demonstrate on campus.
Although the demonstration on Oct. 30 touched upon a highly sensitive topic that some individuals may have found deeply disturbing, university policy protects the right to share their beliefs and engage in public discourse at McMaster.
“Other images, even though we might not agree with them, we might not find them agreeable, would be allowed and permitted. That’s part of the freedoms of expression the university campus has,” said Gord Arbeau, McMaster’s Director of Communications, adding that he did not know about the pro-life demonstration.
McMaster maintains that it supports freedom of expression and peaceful protests on campus.
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More than 2,000 maroon-clad students ventured to Dalewood Avenue last Saturday to celebrate McMaster’s first ever “Fake Homecoming” or FOCO, one of the largest student street parties that the university has seen in years.
FOCO was planned in response to the university’s decision to move its annual Homecoming event to the weekend of Oct. 18, overlapping with the end of reading week.
The unsanctioned street party began as a Facebook event called “MAC FOCO 2019 - A new beginning”. According to the page, it had over 2,700 attendees. The party coincided with the McMaster Marauders’ 47-19 win against the Windsor Lancers.
While the reason for the timing change is likely due to the 2019 football schedule, students took it upon themselves to organize a replacement Homecoming event that satisfied their own schedule.
The Facebook event description stressed that although the McMaster administration had decided to move HOCO, this would not stop students from taking advantage of an opportunity to celebrate. Visitors to the page were told to come to Dalewood on Sept. 21 and show their school spirit.
The event attracted the attention of the Hamilton Police and the McMaster administration. A day before, both parties stated in a press release that they were visiting residences to remind students to respect the community.
The Hamilton police noted that they — as well as city partners — would have an increased presence in the neighbourhood to discourage anything and anyone that might be disruptive. Particular emphasis was placed on forbidding large parties and alcohol on the streets.
HOCO has a history of safety concerns and in previous years, there have been issues of students publicly urinating and disrupting neighbors and making inappropriate comments during HOCO concerts. In addition, one woman was run over by a police horse during Homecoming in 2018.
Fortunately, FOCO did not run into such problems. Hamilton Police closed off Dalewood between Main Street West and Westwood Avenue and used caution tape to section off homes not housing students or interested in participating. With the exception of a few medical calls and bylaw tickets, the police made no arrests.
Students remained respectful and enjoyed their time day-drinking on front lawns and walking down the street. Some students even helped clean the street after the parties subsided, earning the gratitude of the Hamilton Police. In addition, the MSU planned a litter pick-up on the street for the Sunday after.
On Twitter, the Hamilton police wrote, “A special thanks to these #McMasterU students for taking the time to clean up after today’s unsanctioned homecoming event in the Ainslee Wood/Westdale area in #HamONT. Thanks for being #good neighbours.”
FOCO also drew in other students from outside Hamilton.
“It was lit. I had a really fun time and I wasn’t worried about anything. Overall, it was really relaxing,” said Trevor Chang, a third-year Laurier student and regular HOCO participant.
The success of FOCO has encouraged some students to plan a similar event next year should McMaster’s annual Homecoming fall during reading week once again.
“It’s a cultural thing. Of course there will be another FOCO. If we want to, university students are going to plan something like this again,” said a McMaster student who wishes to remain anonymous.
Regardless, the event supports the possibility of over 2,000 McMaster students attending an entirely student-run Homecoming event with no major issues.
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By: Lauren O'Donnell
‘A Two Piece’ consists of two separate and distinct dance pieces choreographed, respectively, by Georgi DiRocco and Jake Poloz. It is a part of the Hamilton Fringe Festival, and it runs until Sunday, July 28th. ‘A Two Piece’ is being put on at The Westdale Cinema, recently renovated and looking snazzier than ever.
As the audience filters into the theatre, the dancers are warming up. There are brief flashes of the performance that is to come, interspersed with stretches and laughter. With dance performances it can be easy to feel out of place and confused, but that was not the case with this show. Every movement spoke directly to the heart of summer romance, however fleeting. The performers channelled every emotion from lovesick, to happy, to heartbroken, to disinterested in every boy on every dating app. Truly, the most relatable content.
The stage remained bare except for a small bin of props. The focus remains permanently on the performers. They command the stage. There are brief moments of slam poetry interwoven within the choreography, connecting the movements to the words in another kind of duet. The poetry is good, but the true strength of the performance lies in the dance.
Each of the two pieces carries a different tone, as well as dramatically different music choices. In other words, if one of the pieces is not your other thing, the other one probably will be. Different as they may be, however, there is a cohesion and unity to the show that makes it feel whole and fulfilling.
I give this show a solid 2/2 pieces. When you’re compiling your list of Fringe plays to go see, make sure to add this one in. And then go ahead and add in every other Fringe show.
For more information, visit http://hamiltonfringe.ca/shows/a-two-piece/
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By: Natalie Clark
Calling all coffee addicts, there’s a new must try spot in town! Phin Coffee Bar is located at 804 King Street West. The Westdale neighbourhood spot is only a short walk from campus. The owner, Andrew Meas, launched the bar’s soft opening on Feb. 16 and has been committed to serving the Westdale community their best cup of coffee since.
This may be Meas’ first coffee shop, but he has lots of experience in the coffee industry and a lot of love for what he does.
After finishing his bachelor’s degree at the University of Toronto, Meas wasn’t sure what he wanted to do. His grandmother, who owned a café in New Zealand, invited him to make the trip to work for her and learn how to bake and make coffee.
Although Meas wasn’t a fan of the baking aspect of the café, he became intrigued by the coffee. Her returned back from New Zealand and starting working at Smile Tiger Coffee Roasters in Kitchener.
Soon after becoming a pro at brewing coffee, Meas made the decision to start planning his own coffee shop in June 2018. It was a decision of impulse and instinct, and he admits to a little bit of peer pressure.
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This pressure came in the form of the encouragement he had from his friends to take the next big step in career and open up Phin.
Meas quickly realized that opening up a coffee shop meant more than just knowing how to brew a good cup of coffee. While opening up Phin, Meas ran into some challenges, mostly administrative things he didn’t think of, like cups and insurance.
When choosing a location, Meas knew that the Westdale neighborhood would be the perfect place. The community’s charms and close proximity to McMaster were advantageous to the new business.
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Meas is aiming Phin Coffee Bar at students, professors and young adults, and being in the Westdale neighborhood accomplishes that for him.
When asked what he believes Phin will add to the Westdale community, Meas mentioned that he hopes it will create a lot of foot traffic, encourage the exploration of coffee and brew a reputable cup of coffee.
Meas sees coffee as a gateway into people’s lives, it’s a part of their routine and lifestyle, and Phin Coffee Bar aims to be that gateway by creating a cozy and approachable vibe in the Westdale community.
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By: Natalie Clark
When the quaint and beloved Westdale Theatre closed down in early 2017, residents of the Westdale community and many McMaster students were especially upset. Although fairly run down, the Westdale had been the community’s hot spot for Friday night dates, Hollywood’s must-see films and the best popcorn in town for as long as anyone could remember.
On Feb. 14, the Westdale community celebrated the long-awaited re-opening of the Westdale Theatre. Guests were told to dress in period attire for a special event accompanied by cocktails and a screening of the 1942 classic, Casablanca. The event also featured a silent auction, where guests could explore the new and improved venue while admiring local Hamilton art.
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With searchlights lighting up the night sky and a red carpet gracing the floor of the doors of the theatre, the Westdale certainly dressed to impress for their grand re-opening. The 350 ticket event sold out in two weeks.
For the past 30 years, the Westdale was owned by an elderly man in Toronto. It wasn’t until he passed away that his family put the theatre up for sale, allowing new owners to claim the theatre, known as the Westdale Cinema Group.
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“An enormous amount of changes were made… the theatre was in terrible condition, we spent 2.5 million dollars restoring it,” mentioned Fred Fuchs, chairperson of the Westdale Cinema Group.
“Besides equipping it with state-of-the-art projection, screens, new seats, new sound, new acoustic panelling, we also had to completely redo the air conditioning and the heating, the electrical system, the roof, the bathrooms — it was a complete overhaul of the entire theatre,” said Fuchs.
About two years later, the Westdale Theatre is back open for business, and the community is thrilled. Westdale resident and Silhouette alumnus, David Simpson, had one word to describe the re-opening event, “fabulous”.
“I think that the re-opening will be great for Westdale and for McMaster too, creating a hub for the community,” said Simpson.
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Members of the Westdale community are thrilled about the re-opening of the theatre but are also admiring the other advantages that the theatre welcomes to the community.
“It’s wonderful to see it revitalized, and to see hundreds of people in the theatre is great,” said Vivian Lewis, a member of the Westdale community.
“I think that the theatre is going to bring a diversity of films to the community,” mentioned Lewis. “Right now in Hamilton we just have lots of box theatres that are showing the same thing on every screen, and so this theatre will be our chance to see more art films and more alternative films that aren’t currently available in Hamilton.”
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Aside from standard film movies, the Westdale Theatre will also be hosting frequent live music shows, talks, performances and other special events.
“I’m excited about the idea that it’s not just a movie theatre anymore and that it’s also performance based,” said Sue Trerise-Adamson, another Westdale resident.
“I think that is a really good idea, and it expands all the possibilities of the theatre… I think it’s a real anchor for the whole community of Westdale,” mentioned Trerise-Adamson.
Westdale locals have already begun visiting the theatre for their regular screenings and are grateful to have the theatre back in the community.
Experience the new and improved Westdale Theatre on your own and check out all available screenings and shows on their website: https://www.thewestdale.ca/now-playing/
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By: Natalie Clark
Since graduating from McMaster in 2008, the Arkells have become one of Hamilton’s greatest accomplishments. “You write what you know,” mentions lead singer of the Arkells, Max Kerman, who accredits not only Hamilton, but McMaster, to the inspiration behind many of the band’s greatest hits.
“You write material based on your own life experiences; you’re trying to tell a story about a person, a friend, or someone you admire,” said Kerman.
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The multiple Juno-award winning band’s career began in Hamilton where Kerman met the other members of the band. Their band name was even inspired by one of Westdale’s own street name; Arkell Street. Their first gig was played at the annual Battle of the Bands at McMaster in spring of their first year and a few of their songs feature campus landmarks such as the Brandon Hall residence in “Where U Goin”.
The Arkell’s music video sets and album titles have included places beyond campus including Cheapies Records, Jackson Square and even a Hamilton Street Railway bus.
McMaster and Hamilton are clearly places that the band admire. For Kerman, the buildings we spend long hours studying in, the neighbourhoods we settle into and the downtown spots we find excitement in paint the setting of his coming of age story, despite winding up there for other reasons.
“I went to McMaster because my high school girlfriend who was older than me was already there in the year ahead of me… I wanted to go to a school that wasn’t near my parents’ house, and McMaster took me in,” said Kerman.
Kerman went on to graduate as a political science major and describes his passion for politics as stemming from his family.
“My mom is a high school teacher and my dad is a social worker, which are two very community-based jobs…because I had this in my house growing up, it makes you think about how you are a part of a bigger thing,” explained Kerman.
He described political science as constantly asking questions about how we understand and figure things out together and how we coexist in this world. His education informed the way he sees the world and Kerman often translates this passion for politics into the band’s lyrics.
The Arkells have had more than a few hits with political messaging including “Knocking at the Door” which is inspired by The Women’s March on Washington and their most recent single, “People’s Champ”, is a protest against American President Donald Trump.
The Arkells are making their way across Canada and the United States this February to tour their new album Rally Cry. Their most local show will take place at the Scotiabank Arena in Toronto on Feb. 16 with special guests Lord Huron.
“Getting the chance to play our new material is something we are most looking forward to, and when we were working on the songs in the studio, we were really thinking about how these songs would come off live,” mentioned Kerman.
The tour comes after their record-breaking show, The Rally, this past June at the Tim Horton’s Field. In true Arkells fashion, where better to have their biggest performance to date than in their hometown? As the Arkells continue to thrive, it’s exciting to see where their momentum will take them next.
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As the semester quickly comes to an end during the busiest time of the year, it’s easy to feel overwhelmed by the piles of coffee stained study notes and to do lists. Between exams, holiday shopping and all the other things on your plate, it’s important to carve out some time to enjoy yourself. As Hamilton transforms into a winter wonderland, now is the perfect time to check out all the fun events happening across the city.
The Phoenix Bar and Grill will be hosting the first ever Holiday Market on campus. The patio will be decked out in twinkling lights and local vendors. Complete your holiday shopping while sipping on hot drinks and snacking on festive treats, or get creative at the crafts stations to make your own festive arts. No holiday market is complete without a photo with McMaster’s very own Santa. Entry to the market is free but make sure to bring cash for shopping at the vendors!
Looking for a lovely homemade gift that you don’t have to make yourself? Check out the Craftadian Christmas Market on Dec. 1 from 10 a.m. to 4 p.m. at McMaster Innovation Park. Over 80 local makers will be there selling unique and beautiful gift ideas, from a toy for your baby cousin to a scarf for your Secret Santa pick.
Head down to Westdale on Dec. 7 from 5 p.m. to 10 p.m. for some wintry fun. There will be live music and entertainment, a vendor market at the Westdale Public Library, horse and carriage rides and late night shopping.
Record store Into the Abyss is putting on two of its intimate in-shop shows during December. Head down to the store on Dec. 1 at 7 p.m. to see Toronto singer-songwriter Adrian Underhill, Montreal pop duo, Best Fern and Hamilton singer-songwriter, Gareth Inkster. On Dec. 13 at 7 p.m., the set list includes Toronto songwriter and poet Steven Lambke and duo Construction and Destruction will perform in celebration of their joint EP. Hamilton’s own Wish Coin will also be performing.
Looking for some feminist fun that supports a good cause? On Dec. 3 at 7 p.m., take a night off studying and attend Broad Conversations’ Feminist Trivia Night hosted at Toast Wine Bar. Admission is PWYC with 100 per cent of the proceeds being donated to Sexual Assault Centre (Hamilton Area). Open to everyone, this is a great chance to unwind with your friends and win some cool team prizes!
The Christmas Ferris wheel in Gore Park will be up through the entirety of exam season, from Dec. 7 to Dec. 23. Taking a free ride on the Ferris wheel makes the perfect downtown study break, providing both a layback outing and a spectacular view of downtown Hamilton. Stop by Redchurch Café and Gallery for a warm drink and stroll through their latest exhibit.
Head down to Gore Park between Dec. 7 and Dec. 9 for the annual Christmas market. On the opening Friday, the market will kick off with the Christmas tree lighting at 5 p.m. and there will also be free live music from the Troy Harmer band. Throughout the rest of the weekend, check out local vendors such as Red Church Café, Toast Wine Bar, Collective Arts, Hamont Doodles and Hamilton Hobos. In addition, there will be a fully licensed mulled wine and hot cider bar, DJs playing throughout the weekend, a mistletoe kissing station and much more. The best part is that entrance to the market is free.
On Dec. 8 at 2 p.m., check out this workshop for a chance to create your own semi-precious stone or crystal bracelet to aide in mindfulness and personal growth. The history of this process, how to care for your bracelet and the stone options will be explained in a booklet given at the workshop. In addition to making the bracelets, the workshop will begin with a guided mediation. The workshop cost $15 for the bracelet and a hand sewn bag to store it in. If you want to make more than one bracelet, additional bracelets cost $8. If you’re thinking this would make a perfect gift for someone, you can get your bracelet gift wrapped for $4.
On Dec. 15 from 9 p.m to 2:30 a.m. Polyester will be hosting a drag show and dance party at This Ain’t Hollywood as part of their monthly events in Hamilton. The show will feature drag performances by Beautiful Baby Bel Bel. A mix of pop, house, remixes and beloved Christmas jams will be included in DJ sets by Rosé and Mia. Polyester hosts positive and safe party environments that are open to everyone. Cover is $10.
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