On Apr. 9, 2015, one week after the final weekly paper of the academic year, the former arts and entertainment section known as ANDY had its last 24-page magazine. The direction and focus of the section in the 2015-2016 year lead to the magazine being discontinued, and was not revived with ANDY’s merging with the Lifestyle section in 2016-2017.

On Feb. 10, 2016, we had our last Sex and the Steel City magazine, which was distributed at the same time as the regular, weekly paper and totalled 32-pages. This was more of a reflection of the former Lifestyle section, and while considered despite the merging of the ANDY and Lifestyle sections in 2016-2017, was discontinued due to budget cuts and low pickup rates.

While these sorts of special issues were generally high quality with the amount of time allowed for long-term goals and let volunteers who do not generally contribute share their perspectives, these concerns and others similar to them have been inhibiting factors for considerations.

We have considered a few options to help elevate these:

1) Have better timing to not align with the usual, weekly release to not potentially cannibalize readership, and have a better gauge of distribution processes.

2) Be willing to produce online only issues.

3) Create issue ideas that are more applicable to a wider student base of the university, and reduce how niche the topics are.

Right now, we have two ideas of what we want to do for this year. The first is an issue entirely dedicated to humour. The Speculator on the back page of every week is a fantastic example of what you could expect. We could branch out a bit, open it up for contributions from you and the McMaster community and create a physical product that would appeal to almost anyone on campus or in the city.

This would likely be released after classes end for one of the terms or during the mid-term recess next term.

The second idea is to revive Sex and the Steel City as an online only publication. This was historically beneficial for putting out stories and perspectives that did not fit into the weekly sections, and was a favourite of our Production and Lifestyle teams of the past in order to show off some of their best work. While the topics did not appeal to everyone and was insistent in maintaining its NSFW mentality, it was a fan favourite to those who picked it up.

This would likely be released just before Valentine’s Day or during the mid-term recess next term.

These are not set in stone by any means. When it comes to the revival or creation of content like this, we want to make sure we are making content that you actually want to read and contribute to. While we can assume a lot based on history and random, sporadic feedback, there is still a degree of uncertainty given the amount of time off we have had from special issues.

We would love to hear about your interest in these two goals and other considerations for projects we could do. If you were passionate about ANDY, we would love to hear it by messaging us on social media or sending an email. If you would like for other sections of the paper to get their chance at a special issue or have a completely new idea, then that is perfect too. Just let us know what you want, and we will do our best to provide it for you.

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Honestly, I forgot how transitioning to university felt as a first-year. There was a certain uneasiness and anxiety that came with it. Feelings of leaving old times behind and not really knowing what next week, let alone five years from then, would have in store were mixed with good times and new friends. The last few weeks may be a sensation you will never experience to this degree again.

While support for incoming students was strong when I started, it has increased over the years. The number of events and services dedicated to helping the first few weeks of adjustment has grown consistently since. A countless number of dedicated volunteers and staff to help incoming students have somehow grown into an even larger number with no signs of stopping.

We have not done enough to be included into that group.

With everything that has been happening in the community, the paper and the lives of the staff, it slipped my mind to reiterate the importance of understanding what our readers may be going through.

The last issue had a lot of useful information, but that should be the norm anyway. We had “Congratulations — Welcome to Mac” on the cover, but that is not necessarily new or useful in a long list of welcomes given to new students.

Most of our welcomes have been self-serving. Attracting people to the paper and getting volunteers to contribute to our sections have been a few of our many priorities. Reinforcing why we do what we do has not been one. While attempting to improve the paper is nice, it is difficult to do without keeping its purpose in mind.

If we are not doing our best to serve you as the reader, then we are not living up to our objective or potential.

While this is generally in the form of making sure your voice is represented and heard and keeping you informed about McMaster related issues, it should also take the form of understanding your thoughts and feelings about the university. Our articles often have overlap with this, but some sort of sincerity should have been explicitly expressed.

We are not the best resource for support by any means. We are not specialized in mental health, running events or academic considerations. What we can do is make sure that we express our appreciation for you and make sure you are comfortable with the media that serves you.

It should not matter if you read the paper a single time or if you never volunteer for us. If you have been here for less than a day, multiple decades or any period in-between, we would like to welcome you to the university for the start of the academic year.

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The Silhouette staff has always jokingly said that working in this office merits you a second degree majoring in The Sil. After having worked here for four years, nothing feels truer.

Every week the staff at The Silhouette churns out another paper. It’s considered small compared to most weekly papers and magazines, but an impressive feat for a student newspaper. We’ve worked unpaid overtime almost every single week that we’ve been here, and often use every moment that isn’t dedicated to schoolwork to edit and write articles, layout pages, shoot photos and videos, and hang onto some semblance of sanity for dear life.

I remember walking into the office in my first-year and sheepishly hovering around the door until someone asked me if I was looking for something.

And I was looking for something. I was looking for my place at this University, and luckily, I found it.

During the four years of my undergrad, I never quite fit into my program. I wasn’t sure what I wanted to do with my life, and I was desperately in search of a place where I could feel both welcomed and challenged with new tasks.

The Silhouette was that place for me, and during my time here it has been more than an office. I’ve gained valuable life experience, met amazing friends, and have truly felt welcomed at our University.

For those of you reading and empathizing with the struggle to fit into your program, I cannot encourage you to join clubs more. McMaster’s larger faculties may not always provide the best learning environments, but our student body has gone above and beyond to create a system of clubs and services that can cater to all students.

Had it not been for The Silhouette, I may have dropped out of school in my second year, and who knows when I would have mustered up the strength to return.

Over the years I’ve seen four different staffs enter and leave this office. Each cohort has taught me innumerable lessons and inspired me by their work ethic. Whether it was a lesson in fact-checking, writing for a diverse audience, using my stories to send a compelling message, or simply knowing when to give up, I’ve learned more in this basement office than I could ever put to paper.

The Silhouette has been going strong for 86 years, and that is in thanks to the amazing people that have walked through these doors.

I would like to take this time to send a special thanks to the MSU for keeping us around for all these years and standing by our side even though many would like to think print is dead.

A huge thank you to all of my partners in crime over the years — SG, MB and JR — for keeping me sane. A shout of appreciation to our previous staff members and EICs for believing in me enough to keep me around this long.  SC, JW and AT, thanks a million.

And the biggest thank you to our amazing staff and volunteers for making this year memorable and successful.

This is really cheesy, but I’m happy to say I’ve now successfully earned my second degree, a B.Sil, and I can’t wait to witness the cohorts to come next.

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I love a good subtweet. So long as it isn’t misogynistic, racist or a personal attack on my upbringing, I usually get a strange form of excitement from people sending pseudo-insults across cyberspace.

Working for a creative product, I am no stranger to people thinking they can freely insult our product because it is something visual and easy to critique. Sometimes these comments are harsh and unwelcome and leave me questioning our readers, but every now and again, a productive message gets filtered through. And those are the subtweets our paper lives for.

The Silhouette is McMaster’s student paper. Your student fees pay for it, and we want to represent you accurately. All of our content is made by student staff, and everyone here is part of the McMaster community and the MSU. We like hearing from you. We like knowing what you want from us.

It’s easy to throw a snarky insult our way and reap in the favourites on your Twitter or Facebook post, but what we’re really looking for is your honest concerns and advice for a product that will make you happy.

To help get this feedback, I am excited to announce a new initiative that will help you share your ideas, while also providing us with the constructive comments we’re hoping for. “Silvision” is a three-part campaign that includes a feedback survey and public forum, and will share the ways you can get involved and materialize your visions for your student paper. Subtweet or not, we want to get your input.

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Sarah O’Connor
Staff Reporter

Recently I’ve found myself in a rut. Maybe it’s just me, getting too relaxed during the Christmas break and now unable to find the thinking cap that university life requires. Maybe it’s because I recently turned 20 and am having a minor crisis of leaving my teenage years, one step closer to graduation, one step closer to pure adulthood.

Whatever it is, perhaps even a combination of several, I’ve worried about my writing recently and have had trouble writing in general. I’ve always loved writing. I’ve loved the relief and numbness I get after writing something emotional or personal and the excitement of an idea as it plots its way through my brain. But lately I’ve been letting deadlines creep up and the ideas that swirl around in my brain stay swirling, unable to land on a piece of notebook paper or a word document. Sure, I’ve typed a few meager lines out. But then I stop, read, and let the document lay forgotten in virtual dust.

That’s one of the main reasons I love writing for the Silhouette, it gives me a deadline, a due date, a goal for when I have to have something written by. There’s no time to worry and criticize it, I simply type, edit, send and wait for Thursday when it will be published. There is no alternative; I agreed to have an article in and it must be in or else I screw people over. But lately even this has been a struggle for me.

I started writing for the Silhouette in my first year in hopes I’d gain experience and improve my writing in different sections and forms. I wanted to grow and expand in my writing, but I’m wondering if maybe, like a flower, I’m already grown. I might already fit the pot perfectly; there is no need for transplant when I’m perfect where I am.

Whenever I submit an article I eagerly await for Thursday. As a weekly tradition for myself I always read the Silhouette when it hits newspapers stands where I can read my fellow writers’ pieces and see what the editors’ changes in mine. More often than not I see the beauty they add that I failed to create. And that isn’t a bad thing - that’s an editor’s job, what they’re supposed to do. Still every time I see the edits I see my failure. I see where I lack as a writer.

In these blah moments, I reflect on my goals as a writer for after I graduate. I’ve already succeeded and gone ahead by becoming a staff reporter for the Silhouette. But I can’t help wondering if there’s a point going after my other goals anymore. Perhaps I’ve found my calling, my purpose. Perhaps my voice is meant for the students of McMaster and that’s it. Don’t get me wrong, I love writing for the Silhouette and I’ve learned a lot from it, but I want more.

Despite my blah mood I’m not going to stop writing for the Silhouette. Maybe some of you are happy by this, maybe some of you aren’t. Whatever your wishes, I’m here to stay and will continue pushing my roots, continue trying to grow or at least see if there’s anything worth growing. I’ll keep with my weekly tradition and maybe I’ll jot down those ever swirling thoughts in my brain. Maybe.

When I saw Kim’s Convenience at Theatre Aquarius on Friday evening, I couldn’t help but think about my own family for the full two hours.

I am not Korean, I don’t live in Regent Park, nor does my family own a convenience store. But the whole time I felt that Apa, Janet, Umma and Jung were telling my story – my family’s story. When Apa revealed his disappointment with Janet’s career as a photographer, I remembered my own mother’s confusion four years ago: “Why not just science? Why art and science?” When Umma explained how Apa had sacrificed his whole life, his whole self, for his children, I thought of all the stories my father always shares so longingly about his home country. When Janet twisted her father’s arm to squeeze out of him the words “I love you,” I wanted nothing more than to immediately call my parents to remind them how much I care.

The production is hilarious, moving and honest – often brutally honest. My loud laughter was regularly cut off by a sudden wave of emotion. The story shifts gracefully from humour to heartbreak and thus offers a highly nuanced and realistic image of Canadian immigrant life.

But it doesn’t always paint a pretty picture. Apa might very well embrace a black husband for his daughter, but he will systematically practice racial profiling while running his business. And in the one instance that we see on stage, the audience gasped when Appa catches a Jamaican man stealing from his store. Janet is a kind and caring daughter, but we still see her in moments of extreme selfishness. And the story of Jung, the son with so much potential who ends up in a dead-end job with a baby and a girlfriend he doesn’t love, left me wondering about the futility of it all. Would their life have been different, better, more fulfilling if they had never come to Canada? Was Apa’s life a waste if his children were unhappy and unsuccessful? Could he have done things differently? Does there come a point when parents should not be held responsible for the decisions and failures of their children? When does that day come?

I was the probably the youngest person and I was also very clearly a racial minority. The room was filled with older, white men and women. And the whole time I wondered – what are these people thinking about? How are they relating to this story? Is there empathy? Do they too feel like they are contained within Kim’s Convenience store, that they too can find their own stories somewhere between the aisles and the shelves?

Kim’s Convenience reminded me of the power of theatre - of how a simple, everyday story suddenly becomes startling and special.

Kim’s Convenience is playing at Theatre Aquarius until November 23rd.

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