Mac women’s water polo team continue annual Motionball fundraiser during COVID-19

Graphic by Sybil Simpson, Production Editor

In 2020, the McMaster women’s water polo team helped raise over $33,000 in their annual motionball fundraiser to send athletes with intellectual disabilities to the Special Olympics. Now with the pandemic, they have continued their fundraising efforts in a more creative fashion.

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Motionball supports young people who have intellectual disabilities, including (but not limited to) autism, Asperger syndrome and Down syndrome. These athletes are working hard to raise funds and help these families succeed in sending their athletes to the Special Olympics.

“Normally motionball is a one-day event where people fundraise. Then we have the event, receive all the donations and we’re done. Now it’s a month-long and full of events,” said Samantha Campione, a student ambassador at the DeGroote School of Business who is involved with motionball.

“Normally Motionball is a one-day event where people fundraise. Then we have the event, receive all the donations and we’re done. Now it’s a month-long and full of events,” said Samantha Campione.

The bigger challenge for the event stems from the social distancing guidelines put in place during the pandemic. This means that donors and the athletes cannot meet face-to-face.

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“People can’t meet their special olympic athlete, which makes it a lot harder to bond with them and get to know the intricacies and wonderful qualities of the athlete . . . It’s definitely harder for fundraising and for event planning, but what I worry about the most with COVID is people not getting the full experience with the athlete,” said Campione.

It may be harder to raise funds this year between the limited fundraising opportunities, the financial crunch many have gone through resulting from the pandemic and the limited interaction between the donors and the athletes, yet there are other ways for people to help. 

“I have just been asking everybody if they can just share and spread the word. Even if you can’t donate, the more you get the word out about it is honestly the best. As much as fundraising really supports the event and the people who are a part of it, the awareness is one of the biggest parts of it as well. We just want people to know about it and the more people that do know about it, the more that we will reach other people and we’ll be able to get more people involved,” said Paige Hamilton, a second-year athlete on the women’s water polo team.

“I have just been asking everybody if they can just share and spread the word. Even if you can’t donate, the more you get the word out about it is honestly the best. As much as fundraising really supports the event and the people who are a part of it, the awareness is one of the biggest parts of it as well. We just want people to know about it and the more people that do know about it, the more that we will reach other people and we’ll be able to get more people involved,” said Paige Hamilton.

Whether or not the team reaches their fundraising goal of $27,000 this year, the team wants to make sure the message is heard and that those in their community are aware of what they are working towards. 

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The motionball events will take place through the month of March with weekly events throughout. Students who sign-up will still have the opportunity to meet with the athletes being supported in the planned events and games during the month. For additional information on Motionball McMaster, check the official website here.


Come Together

Kyle West

[Best_Wordpress_Gallery id="223" gal_title="SATSC Kyle West"]

This photography series was inspired by comparing classic symbolism of unity and strength with consideration to the themes of Sex and the Steel City. Across the world and throughout many diverse culture, the symbol of holding hands can be seen to communicate intimacy or a close relationship.

Taking this symbol and empowering it through strong vertical compositional choices lend the viewer to perceive these couples and their love as prevailing. The stylistic choices are a nod towards the strength and monumentality of the landscape work of Ansel Adams and the influential portraiture of Platon. Ultimately, Come Together is a story of love, unity and partnership and my best ability to document this.

Kyle West is a Hamilton-based photographer. He is in his final year of art history at McMaster University and is currently the Photo Editor for the Silhouette. West has developed a particular interest in portraiture over the years, often times turning to digital and film photography to capture his subjects in a beautiful light. From perfectly timed scenes of bustling city streets on film to carefully composed landscapes and journalistic endeavours, West also utilizes his photography as a means for storytelling.


Shower Scene

Erin Nantais

This digital drawing entitled “Shower Scene” explores ideas and themes of intimacy that are typically uncomfortable for individuals to openly discuss.

Sex and sexuality are often unnecessarily forbidden topics that need to be reimagined as natural and normal.

Through this piece, sexuality is explored and depicted as natural, normal and familiar.

Simple lines and colours along with a minimalistic look are used to enhance the idea of intimacy as a normal and acceptable human experience.

Erin Nantais is a fourth year multimedia student at McMaster University. She typically works with photography and graphic design. Her personal style of work emphasizes strong lines and simple colour schemes to create a distinctive digital feel. Creative portraiture and animal photography are main sources of inspiration for most of Nantais’ work. Nantais has always been interested in art and photography and through her work she’s found a digital style that incorporates elements of both.


1st piece: Naturally Grown (Digital print, series of 20)

2nd piece: The healing sex (Digital print series of 2)

Jet

[Best_Wordpress_Gallery id="221" gal_title="SATSC Jet"]

 

Jet’s artistic process relies heavily on research into my chosen focus. It starts with the inquiry: “I want to understand more about…” as they then experiment with different mediums until they find the right material and presentation of their idea. Visualization is the key to their process where they push the boundaries of my idea and test as many possibilities as they can. When the piece is ready for an audience, Jet prefers the audience takes part in the outcome of the work itself.

Jet works mainly with performance, video, sculpture, photography and painting. They try not to ever limit myself to one medium. Jet encounters ideas that seem to float in the air and works with them, listens to them, becomes them and finds the best method to allow the work to exist in harmony with the audience.

Jet’s practice often explores the human body in all of its physical and ethereal elements. Throughout their life they have always made space for themselves to imagine and work out complex issues. This gives them the head space to create and transform what is not yet physical into a tangible piece.  

Jet is a  multidisciplinary artist who emigrated from Mexico in 2009. They grew up feeling that they didn’t always belong. Social norms, family, friends, peers, the state, and especially an oppressive culture of dominance, sought to limit the creativity of their soul. Now their work reflects a rebirth of expression, and the power of the artist’s will to transform the unseen beauty that surrounds them.


Eviscerate

Coercion

Cait Gautron

[Best_Wordpress_Gallery id="225" gal_title="SATSC Cait Gautron"]

In her first piece, Eviscerate (3016), in using fruit to mirror anatomy Cait Gautron was seeking to  question ideas of ripeness and primacy in media surrounding sex. Shadowing the piece are ideas of destruction and decay. With these characteristics she playfully seeks to evoke viscera while using approximate substitutes to create a surreal and dreamlike atmosphere.

Coercion (2018), oil on canvas. With this work, Gautron seeks to raise issues around social and institutional factors which motivate consent and the fear felt by participants who may unknowingly fall in to the role of perpetrator or victim.

In oil paints Gautron seeks to explore the delicate balance between desire and disgust, growth and decay, inherit in human anatomy. Raised by an artist mother, the majority of her early artistic education came from exploring the galleries and museums of Europe in her early teens.  In that time she became enamoured with the lustre of Vermeer’s still lifes and the contortion of Schielle’s portraits. Currently enrolled in her second year of McMaster University’s studio arts program, Gautron has just began to show her work around Hamilton and Ontario.


or nothing at all.

Kayla Da Silva

[Best_Wordpress_Gallery id="227" gal_title="SATSC Kaylita"]

or nothing at all.

 

It’s 11:07 am.

You check your phone.

 

For a moment 

you can’t breathe 

and then breathing 

happens all at once. 

 

Too fast. Too frequent.

Depression lingers 

in the depths of your mind 

and anxiety holds 

you by the throat. 

 

_

It’s 9:27 pm.

You ask them to choose you,

but they show you

they never will.

Over and over again.

 

You knew all along 

this was going 

to happen. 

The red flags 

waved furiously

but they were in 

your blind spot.

 

_

Now.

You are accompanied 

by your old friend, 

insomnia. 

You are enveloped

with exhaustion,

and gently embraced

by the solace of truth.

 

Sometimes 

you have to choose if 

you want to pick 

the dandelion 

or the rose 

or nothing at all.



The artwork accompanied by the poetry is meant as a reflection of relationships that are emotionally damaging. More times than never, an individual in the relationship may not be aware of how complicated the situations were until leaving them.

The series is meant to highlight the mental turmoil an individual can experience when the pattern of behaviours from a partner negatively impacts their state of mind. When being in a complicated relationship, it can often lead to an internal conflict when they are in-love with their partner.

The difficult question is; how long can one hold on to what appears to be a rose when the thorns cause trauma? A partner should never put you in a position where you need to routinely put your wellbeing at risk.

Kayla Da Silva, also known as Kaylita, is a creative and a designer. She has found her poetry to be a suitable companion to the visuals she creates. She holds a Bachelors of Arts in multimedia and communications from McMaster University and currently resides in Hamilton, Ontario working full-time as a junior graphic designer.

Instagram: @iamkaylita


Food/Fuck

Matty Flader

CW: Disordered eating

For me, sex and food have always had their limbs awkwardly intermingled (in a no eye contact Grindr hookup sort of way). I know what you’re thinking: “how deep, bananas look like dicks and I’m entirely enthused and kind of turned on.” Yet, the story of this photograph is really one of inner turmoil, anguish and ultimately resistance. The food/fuck correlation, as I call it, has lingered like an unwanted houseguest in my head for quite some time now. It goes something like this: the less sex I’m having the less I feel I’m allowed to eat. In times of plentiful or at least grandiose sexual conquest, I can take a breath… or, a bite I guess. The logic is as desperate as it is simple. If I’m not getting laid, I better stop snacking and start looking like a snack. The food/fuck correlation not only problematically frames sex as some prize for me to win, it also leads me through disorderly cycles of eating. It’s all too easy for the things I did or didn’t eat to change my self-perceived body image.

This self portrait is meant to picture the undying torment food puts me through. Putting a voice to this struggle challenges the hegemonic belief that men, those wonderful, tenacious beasts, could never develop eating disorders. The photo challenges the societally constructed ideal of a man who is too tough to feel pain. Inability to conform to this ideal can strip one of his own masculinity. As men the borders of our gendered and sexual identities are constantly under scrutiny by our peers. For most, it’s far easier to conform by reproducing masculinity however they see possible. As a result, men are taught that being normal means never being vulnerable. Expressions of masculine insecurity like my food/fuck anxiety are constantly pushed to the margins of society. I say fuck that. Through this photo I proudly shout: I am a man, I have feelings, sometimes I feel insecure, but here I am. And hey, I bet you’d still fuck me.

Matty Flader is an emerging artist based in Hamilton, Ontario and Vancouver, British Columbia. He takes an interdisciplinary approach to art projects, with a specialization in portrait photography. Flader’s work concerns a broad range of topics, including gender performance, eating abnormality and responses to current events. He often challenges difficult ideas through a humourous lens in attempt to bring attention to the absurdity of this world.

Instagram: @matt_der


 

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Photo by Kyle West

By: Bridgette Walker

There have been and will continue to be various types of service and working dogs in educational environments like McMaster University and out in the world at large. I’m Bridgette and I have a dog guide named Estelle.

Please don’t freak out! Properly trained dogs are more effective, efficient and reliable than technology for a lot of physical and mental health conditions. These dogs truly do save lives.

Estelle plays many important roles in my life including going to McMaster University with me. She does many things including listening for certain sounds — especially my snack alarms — and knows where all the really important places are. Aside from deafness, I have anxiety, autism and chronic migraines. Estelle keeps me in check mentally and emotionally.

When meeting service dogs, there are some ground rules: ask first, establish what’s helpful and what are the limits. There are some things Estelle really shouldn’t do for her own sake, and a few things that would actually cause problems for me. Meeting other service dogs is cool too, as long as they're all well-behaved and ready to get right back to work.

Anyway, I don’t appreciate people randomly trying to pet or play with Estelle while I’m walking between classes. In general, all dog guides need to pay attention to where they’re going, and to their person.  We're on the move, but she’s still listening for what sounds are in the area, how I am doing and so forth.  

Please respect my space. I don’t like being “crowded in” and neither does Estelle.  She may be a dog, but she’s also regarded as a medical device — same as a wheelchair or other medical apparatus.

And yes, you can take a picture of us as part of the scenery going by, but don’t stop us to pose for snaps; if we did this every time, I'd be late for everything.

Enough with distracting the dogs themselves! This can be dangerous for other people with more serious conditions when their service dogs are being distracted and hindered from alerting them to potentially harmful or even fatal issues that can crop up at any time. I’m blessed that this isn’t the case for me, so far.

Then there are people with phobias. I don’t know whatever trauma you have endured in the past but we really don’t mean you any harm! Please, stop screaming and whining. It’s not good for Estelle's ears, not good for my anxiety and certainly not good for your throat or mental health.

Don’t project your personal problem onto us like that. You are an adult in university and entering the working world. If you’re going to be like that every time you see Estelle or another kind of service dog on campus or out in the world, you’re not going to live as good a quality life as you deserve. Everyone should be able to enjoy or at least tolerate seeing these dogs on duty — they’re really good at heart!

The secret is that if she weren’t on duty, she'd like to try being your friend! Estelle also likes visiting babies, kittens and even pet chickens. Anyway, since she can’t try comforting you in her doggy-way, try refocusing your perspective of the dog with: “It’s a special animal. It’s somebody’s lifeline.”  

From Estelle and me, see you around campus!

 

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Sex and the Steel City has made its rounds over the years.

Whether it was moving on from a totally separate issue to an insert, reviving it from the dead after it was put to rest in 2014 or making the decision to not distribute 8,000 copies of full-on porn around campus and the community, looking through the SATSC archives is both hilarious and moving.

Special issues are a lot of work. Every aspect of this issue has a meticulous planning process and an entire team of staff and volunteers to get the job done. This year’s edition of SATSC was no exception.

On top of making sure that our regular, 28-page issue is both high-quality and on stands on time, our staff worked around the clock looking for submissions, editing content, laying out pages and planning a launch party. Razan Samara, our Arts & Culture editor, spent months planning the issue, from working and reworking our page count, layouts or what the cover might look like. Some of our contributors did double their paid workload in order to get this issue on stands.

Despite the various planning meetings, extra hours in the office, stress headaches and way too much coffee, we got it done, and it looks incredible.

We published the last Sex and the Steel City magazine in February 2016. The 32-page issue was distributed at the same time as our weekly paper and despite its popularity, was cut the following year due to budget cuts and complaints about the fact that it was NSFW.

After floating the idea around how to bring it back last year, we revived the special edition in the form of a some extra pages in our Arts and Culture section. We strayed from our traditional format about writing about sex for the sake of writing about sex and instead published pieces surrounding sex, health and relationships.

This year, we decided to follow suit, putting in an additional 12 glossy pages filled with artwork, information about LGBTQ2SA+ friendly spaces in Hamilton and several pieces on sexual health and wellness. We also added our feature and sports section to the fun with some themed articles and decided to have a launch party for it — which you should come to, tonight at Redchurch Cafe from 7 p.m. to 11 p.m.

Special issues allow our staff and contributors to stray from our usual content and dive into topics that interest them, never minding what may be too taboo for our weekly issue. It allows our production team to really show off how talented they are. Most importantly, it allows us to stray from the ordinary and be as creative as we want.

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