In the lobby of L.R. Wilson Hall, human figures constructed of wood carving and found objects are fastened to a series of nine panels. At the bottom of the panels are phrases chronicling the thoughts that the artist, Persimmon Blackbridge, had while making the work. The figures come together to question the way in which society frames disability as a fracturing of life rather than an expected part of it.
Blackbridge’s Constructed Identities exhibit will be set up in L.R. Wilson Hall from Jan. 16 to Mar. 15. The exhibit is part of McMaster University’s Socrates Project and put on in partnership with Toronto disability arts gallery Tangled Art + Disability, for which Constructed Identities was the opening exhibit in 2015.
On Jan. 16, Blackbridge came to McMaster via video chat to have a conversation with Eliza Chandler. Chandler is an assistant professor at Ryerson University, founding Artistic Director of Tangled Art + Disability and a practicing disability artist and curator.
Blackbridge chronicled her disability art practice, which began in 1977. The Canadian sculptor, writer, curator, performer and editor told the story of her life and its entanglement with her art practice. She cites art as something that has helped her in dark spaces and in her daily life.
“I've been an artist for 48 years. I've had a psych diagnosis for 31 years. I've had a learning disability for 68 years. Had kidney disease for 15 years. Some of these things work better together than others,” said Blackbridge in the opening of her talk.
Blackbridge recalled starting art school not long after experiencing her first breakdown. She counts herself as fortunate to have found a community of artists and activists in art school who understood her experiences.
Blackbridge’s history of making disability and mad art has put her on the forefront of these movements, which are only now being publicly funded and programmed. She likes the idea of having this exhibit shown in a university because she sees universities as spaces where disability is beginning to be discussed in new ways.
The pieces in Constructed Identities bear similarity to figures she created for a preceding series that explored her diagnosis. It was in that series that she began cutting off the tops of the figures’ heads and she has continued doing that in this work.
“[I]t really represented how some of us have [multiple] diagnoses and every shrink you see gives you a new diagnosis and expects you to act in a different way depending on that… [I]t's [also]… a way of representing invisible disability… [S]ometimes we don't get to speak with all of our identities together, sometimes we get fragmented into different, different pieces,” explained Blackbridge.
The first phrase in Constructed Identities is “what she taught me.” “She” refers to Tempest Grace Gale, a singer, artist and Blackbridge’s friend who was murdered in 2009. Gale combined doll parts and collected junk in her art practice, items which Blackbridge inherited after her death. The series begins with a reference to her because she influenced all the pieces in the exhibit.
There are others in Blackbridge’s life who influenced the work. SD Holman insisted Blackbridge carve more in this series than she did in her previous one. The wings in panel 4 are a tribute to the death of Blackbridge’s friend, Catherine Holman, who passed away in a plane crash. The words, “soft stroke” refer to the small strokes that Blackbridge’s partner, Della McCready, has as a result of her mysterious brain disease. McCready also helped to install the exhibit.
Some of the figures in the exhibition were made since it first showed in 2015, all entitled “his bones.” These pieces are made with bones that once belonged to Geoffrey McMurchy, a disability artist and activist who died suddenly in 2015. McMurchy was a founder of Vancouver non-profit Kickstart Disability Arts and Culture, which supports and promotes artists with disabilities.
“He and I shared a junk aesthetic and often traded… in bits of trash to inspire each other's art work. I was sent beautiful bones he’d collected over the years and that formed the basis of these new pieces. His work, his style, his energy and his hot sly humour helped so many of us along the way,” Blackbridge said.
Blackbridge is not done with Constructed Identities. She still has McMurchy’s bones that she is working with. His death was also the catalyst she needed to create more seated figures, as she realizes that the floating figures could be perceived as standing.
Constructed Identities has been on tour across Ontario since it opened up at the Tangled Arts + Disability gallery in Toronto. Next year it will be going to Vancouver where Kickstart Disability Arts and Culture Society will showcase the exhibit as it continues to inspire audiences to think deeper about disability.
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By: Coby Zucker
Looking at the McMaster men’s basketball roster, the word “young” comes to mind, as nine of the 16 players on this year’s squad are rookies. With the addition of third-years Damiann Prehay and Yaw Antwi-Boasiako, and the return of Connor Gilmore, only four current players were on the roster last year.
Despite solid contributions from core veterans Matt Quiring and David McCulloch, this drastically different roster makes it is easy to see how top contenders might overlook the team. Even still, despite the youthful lineup, the Marauders are not interested in taking the path of least resistance and slapping the “growth” and “rebuilding” tags on the season.
🏀 FINAL: McCulloch's 23 points leads the way, as @MacMensBball pulls away in the fourth quarter to record the 97-80 win over Guelph!
Mac is 2-0 in the New Year, and improves to 6-7 in conference play. #GoMacGo pic.twitter.com/LKmkJ3UgAO
— McMaster Marauders (@McMasterSports) January 12, 2019
“Yeah, I know that there’s a lot of first-years,” said junior forward, Kwasi Adu-Poku. “But at the same time, I’m feeling like this is a really good chance for us to do something big. We wouldn’t really see it as a growth year because [head coach Patrick Tatham] brought in a lot of people who are ready to work, ready to go hard, already have a good idea of how to play and everything.”
Coach Tatham’s confidence in his rookies certainly shows. Freshman guards Tristan Lindo, Sefa Otchere and Jordan Henry are averaging 26.1, 20.3 and 25.6 minutes per game respectively, accounting for 28.2 points per game together.
The confidence is paying off, and the rookies are looking to keep up the trust and continue to earn the right to lengthy minutes in their first season of university-level play.
“[Coach Tatham] expects me to be more aggressive, play with confidence, be solid defensively and offensively, and just play with a lot of heart and effort,” said Otchere.
For Otchere, despite his solid numbers in the first half of the season, the adjustment to university ball has taken time.
“You want to do a lot of things because you’re not used to this level yet,” Otchere added. “But just trying to more composed, more relaxed, just understanding you don’t need to rush, everything will just come to me on the court.”
The amount of inexperience within the Marauder’s system has also catapulted the few returning players into leadership positions. Adu-Poku, only in his third year, is already finding himself in the veteran role.
“It’s a bit weird to process at times,” said Adu-Poku, “because I still feel like I’m pretty young myself. When I come into practice and see a lot of first-year guys kind of eager to learn, I realize I could at least give them a bit of mentorship in that respect. So I’m realizing that I’m more of a leader than I think I am.”
https://www.instagram.com/p/BpUla7-hwWd/
Adu-Poku was also quick to stress that leadership spots are not just doled out to the players who have been in the system the longest.
“I think with [coach Tatham’s] culture right now… I think he’s just really trying to show that anyone can be a leader in the sense that, if you’re willing to step up and fit the idea of what he wants to get done and just do what you do best, he’ll use you as someone that people could get advice from,” Adu-Poku explained.
In all, there is a pervasive sense that this Marauders squad, containing the few core veterans supported by a cast of motivated rookies, are still more than capable of putting together a strong campaign.
While the dominant Carleton University and Ryerson University teams might still be out of reach for the time being, the Marauders continue to gain university-level experience and build chemistry. Only getting better, the Mac men will look to continue to prove they are capable of knocking down teams previously thought to be well beyond striking distance as the season progresses.
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