Piper & Carson’s second album Edgewalker’s Remedy is about divesting from colonist structures
By: Tracy Huynh, Contributor
For singer-songwriter duo Piper & Carson, music is about disarming people, building community and creating intentional art that heals. They sought to embody these ideals in their second album, Edgewalker’s Remedy, which was released on Oct. 23, 2020.
Piper & Carson is the stage name of duo and couple Piper Hayes and Carson Ritcey-Thorpe. Hayes and Ritcey-Thorpe met when Hayes, who was raised in the east end of Toronto, was performing at a Harvest Bash in Ritcey-Thorpe’s hometown of Millgrove.
Feeling a deep connection with the land and the community, the two moved to Hamilton five years ago. In 2017, they released their self-titled debut album, Piper & Carson. The theme of nature is apparent throughout their music, with sounds of water and birds underlying the melody.
Their second album, Edgewalker’s Remedy, is about divesting from capitalist and colonial systems. The title paints a picture of how colonialism pushes groups of people to the edges of society. Tackling themes of anti-racism, Indigenous sovereignty and respecting the Earth, the album is strikingly relevant to the topics currently explored by media today.
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For example, in Mother’s Prayer, background heartbeat sounds, vivid imagery and lyrics such as “Decolonize your mind/You don’t own anything” bring attention to the Black Lives Matter movement. It’s clear from the first listen that this duo isn’t trying to shy away from topics that spark conversation.
“We felt really strongly that it's really our responsibility as settlers here to be part of anti-racism and to be part of amplifying the voices of Indigenous people. It's people [and] it's communities that are going to change things. I have very very little faith in the current structures that are in place,” said Hayes.
The duo has been amplifying Indigenous voices by sharing content from Indigenous activists on their social media platforms. However, they aim to create a long-term exit strategy from social media.
“For years it has felt imperative as musicians to have a Facebook, Instagram and Twitter account. Lately, however we are questioning this reasoning and wondering what better ways we can collectively invest in each other and our relationships,” said Hayes and Ritcey-Thorpe in a press release.
Wanting to further reject the predatory capitalist practices of the music industry, Hayes and Ritcey-Thorpe did not put the album on streaming platforms. Instead, the album is available on their website and Bandcamp in a pay-what-you-can model. They wanted to make decisions centred around their art, rather than around what would do well on the market.
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The project also includes a companion book of lyrics and stories for “adult children.” The book features custom illustrations by Métis artist and friend of the couple Riley Bee. The physical and digital versions of the book are available on their website.
“Our goal is to just get us all collectively to slow down, reflect and hopefully seek out the connection to this natural world, to step into that as much as possible and build and foster wonder,” said Ritcey-Thorpe.
Hayes and Ritcey-Thorpe recorded their latest album in their Hamilton home in the midst of the pandemic. For the pair who are used to performing live, this was new territory. With the help of their friends, Greyson Gritt and Chris Bartos, the duo navigated the challenges of learning new equipment, setting up their home studio and working digitally with other artists.
It was important for the duo to collaborate with artists like The Rough and Tumble and Lacey Hill. They found that the digital space combined with the insights of other artists allowed for creative and serendipitous ways of building a song.
Piper & Carson are livestreaming a show on Nov. 29, 2020. As with their other work, tickets are being sold using a pay-what-you-can model. Hayes and Ritcey-Thorpe are going to use the show to serenade, tell stories and connect with their guests. Through this show, they continue to build community with their music even during the pandemic.
