The McMaster alumnus story of Alex Anthopoulos, a Canadian kid turned major league GM
Alex Anthopoulos is a Major League Baseball front office executive most well known for his time with the Toronto Blue Jays and presently, the Atlanta Braves. Anthopoulos is a native of Montreal, Quebec and grew up a big fan of the Montreal Expos baseball team.
His love of baseball brought him into the Expos organization, where he found himself in a voluntary role as the team’s “mail boy.” It was a small role for someone with big aspirations, but it proved a significant stop on the route to a larger role.
Sorting fan mail has nothing to do with baseball operations, however, it was the foot in the door that Anthopoulos needed. It gave him the opportunity to get into the stadium, meet others within the organization and talk baseball. Through this, he managed to impress some of the scouts that he had an opportunity to talk to, which is how he got his big break.
Anthopoulos managed a busy schedule year-round, working with the team over the summer while completing a degree in economics at McMaster University in the early 2000s. In 2002, he joined the Expos’ scouting department as the team’s assistant scouting director. However, he would leave the team to take up a new opportunity that would have a substantial impact on his career.
In 2003, Anthopoulos would be hired into the scouting department of the Toronto Blue Jays. In 2005, he was promoted to assistant general manager under the guidance of J.P Riccardi. Three years later, Riccardi was fired, with the McMaster graduate taking the reins at the age of 32.
During Anthopoulos’ six-year career with Toronto, he made what many believed to be aggressive moves for the team. He started his career by moving Roy Halladay — who many have considered one of the greatest Blue Jays of all time — to the Philadelphia Phillies.
He shed the once thought of “unmovable contracts” of Vernon Wells and Alex Rios. He would sign unproven stars Jose Bautista and Edwin Encarnacion to long term contracts. R.A Dickey — the recipient of the 2012 Cy Young, given to the league’s top pitcher — would later be brought to Toronto coming off his award-winning year.
Anthopoulos would acquire Josh Donaldson prior to the start of the 2015 season, and he had become the Blue Jays’ first MVP winner since George Bell in 1987. At the midway point in the season, he would have one of the craziest trade deadlines in MLB history, acquiring Cy Young winner David Price, and perennial all-star shortstop Troy Tulowitzki. He would bring back a buzz to Toronto, and the team would make their first playoff appearance since 1993.
Following the 2015 season, Anthopoulos would leave the team for a new opportunity with the Los Angeles Dodgers.
"I don't know that I've had to make a harder decision in my life . . . I just didn't feel like this was a right fit for me going forward,” said Anthopoulos to Business Insider.
"I don't know that I've had to make a harder decision in my life . . . I just didn't feel like this was a right fit for me going forward,” said Anthopoulos to Business Insider.
Source: In their 1st & only meeting, new Jays prez Mark Shapiro scolded Alex Anthopolous & staff for trading so many top prospects this yr
— Rick Westhead (@rwesthead) October 29, 2015
He would spend the next two seasons with the Dodgers before joining the Atlanta Braves as the team’s general manager. In his three seasons with the Braves, they have won their division three times, but have fallen short of the championship trophy each year.
Their furthest push came during the 2020 season, led by the national league MVP Freddie Freeman; however, they fell one game short of the World Series. Going forward the team remains in championship contention, as Anthopoulos looks for the final piece to get them over the hump.
By: Areej Ali
This past November marked the launch of “Tax-Free Tuesdays,” an initiative proposed by McMaster Students Union president Ikram Farah during the 2018 presidential election.
The pilot project, created in collaboration with McMaster Hospitality Services, entailed offering students a 13 per cent discount at La Piazza during the month of November.
Farah initially created the initiative in effort to promote food affordability on campus.
“Food insecurity is real. The MSU invests in the operations of the MSU Food Collective Centre to offer immediate food support to students,” said Farah in a Silhouette article about the project from November.
With the winter semester coming to an end, McMaster Hospitality Services director Chris Roberts has confirmed that “Tax-Free Tuesdays” project will not continue in the future.
The aim was to have increased traffic flow in La Piazza, which would offset the financial losses resulting from giving students the discount.
According to Roberts, La Piazza did not see increased traffic in November.
“The data clearly showed that our transactions on the Tax-Free Tuesdays were no different than previous Tuesdays ,which resulted in a significant loss in revenue over the course of the pilot,” said Roberts. “This indicates that students continued their usual habits regardless of the discount.”
He cites Union Market’s elimination of their boxed water, suggesting that McMaster Hospitality Services must continue to operate in a financially responsible manner.
As such, the “Tax-Free Tuesdays” project will likely not resurface next year.
When asked for her comment on McMaster Hospitality Services’ decision, Farah did not provide a response to The Silhouette.
There is a lack of clarity with respect to McMaster students’ feedback from the project, including whether or not they believe there was sufficient advertising from the MSU.
Farah and the MSU have also yet to publicly respond to Roberts’ comments and McMaster Hospitality Services’ decision.
“I believe there are other initiatives that we could look at that serve the needs of students who are financially challenged that will not affect our financials in a negative way,” said Roberts.
An example of one such initiative is Bridges Cafe’s new “Cards For Humanity” program, a pay it forward initiative through which students donate to other students.
According to Roberts, students can expect to see various food accessibility initiatives emerge, but “Tax-Free Tuesdays” will no longer be one of them.
On Feb. 16, the Hamilton Aerial Group is inviting the community to witness a story of wanderers with its sixth annual Winterfest cabaret show, La Nuit du Vagabond. Both one-hour shows will take place at 5 p.m. and 7:30 p.m. in the third floor event space of the Cotton Factory.
The troupe wanted this year’s cabaret to be current and thus the performance’s individual aerial, acrobatic and puppetry acts weave a story of migration to a better place. Founder and artistic director of Hamilton Aerial Group, Lori Le Mare, was influenced by the displacement of people from war-torn countries.
“In particular I read about the exodus of people from Central America… and how it gained strength as people were moving and why they were leaving their homes… [I] guess just having that as a loose space for the story but not… preaching. You don't want to preach but we just want to sort of reflect [on] what's happening in the current times and then have people make up their own mind about how they feel about that,” Le Mare said.
[Best_Wordpress_Gallery id="209" gal_title="La Nuit du Vagabond 1"]
The group brainstormed how to represent this underlying theme and came up with imagery such as emerging out of a tunnel. Le Mare instructed the individual performers to put themselves in the shoes of someone struggling to reach a better place so that the component acts form a narrative.
The cabaret was not always a narrative piece. When it started in 2014, the show took on a more traditional cabaret format with 5-minute musical and circus acts. It began as a way to raise funds to move into a new space and buy new equipment. From the first year, there was a strong positive response with over 500 attendees.
After a few years of a cabaret style show, the Hamilton Aerial Group changed the fundraiser to be more a narrative-driven theatrical performance without as many musical acts. The change was driven by viewers saying they wished to see more aerial acts.
“[I]t's my love really to create a story… [W]e'd have a really interesting beginning and an interesting ending… but then we have all these other musical acts that didn't really go with the sort of story that we were establishing by having a beginning and an ending… [W]e thought that if we could take out the musical acts and just have those aerial acts… we could have more of a narrative storyline throughout it,” said Le Mare.
The narrative is also supported by the elaborate costumes that the performers wear. The costumes are made by Hamilton Aerial Group member Tanis Sydney MacArthur and usually evolve out of ideas that were not used throughout the year.
Le Mare also likes to work with local artists in the creation of costumes for the show. She has a long-time collaboration with Hamilton activist, artist and puppeteer Melanie Skene who has made puppets and masks for the aerial group over the years. This year, local artist Colin Christopher Palangio will also be making headpieces for the stilt costumes.
[Best_Wordpress_Gallery id="210" gal_title="La Nuit du Vagabond 2"]
Le Mare founded the Hamilton Aerial Group when she moved back to Hamilton after 23 years in Toronto. She became an aerialist while in Toronto and when she returned to Hamilton, began teaching classes through the Hamilton Association for Residential and Recreational Redevelopment Programs.
Teaching at HARRRP led to people asking Le Mare and those she taught to perform. This group of performing aerialists eventually developed into the Hamilton Aerial Group. People have come and gone over the years but the community that the aerial group created has endured.
“I think it's a really good place for people to… deal with any kind of issues they might have… [W]hen you become really strong physically and you're also in a group of strong, not physically strong but I think emotionally strong, women — and we are pretty much all women — then we just really support one another,” Le Mare explained.
Anyone is able to join the Hamilton Aerial Group as long as they have a passion for and willingness to learn the circus arts. Le Mare also recognizes that many viewers may not be able to see a large scale Cirque du Soleil show and strives to make her shows accessible.
Poster C/O Gord Pullar
The annual cabaret used to be pay-what-you-can but after having to scale down the number of attendees due to fire regulations, the show is now $28. However, there are a block of 30 tickets that are free for children under the age of 12. Le Mare hopes that in the future the annual cabaret will take place in a larger space so more people will again have access to the aerial storytelling of the Hamilton Aerial Group.
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