I Am Beauty
Ink Illustration and Digital Art
This artwork illustrates the beauty of sexuality and the immersive experience behind self-empowerment. A mixture of space, nature, and modern identity, the self represents the beauty of openness and freedom to express oneself. It also represents the complexity and ambiguity behind a person’s desire to find meaning in a world that demands homogeneity.
Pluto’s Heartbreak
Ink Illustration and Digital Art
This artwork illustrates heartbreak within broken relationships in a postmodernist society. Living in a technological and ever-changing era has rewired the way humans process relationships. Little details such as the melting snow, rewind and fastforward button on the television heads describe the different stages of ‘time’ and overall healing process people experience.
Untitled 1
Untitled 2
Painting
In my work “Untitled 1 & 2” I looked to explore representation and identity. These two works happen to be representative of two strong women from my life. Because of this I decided to paint both figures with strong and decisive postures, looking into the viewer and contesting the gaze cast upon them. Another way in which I wanted to challenge the use of representation within painting is my use of a tricolor system of black, white and red. By removing any sense of skin color or in turn reality of identity I was looking to challenge how representation within art history was commonly used in the renaissance and baroque period. By not providing any visual cues to background of the subjects in any way, the vagueness and multiplicity of identity becomes more clear. The inclusion of many expressive formal elements, such as uses of the brush and colour is meant to represent emotion throughout the fragility that is the human experience and inner strength. Overall, I was more interested in creating portraits of strength and challenge the representational nature of identity throughout the classical art history canon.
Lights Get Bright Tonight
[pjc_slideshow slide_type="katie-van-kampen-satsc-2020"]
Photography
One day, my friends and I wandered into the Penticton Art Gallery to the main exhibit to be struck with a neon light of reds, purples, blues and pinks. I pulled out my camera to take some shots, gesturing wilding at my friends to pose near the light, trying to capture what I saw at that moment. All my three friends are some form of LGBT with two of them identifying as bisexual women. I raised my camera to take the photos and when I looked down at the 3 inch LCD screen I saw something I thought was beautiful. The light hit their faces perfectly, the colours that make up the bisexual pride flag smearing across their faces and fading into the shadows of the room.
This article is part of our Sex and the Steel City, our annual sex-positive issue. Click here to read more content from the special issue.
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Kyle West
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This photography series was inspired by comparing classic symbolism of unity and strength with consideration to the themes of Sex and the Steel City. Across the world and throughout many diverse culture, the symbol of holding hands can be seen to communicate intimacy or a close relationship.
Taking this symbol and empowering it through strong vertical compositional choices lend the viewer to perceive these couples and their love as prevailing. The stylistic choices are a nod towards the strength and monumentality of the landscape work of Ansel Adams and the influential portraiture of Platon. Ultimately, Come Together is a story of love, unity and partnership and my best ability to document this.
Kyle West is a Hamilton-based photographer. He is in his final year of art history at McMaster University and is currently the Photo Editor for the Silhouette. West has developed a particular interest in portraiture over the years, often times turning to digital and film photography to capture his subjects in a beautiful light. From perfectly timed scenes of bustling city streets on film to carefully composed landscapes and journalistic endeavours, West also utilizes his photography as a means for storytelling.
Erin Nantais
This digital drawing entitled “Shower Scene” explores ideas and themes of intimacy that are typically uncomfortable for individuals to openly discuss.
Sex and sexuality are often unnecessarily forbidden topics that need to be reimagined as natural and normal.
Through this piece, sexuality is explored and depicted as natural, normal and familiar.
Simple lines and colours along with a minimalistic look are used to enhance the idea of intimacy as a normal and acceptable human experience.
Erin Nantais is a fourth year multimedia student at McMaster University. She typically works with photography and graphic design. Her personal style of work emphasizes strong lines and simple colour schemes to create a distinctive digital feel. Creative portraiture and animal photography are main sources of inspiration for most of Nantais’ work. Nantais has always been interested in art and photography and through her work she’s found a digital style that incorporates elements of both.
Jet
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Jet’s artistic process relies heavily on research into my chosen focus. It starts with the inquiry: “I want to understand more about…” as they then experiment with different mediums until they find the right material and presentation of their idea. Visualization is the key to their process where they push the boundaries of my idea and test as many possibilities as they can. When the piece is ready for an audience, Jet prefers the audience takes part in the outcome of the work itself.
Jet works mainly with performance, video, sculpture, photography and painting. They try not to ever limit myself to one medium. Jet encounters ideas that seem to float in the air and works with them, listens to them, becomes them and finds the best method to allow the work to exist in harmony with the audience.
Jet’s practice often explores the human body in all of its physical and ethereal elements. Throughout their life they have always made space for themselves to imagine and work out complex issues. This gives them the head space to create and transform what is not yet physical into a tangible piece.
Jet is a multidisciplinary artist who emigrated from Mexico in 2009. They grew up feeling that they didn’t always belong. Social norms, family, friends, peers, the state, and especially an oppressive culture of dominance, sought to limit the creativity of their soul. Now their work reflects a rebirth of expression, and the power of the artist’s will to transform the unseen beauty that surrounds them.
Cait Gautron
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In her first piece, Eviscerate (3016), in using fruit to mirror anatomy Cait Gautron was seeking to question ideas of ripeness and primacy in media surrounding sex. Shadowing the piece are ideas of destruction and decay. With these characteristics she playfully seeks to evoke viscera while using approximate substitutes to create a surreal and dreamlike atmosphere.
Coercion (2018), oil on canvas. With this work, Gautron seeks to raise issues around social and institutional factors which motivate consent and the fear felt by participants who may unknowingly fall in to the role of perpetrator or victim.
In oil paints Gautron seeks to explore the delicate balance between desire and disgust, growth and decay, inherit in human anatomy. Raised by an artist mother, the majority of her early artistic education came from exploring the galleries and museums of Europe in her early teens. In that time she became enamoured with the lustre of Vermeer’s still lifes and the contortion of Schielle’s portraits. Currently enrolled in her second year of McMaster University’s studio arts program, Gautron has just began to show her work around Hamilton and Ontario.
Kayla Da Silva
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or nothing at all.
It’s 11:07 am.
You check your phone.
For a moment
you can’t breathe
and then breathing
happens all at once.
Too fast. Too frequent.
Depression lingers
in the depths of your mind
and anxiety holds
you by the throat.
_
It’s 9:27 pm.
You ask them to choose you,
but they show you
they never will.
Over and over again.
You knew all along
this was going
to happen.
The red flags
waved furiously
but they were in
your blind spot.
_
Now.
You are accompanied
by your old friend,
insomnia.
You are enveloped
with exhaustion,
and gently embraced
by the solace of truth.
Sometimes
you have to choose if
you want to pick
the dandelion
or the rose
or nothing at all.
The artwork accompanied by the poetry is meant as a reflection of relationships that are emotionally damaging. More times than never, an individual in the relationship may not be aware of how complicated the situations were until leaving them.
The series is meant to highlight the mental turmoil an individual can experience when the pattern of behaviours from a partner negatively impacts their state of mind. When being in a complicated relationship, it can often lead to an internal conflict when they are in-love with their partner.
The difficult question is; how long can one hold on to what appears to be a rose when the thorns cause trauma? A partner should never put you in a position where you need to routinely put your wellbeing at risk.
Kayla Da Silva, also known as Kaylita, is a creative and a designer. She has found her poetry to be a suitable companion to the visuals she creates. She holds a Bachelors of Arts in multimedia and communications from McMaster University and currently resides in Hamilton, Ontario working full-time as a junior graphic designer.
Instagram: @iamkaylita
Matty Flader
CW: Disordered eating
For me, sex and food have always had their limbs awkwardly intermingled (in a no eye contact Grindr hookup sort of way). I know what you’re thinking: “how deep, bananas look like dicks and I’m entirely enthused and kind of turned on.” Yet, the story of this photograph is really one of inner turmoil, anguish and ultimately resistance. The food/fuck correlation, as I call it, has lingered like an unwanted houseguest in my head for quite some time now. It goes something like this: the less sex I’m having the less I feel I’m allowed to eat. In times of plentiful or at least grandiose sexual conquest, I can take a breath… or, a bite I guess. The logic is as desperate as it is simple. If I’m not getting laid, I better stop snacking and start looking like a snack. The food/fuck correlation not only problematically frames sex as some prize for me to win, it also leads me through disorderly cycles of eating. It’s all too easy for the things I did or didn’t eat to change my self-perceived body image.
This self portrait is meant to picture the undying torment food puts me through. Putting a voice to this struggle challenges the hegemonic belief that men, those wonderful, tenacious beasts, could never develop eating disorders. The photo challenges the societally constructed ideal of a man who is too tough to feel pain. Inability to conform to this ideal can strip one of his own masculinity. As men the borders of our gendered and sexual identities are constantly under scrutiny by our peers. For most, it’s far easier to conform by reproducing masculinity however they see possible. As a result, men are taught that being normal means never being vulnerable. Expressions of masculine insecurity like my food/fuck anxiety are constantly pushed to the margins of society. I say fuck that. Through this photo I proudly shout: I am a man, I have feelings, sometimes I feel insecure, but here I am. And hey, I bet you’d still fuck me.
Matty Flader is an emerging artist based in Hamilton, Ontario and Vancouver, British Columbia. He takes an interdisciplinary approach to art projects, with a specialization in portrait photography. Flader’s work concerns a broad range of topics, including gender performance, eating abnormality and responses to current events. He often challenges difficult ideas through a humourous lens in attempt to bring attention to the absurdity of this world.
Instagram: @matt_der
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By: Youssef El-Sayes
Choosing a degree and career path is not an easy task. Students pursuing a degree in science have a wide variety of available career options. These range from positions in research, industry, medicine, illustration and so much more. It almost seems like the possibilities are endless.
But how does one truly understand their goals without experiencing their options? Many professionals end up with a job that they thought would interest them but eventually learn otherwise.
This issue has become so commonplace that institutions like McMaster University have developed strategies to help students gain a variety of experiences outside of their chosen undergraduate program. A great example are the interdisciplinary experience courses, offered by the school of interdisciplinary science.
For a full credit, students can choose from a wide array of IE courses that cover topics such as three-dimensional printing, visiting Kentucky for a caving fieldtrip or hiking Algonquin park while learning about Canadian history, geography and literature.
IE courses serve the purpose of introducing students to a variety of disciplines that will help broaden their perspectives and opinions towards science. By providing students with active learning opportunities, they can develop a personal connection and a deep motivation for the subject.
The idea of active learning has been studied for decades. In essence, active learning requires students to be engaged with the delivered content while critically thinking about the activities they are working on.
Current research suggests that fostering engagement in class activities is more likely to improve student learning compared to simply spending extra time on a topic. This is why IE courses available at McMaster University consist of short workshops, field trips or tutorials that keep students motivated and prove that learning does not need to be time consuming.
These experiences are especially rewarding for students because they earn a credit for their work. The results of IE courses are also long-lasting. For example, upon completion of IE courses, many students often undertake related volunteer positions and internships, in order to put what they have learned into practice.
Aside from personal growth, IE courses also provide a multitude of professional benefits. Due to the small class sizes, students can engage in one-on-one interactions with instructors or guest speakers and build valuable networking skills.
These experiences also set students apart by giving them something distinct and unique to include on a resume. Overall, IE courses allow students to build on their academic, personal and professional qualities and become multi-faceted individuals.
McMaster University has always led the path for innovative teaching and learning, and offering IE courses is no exception. Students should always challenge themselves to step outside of their comfort zone in order to find their real interests and ambitions. By doing so, students can become professionals in their fields that truly love what they do.
It is clear that experiential and active learning opportunities are able to foster skilled and competent individuals who are willing to create a brighter future, and this is exactly what McMaster has been striving to do. So the next time you are enroling for courses, consider taking an IE class.
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It all started with an illustration of Mulberry Coffeehouse at the end of July. From there, the Instagram account Hamont Doodles has accumulated 1720 followers, from local businesses to Hamilton residents.
The account depicts iconic Hamilton spots, such as Westdale Theatre and Bayview Park. Dotted between the streets and businesses everyone knows are illustrations of pretty Hamilton houses, mostly commissions from one of the account’s hundreds of followers.
[spacer height="20px"]Sara Sandham is behind Hamont Doodles, the Instagram account showing off Hamilton’s good side. Although she’s been drawing since she was young, art was never something she seriously considered as a career. It was only during this past summer that she was inspired to pick it up.
“[M]y brother had been in the hospital for a couple months and I just needed something to do… [H]e had this amazing corner room with the craziest view of the entire city. So while he was there I… started drawing and then he was basically the one who [said to] put them online,” Sandham recalled.
By putting up her pieces online, Sandham has formulated a supportive community. She’s been able to meet people who love her work and have personal connections to the spots that she’s depicted.
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Sandham didn’t grow up in Hamilton. Her mother moved to the city when she was in university and by spending summers in Hamilton, she grew to love the city and its unique character. Now the city has grown to inspire her art.
“[A] lot of my colors and subject matter just come from photos I take when I'm out and about. So if I'm out around golden hour and I see a nice sunset, I'll take a photo of the sunset and then use those colors from that photo later in another piece,” Sandham explained.
Sandham draws digitally, using her photos of Hamilton as reference images. She starts with an outline, moves on to perspective and then works on the colours.
During the month of October, Sandham challenged herself to depart from reference images by participating in Inktober. The drawing challenge encourages artists all over the world to ink daily, using a series of 31 prompts.
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She’s fallen a bit behind, but Sandham asked her followers at the start to be patient. It’s been a busy month for her. In addition to Inktober and her commissions, she is balancing two jobs. On top of that, Sandham challenged herself further by choosing to make all of her drawings Hamilton related in theme.
Sandham has been creative in how she’s done this. She started with a bottle of Ticat Tears for the prompt poisonous, drew a chicken crossing the Pride Sidewalk for the prompt chicken and drew buildings on James Street for the prompt precious.
The colours are one of the features that makes Sandham’s doodles so visually appealing. While she’s found Hamilton to be several shades of brown, those aren’t the only colours that can be seen in her illustrations. She changes up the colours, tinting browns with orange and turning greys into teal.
Sandham leaves drawing her favourite part, the sky, for last. Taking inspiration from Hamilton’s stunning sunsets, she incorporates pleasing purples and warm yellows into her skies. Most interesting is the way she formulates the sky in a series of geometric shapes.
Her followers await the colourful illustrations she will concoct in the future as Hamont Doodles continues to grow.
“Honestly I think it's happened so fast that I feel like I haven't really given a huge amount of thought to the future. I mean at some point I'd love to have my art in the Art Gallery of Hamilton–that would be a pretty cool accomplishment, but honestly I just want to make my art more accessible to people,” said Sandham.
Her following would love that as well. The beauty of Sandham’s doodles is the love and joy with which she depicts Hamilton. Everyone wants to own the snippets of the city that she creates.
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