The Cotton Factory used to be a mostly abandoned groups of buildings in Hamilton’s industrial sector, a remnant from a bygone era of manufacturing in the city. That all changed five years ago, when Laura and Robert Zeidler purchased the property on 270 Sherman Avenue North, transforming it into the vibrant centre for the arts that the are today. They’ve refurbished the boarded-up windows and empty rooms, turning the buildings into warm and welcoming community spaces filled with both artists studios and a coworking space.
“A lot of the doors on all of the artists’ studios have glass on them, most of the artists keep their doors open when they’re there so that there’s this really nice feeling of community in the building, which is what we’re really working at,” said Laura. “Another thing we work to develop and maintain the feeling of community in the building is places for collision. So little lounge areas, kitchenettes, all that kind of stuff, so that when they’re heating up their tea they start chit-chatting and finding those synergies to work together.”
The coworking spaces in The Cotton Factory allow people to connect with potential collaborators and build relationships with other artists. The buildings that were once empty are now buzzing with activity. The Zeidlers emphasize the importance of creating a space like this for the arts in the city.
“What we’re trying to do is provide space for creative things to happen. It’s not just artist studios with people going into their studios and doing art. What we’re trying to develop is a community, and that’s why we do [events] like ‘Explore the Cotton Factory’ where people can come and see the community, but also the people within the building can go around and see what’s happening in different peoples’ studios. We’re really trying to help support and show the community that’s in Hamilton and around,” said Zeidler.
Their work isn’t just limited to the buildings interior. The Zeidlers are working to promote the arts throughout the city. They have hosted the Hamilton Art Week Launch Party for the past two years running. They’ve had concerts with the Hamilton Philharmonic Orchestra — one of Canada’s leading professional orchestras. They also hosted the Quilt of Belonging exhibit with Tourism Hamilton — a collaborative art project combining art from Canadians across the county. The Cotton Factory was even a venue for the Hamilton Fringe Festival this past year. Amongst other projects, they are collaborating with the Hamilton Arts Council on an Artist-in-Residence program.
“They’re assisting us with our Artist-in-Residence program . . . there’s a studio that we provide and Hamilton Arts Council helps choose the artists. There are two artists and they’re there for three months on a rotating basis and then once a year we have an artist from Europe come to stay — we actually have an Artist-in-Residence from Estonia right now,” said Zeidler.
Through this program, The Cotton Factory provides resources for artists that may not otherwise have access to them, giving the creators the opportunity to focus on creating.
The Cotton Factory has created more than just a studio space. They have grown a community for creators and makers to call home. The Cotton Factory is a shining example of artistic expression in the city. They regularly host events for the community, and they provide a space for artists to express themselves freely. They will also be hosting the upcoming Work In Progress Art Exhibit, which is covered in more detail on the next page. If you have any interest in the arts, The Cotton Factory likely has something for you.
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By: Andrew Mrozowski
From Jan.12 to Jan.19, the Hamilton Philharmonic Orchestra will run their fourth festival in their composer festival series. This year, the focus will be on Baroque-era composer, Johann Sebastian Bach.
“Bach is arguably the most influential and relatable composer of all time. His beautiful orchestral music and his fascinating life will be a joy for everyone to experience. I do think that Bach is the ultimate composer. He has that perfect balance of musical skill, transcendent spirituality, and human emotion,” said Gemma New, the music director for the HPO.
The HPO has partnered with various venues and amateur orchestras across Hamilton with the goal of teaching the community more about composers’ music and life.
“What we really wanted to do was connect people in the community to a single composer’s work and give the public many different perspectives on that particular composer,” said Diana Weir, executive director of the orchestra and McMaster alumna.
With previous festivals spanning the lives of Mozart, Beethoven and Haydn, the HPO has seemingly been on a roll with the popularity of their artist festival series and the community’s engagement.
“We really wanted to do something to see amateurs and professionals work together in other organizations. [Hamilton] has a very strong amateur music scene, so everything must reflect what Hamilton is interested in and what Hamilton needs,” said Weir.
“Music contributes to a person’s sense of wellness and we are committed to explore how to use our artists to contribute to the wellbeing and life satisfaction of the community.”
This year, there are nine different events spanning the course of the seven-day festival. There is an event for everyone in this year’s Bach Festival whether you are an avid fan of this era or not. The Sil has highlighted three events that students may enjoy:
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Redchurch Café and Gallery, 68 King Street East
Inspired by Bach’s coffeehouses in Leipzig, Germany, HPO’s Associate Concertmaster Lance Ouellette is hosting a casual night in conjunction with Redchurch Café and Gallery. Enjoy Bach on the violin accompanied by beer, prosecco, or a latte as well as the current art exhibition, Fell Through by Paul Allard and Jonny Cleland.
Tickets $20
Shawn & Ed Brewing Co., 65 Hatt Street, Dundas
The fan favourite event returns to Shawn & Ed Brewing Co. Enjoy a night of Bach music performed by an HPO trio while drinking specialty beer at this local craft brewhouse.
Bar opens at 5:30 p.m. Music and drink pairings from 6-7 p.m..
Tickets $20 in advance, $25 at the door.
FirstOntario Concert Hall, 1 Summers Lane
Concluding the week-long festival, expert Baroque conductor Ivars Taurins and the HPO are putting on one final show featuring the works of Johann Sebastien Bach. At the end of the concert, stick around for the Pro-Am jam.
You can have the chance to perform with professional musicians and conductor Ivars Taurins in this professional-amateur jam session of Jesu, Joy of Man’s Desiring by J.S. Bach.
Tickets start at $10
Must purchase a ticket to register and participate in Pro-Am Jam
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This festival is different from other music festivals you may find. As the HPO’s main goal is to break down barriers to access in the community, they’ve aimed to make the events affordable, especially for a student-budget. They’ve also brought the music outside of the typical performance in a concert hall where guests may feel intimidated.
“I really hope that people will feel like they are connected to the HPO and [the HPO] is connected to the community. The HPO is somewhere where people can develop memorable experiences with their friends and loved ones,” said Weir.
So enjoy a drink and listen to Bach at a café, or perhaps go to the library and attend an insightful talk and beautiful performance, wherever and however you experience the Bach Festival the HPO will be sure to take you back to the Baroque-era.
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By: Abeera Shahid
The Hamilton Philharmonic Orchestra has been bringing orchestral music to the city since its humble beginnings in the late eighteenth century. As it approaches key milestones, the HPO is collaborating with McMaster’s history department to discover its legacy through the eyes of its community.
Carol Kehoe, the former executive director, started the HPO Legacy Project because at the heart of HPO’s success lies individuals who have tirelessly advocated for its existence.
Their stories are missing from the musical records, and the project seeks to rediscover their experiences and contributions to the orchestra.
The five-year project is in its infancy and will culminate in 2019 to celebrate the 70th anniversary of the HPO’s designation as a semi-professional ensemble.
In addition to a permanent archive of the oral history, the final product may include a commemorative book, short videos and events.
Edin Duranovic, an Honours History and Political Science student, was part of the first of nine cohorts from McMaster to participate in the HPO Legacy Project through a historical practicum course last semester.
His cohort captured oral history through interviews with 15 community members.
Future students will be digging through Hamilton’s archives for further insight on the earliest members of the orchestra.
As a student unaware of the HPO’s presence before the project, Duranovic now fondly shares the conversations he had with community members about their involvement with the orchestra. One such experience was with Glen Malorey, the force behind children’s programming.
“He said that everything he wanted to do in his life, he was able to. His main passion was to teach children the wonders of concert music, and he got to spend 50 years of his life doing that by being the conductor of the youth orchestra. Glenn represents what it means to give back to the community without expecting anything in return,” explained Duranovic.
He even met musicians like Darcy Hepner, who started his journey playing cello with the youth orchestra, then switched to the flute while attending McMaster in 1975, but his true passion lies with the saxophone and jazz music.
Hepner then spent 30 years playing in cities including Miami, Boston and New York. He returned to Hamilton in 2005 and came full circle by performing with his jazz band at the HPO in 2011.
Hepner’s musical journey is intimately connected to his experiences in Hamilton and he even remembers some amusing times with the orchestra.
“I was a shy guy who sat in the back, impressed by all the musicians that surrounded me [and] when I was principal cellist, we were supposed to show up to a concert in black and white, but because it was the 70s, I wore platform heels. About 6 inches high... People in the audience told me how they couldn’t take their eyes off my shoes,” said Hepner.
Duranovic was inspired by the stories he heard because of his own love for playing music, adding that since working on the HPO Legacy Project, he has been inspired to try playing the double bass.
Diana Weir, the new executive director and an alumna of McMaster strives to continue the narratives being showcased through the HPO Legacy Project by fostering new collaborations with the community. Most notably, the HPO has partnered with local indie bands to reimagine orchestral music.
Electronic rock band Illitry was one of the first music groups they experimented with, where the HPO’s composer and musicians worked with band members over the span of a few months. They rearranged the band’s music, brought in orchestral elements, and created a unique cross-genre set.
Tory Witherow, the lead singer of Illitry began to see his own music differently.
“It opened my eyes a little bit to the music I write and normally listen to, maybe the music that I am coming up with isn’t as interesting as it could be,” said Witherow.
The HPO’s willingness to evolve and engage with people has created their place as an anchor arts organization in Hamilton.
The HPO recognizes that orchestral music has different meaning for each individual.
For some it is associated with the orchestra coming to their school when they were young, while for others they are proud that their community supports musicians.
“I really believe in the power of [an] orchestra’s music and its power to touch a person’s life [and] to offer solace in a hectic lifestyle. It [has] power to make people see the world in a different way and to offer a sense of belonging for people,” said Weir.
The hope of the project is to assure that the efforts of everyone involved will not go forgotten.
HPO’s exploration of the past showcases how they want to recognize and value the individuals whose contributions allow the orchestra to continue to touch the lives of Hamiltonians.
