School of the Art’s fall major theatrical production explores love and power through a reimagining of Greco-Roman mythology
From Nov. 8 to 17, 2024, the school of the arts presented Woven Hearts, this year’s fall major theatrical production, in the Lyons Family Studio in L.R. Wilson Hall. Divided into two acts, the original production incorporated a series of Greco-Roman mythological figures and stories, drawing from Ovid's poem Metamorphoses.
Woven Hearts was produced by students taking the course iARTS 3MP6 – Devised Theatre Production. Through this course, students get hands on experience with production aspects like set and lighting design, costume and makeup design and choreography. These students also serve in key roles such as stage managers, script supervisors and assistant directors.
The central set piece for Woven Hearts was a loom that stretched from floor to ceiling and across the width of the theatre, splitting the stage in half. The Lyons Family Studio is arranged so that the audience sits on opposite sides of the stage, facing into the centre of the room.
Throughout the show, the actors interacted with the threads of the loom in various ways, pulling them aside to walk through the loom, leaning against them and entangling themselves between them. Different textiles were also woven into the loom to create imagery for certain scenes.
Peter Cockett, a SOTA associate professor who directs the fall major each year, discussed his selected source material.
“I wanted to do something about love, so we turned to a classical source, Ovid’s Metamorphoses, that has all these stories about love. And when we went to that source we discovered that it also had a lot to say about power and it actually was really political in our times, especially around issues of consent around this very patriarchal world of Ovid’s poem,” said Cockett.
Cockett emphasized that the fall major goes beyond just retelling old stories.
“I don’t think they’re important because they’re classical . . . but they’re here. They’re constantly being told and retold. They’re being idolized and idealized. So I think taking them on and seeing what they’re really about and changing them, that feels important still,” said Cockett. “But I think the most important thing is what the audience is responding to, which is this notion of centering love and the potential for a kind of altruistic social love that humans are capable of.”
But I think the most important thing is what the audience are responding to, which is this notion of centering love and the potential for a kind of altruistic social love that humans are capable of.
Peter Cockett, Director and Writer
Woven Hearts
In the spring 2024 term, Cockett taught THTRFLM 3PR3 – Text-based Devising: Research and Development, which is where the devising process for the fall major began. Cockett explained that the process involved studying Metamorphoses before writing and designing the entire production around the themes and stories from the text.
Mikey Gough, a fourth-year theatre and film studies student, described his experience working with Metamorphoses.
“There’s this instinct to have a lot of wonder surrounding the Greek myths, have a lot of positive associations. There was a lot of excitement . . . and when we were really kind of getting into the meat of them, I feel like we were running into these issues . . . it feels like they’re so harmful at times. And I think that friction, that incongruence with the wonder we had surrounding the stories and our problems with them is almost where we found our thesis,” said Gough.
Throughout the devising process, Gough and his peers asked questions like: “What about these stories are we not liking? What do we want to leave behind? And why? And what are these kind of new interpretations which we somehow or we suddenly find super beautiful?” said Gough.
Gough shared that he had heard positive reactions from others who watched the production.
“People in my age group, other students . . . have found it really moving. They’ve really enjoyed the upward arc of the show, which I would say there is . . . and I’ve heard a lot of people saying that the dose of hope it brings in our unprecedented times is really refreshing and important to see,” said Gough.
I've heard a lot of people saying that the dose of hope it brings in our unprecedented times is really refreshing and important to see.
Mikey Gough,fourth-year theatre and film studies student
Woven Hearts Actor
The annual SOTA fall major is a testament to the artistic talent of McMaster’s student body. Each production is creatively designed to convey an important message to its audience. Cockett shared that next year's production will focus on prison abolition, with a research-based devising process set to begin in January 2025.
By: Eden Wondmeneh
Consent education seems to always be an afterthought at McMaster University. The word “consent” is consistently thrown into events, seemingly out of place, with no elaboration, discussion or focus.
During Welcome Week, the word was plastered on posters that appeared at all the major events and was projected in vibrant colours on the big screen prior to the concert.
The way consent education was treated during Welcome Week foreshadowed how the subject would be addressed during the rest of the year: just enough to get a hypothetical participation award in disrupting trends of sexual violence but too little to make a legitimate impact on campus rape culture.
This culture is something that does not go unnoticed by those who are most likely to be targets of sexual violence. A late night food run is never complete without words of caution and offers of someone to walk with. It’s unfortunately not uncommon to walk with your keys in between your fingers.
Once when I was walking home, after parting ways with my group of friends, a male acquaintance yelled back, “Be careful! Campus rape culture is still a thing”.
To him I say, believe me, I know. There is rarely a moment, at a party or anywhere on campus during non-peak hours where my friends or I don’t feel discomfort, or even fear.
Following the news of sexual violence within the McMaster Students Union Maroons, this tension is especially high. Prospective Maroons are hesitant to submit returning applications and attending events run by or affiliated with the MSU is often met with a little more resistance.
The MSU’s response to the allegations and overall toxic campus culture has been dismal.
In the beginning of March, posters commissioned by the Ontario government were hung up in several residence buildings. It reads “If you are watching it happen, you are letting it happen. Consent is everything”.
This was the first attempt I noticed to address the importance of consent in my residence. Although this message is true and important, it being the only form of consent education on residence is frankly pathetic.
McMaster is not treating consent education as a major priority. Any educational materials, workshops or sessions produced or run by the MSU or its services are only accessible to those who actively seek out those learning opportunities. Even campaigns run by the Student Health Education Centre, while important, have limited reach.
Despite their value, consent education needs to reach beyond those populations to those who need it the most.
The issue of consent cannot be addressed on small poster in the basement of a residence building. Misconceptions or being ignorant to consent needing to be mutual, voluntary, informed and continuous directly results in continued sexual violence on campus.
In order to shift toxic campus rape culture, there needs to be open lines of discussion about consent that are inherent to the structure of Welcome Week, life on residence and campus life in general. These discussions need to be backed by action; posters and platitudes are not enough.
The nonchalant backburner approach to consent education fails to create an inclusive and safe community for all students.
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By: Abi Sudharshan
CW: Discussions of sexual violence
On March 7, the YWCA Hamilton hosted the 43rd annual Women of Distinction Awards dinner. These awards recognize the achievements of women in the Hamilton community. From business to education, the night celebrates exemplary leadership by women in an effort to inspire other women.
One of the most watched award categories is that of the “Young Woman of Distinction,” which celebrates a woman between 18 and 25 who has demonstrated passionate and committed stewardship of a cause in her school, community or workplace.
This year’s winner is fourth year McMaster social work student Maddie Brockbank.
Over the course of the last few years, Brockbank has spearheaded projects addressing the issue of sexual violence prevention, specifically by directing efforts to establish meaningful male allyship.
On March 15, the Silhouette sat down with Brockbank to discuss these initiatives.
I would say that I am very hard working. I really value hard work and my parents have taught me to value it. I’m pretty passionate about the work that I do with sexual violence. I’m also pretty honest about my outlook on issues on campus.
I didn’t hear the word “consent” until I was in university. I went to a Catholic high school, and though I overheard troubling conversations in the halls, they were never addressed.
There’s a bit of a story to it. In my second year of university, I applied for and received an undergraduate student research award in experiential education. Through that, I found out that women currently bear most of the weight in discussions regarding sexual violence, which does not at all reflect the situation. So, over that summer, I interviewed seven guys from a couple of different universities, and asked them questions about consent, sexual violence, and treatment of victims. I found that there were extremely large gaps in their knowledge.
It was concerning, but it was also promising as they all talked about how they had never been asked these questions before and how they had never thought about these conversations before. There was willingness on the other end and it became a matter of engaging them.
Yes, I did get the Clarke Prize grant in March of last year. Ryan Clarke is an alumni who donates $6,000 every year to fund initiatives addressing issues in the community. First prize wins $3,000, second wins $2,000 and third wins $1,000. Most campaigns that address sexual violence have a very general approach to them.
From my research, I found that young men wanted to join the conversation. So, I created an event to educate young men: Commit(men)t and Allyship. Although the event was independent, we did collaborate with individuals and organizations within the community, such as Meaghan Ross, the university’s sexual violence response coordinator, the Sexual Assault Centre of Hamilton and the McMaster Students Union Women and Gender Equity Network. McMaster Athletics had expressed interest, but they didn’t show up.
It was extremely disappointing. However, 10 Mohawk athletes did attend. Tristan Abbott, facilitator of the WiseGuyz program in Calgary, attended as well. We donated $2,700 to SACHA and the remaining funds from the Clarke grant to others like the male allies of Waterloo who facilitated our debriefing spaces.
Well, the sexual assault policy at McMaster is relatively new, and thus yet to be evaluated in terms of efficacy. In general, however, universities need to address that there is a rape culture on campus and that it is a prevalent problem. There needs to be more support for survivors, to shift the response from interrogation to believing them. Perpetrators need to feel the consequences of their actions and need to be barred from positions of power within the Student Representative Assembly, MSU and other student governing bodies.
Surprising and really amazing. There were so many incredible candidates. I think it just speaks to the merit in the work that I’ve done. It’s affirmation that the work is important and needs to be done.
I am continuing my studies at McMaster in the Masters of Social Work for fall 2019. I am also continuing my research and doing my thesis on male student perspectives of sexual violence. I recently received the McMaster graduate scholarship as well, so I'm stoked!
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Kyle West
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This photography series was inspired by comparing classic symbolism of unity and strength with consideration to the themes of Sex and the Steel City. Across the world and throughout many diverse culture, the symbol of holding hands can be seen to communicate intimacy or a close relationship.
Taking this symbol and empowering it through strong vertical compositional choices lend the viewer to perceive these couples and their love as prevailing. The stylistic choices are a nod towards the strength and monumentality of the landscape work of Ansel Adams and the influential portraiture of Platon. Ultimately, Come Together is a story of love, unity and partnership and my best ability to document this.
Kyle West is a Hamilton-based photographer. He is in his final year of art history at McMaster University and is currently the Photo Editor for the Silhouette. West has developed a particular interest in portraiture over the years, often times turning to digital and film photography to capture his subjects in a beautiful light. From perfectly timed scenes of bustling city streets on film to carefully composed landscapes and journalistic endeavours, West also utilizes his photography as a means for storytelling.
Erin Nantais
This digital drawing entitled “Shower Scene” explores ideas and themes of intimacy that are typically uncomfortable for individuals to openly discuss.
Sex and sexuality are often unnecessarily forbidden topics that need to be reimagined as natural and normal.
Through this piece, sexuality is explored and depicted as natural, normal and familiar.
Simple lines and colours along with a minimalistic look are used to enhance the idea of intimacy as a normal and acceptable human experience.
Erin Nantais is a fourth year multimedia student at McMaster University. She typically works with photography and graphic design. Her personal style of work emphasizes strong lines and simple colour schemes to create a distinctive digital feel. Creative portraiture and animal photography are main sources of inspiration for most of Nantais’ work. Nantais has always been interested in art and photography and through her work she’s found a digital style that incorporates elements of both.
Jet
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Jet’s artistic process relies heavily on research into my chosen focus. It starts with the inquiry: “I want to understand more about…” as they then experiment with different mediums until they find the right material and presentation of their idea. Visualization is the key to their process where they push the boundaries of my idea and test as many possibilities as they can. When the piece is ready for an audience, Jet prefers the audience takes part in the outcome of the work itself.
Jet works mainly with performance, video, sculpture, photography and painting. They try not to ever limit myself to one medium. Jet encounters ideas that seem to float in the air and works with them, listens to them, becomes them and finds the best method to allow the work to exist in harmony with the audience.
Jet’s practice often explores the human body in all of its physical and ethereal elements. Throughout their life they have always made space for themselves to imagine and work out complex issues. This gives them the head space to create and transform what is not yet physical into a tangible piece.
Jet is a multidisciplinary artist who emigrated from Mexico in 2009. They grew up feeling that they didn’t always belong. Social norms, family, friends, peers, the state, and especially an oppressive culture of dominance, sought to limit the creativity of their soul. Now their work reflects a rebirth of expression, and the power of the artist’s will to transform the unseen beauty that surrounds them.
Cait Gautron
[Best_Wordpress_Gallery id="225" gal_title="SATSC Cait Gautron"]
In her first piece, Eviscerate (3016), in using fruit to mirror anatomy Cait Gautron was seeking to question ideas of ripeness and primacy in media surrounding sex. Shadowing the piece are ideas of destruction and decay. With these characteristics she playfully seeks to evoke viscera while using approximate substitutes to create a surreal and dreamlike atmosphere.
Coercion (2018), oil on canvas. With this work, Gautron seeks to raise issues around social and institutional factors which motivate consent and the fear felt by participants who may unknowingly fall in to the role of perpetrator or victim.
In oil paints Gautron seeks to explore the delicate balance between desire and disgust, growth and decay, inherit in human anatomy. Raised by an artist mother, the majority of her early artistic education came from exploring the galleries and museums of Europe in her early teens. In that time she became enamoured with the lustre of Vermeer’s still lifes and the contortion of Schielle’s portraits. Currently enrolled in her second year of McMaster University’s studio arts program, Gautron has just began to show her work around Hamilton and Ontario.
Kayla Da Silva
[Best_Wordpress_Gallery id="227" gal_title="SATSC Kaylita"]
or nothing at all.
It’s 11:07 am.
You check your phone.
For a moment
you can’t breathe
and then breathing
happens all at once.
Too fast. Too frequent.
Depression lingers
in the depths of your mind
and anxiety holds
you by the throat.
_
It’s 9:27 pm.
You ask them to choose you,
but they show you
they never will.
Over and over again.
You knew all along
this was going
to happen.
The red flags
waved furiously
but they were in
your blind spot.
_
Now.
You are accompanied
by your old friend,
insomnia.
You are enveloped
with exhaustion,
and gently embraced
by the solace of truth.
Sometimes
you have to choose if
you want to pick
the dandelion
or the rose
or nothing at all.
The artwork accompanied by the poetry is meant as a reflection of relationships that are emotionally damaging. More times than never, an individual in the relationship may not be aware of how complicated the situations were until leaving them.
The series is meant to highlight the mental turmoil an individual can experience when the pattern of behaviours from a partner negatively impacts their state of mind. When being in a complicated relationship, it can often lead to an internal conflict when they are in-love with their partner.
The difficult question is; how long can one hold on to what appears to be a rose when the thorns cause trauma? A partner should never put you in a position where you need to routinely put your wellbeing at risk.
Kayla Da Silva, also known as Kaylita, is a creative and a designer. She has found her poetry to be a suitable companion to the visuals she creates. She holds a Bachelors of Arts in multimedia and communications from McMaster University and currently resides in Hamilton, Ontario working full-time as a junior graphic designer.
Instagram: @iamkaylita
Matty Flader
CW: Disordered eating
For me, sex and food have always had their limbs awkwardly intermingled (in a no eye contact Grindr hookup sort of way). I know what you’re thinking: “how deep, bananas look like dicks and I’m entirely enthused and kind of turned on.” Yet, the story of this photograph is really one of inner turmoil, anguish and ultimately resistance. The food/fuck correlation, as I call it, has lingered like an unwanted houseguest in my head for quite some time now. It goes something like this: the less sex I’m having the less I feel I’m allowed to eat. In times of plentiful or at least grandiose sexual conquest, I can take a breath… or, a bite I guess. The logic is as desperate as it is simple. If I’m not getting laid, I better stop snacking and start looking like a snack. The food/fuck correlation not only problematically frames sex as some prize for me to win, it also leads me through disorderly cycles of eating. It’s all too easy for the things I did or didn’t eat to change my self-perceived body image.
This self portrait is meant to picture the undying torment food puts me through. Putting a voice to this struggle challenges the hegemonic belief that men, those wonderful, tenacious beasts, could never develop eating disorders. The photo challenges the societally constructed ideal of a man who is too tough to feel pain. Inability to conform to this ideal can strip one of his own masculinity. As men the borders of our gendered and sexual identities are constantly under scrutiny by our peers. For most, it’s far easier to conform by reproducing masculinity however they see possible. As a result, men are taught that being normal means never being vulnerable. Expressions of masculine insecurity like my food/fuck anxiety are constantly pushed to the margins of society. I say fuck that. Through this photo I proudly shout: I am a man, I have feelings, sometimes I feel insecure, but here I am. And hey, I bet you’d still fuck me.
Matty Flader is an emerging artist based in Hamilton, Ontario and Vancouver, British Columbia. He takes an interdisciplinary approach to art projects, with a specialization in portrait photography. Flader’s work concerns a broad range of topics, including gender performance, eating abnormality and responses to current events. He often challenges difficult ideas through a humourous lens in attempt to bring attention to the absurdity of this world.
Instagram: @matt_der
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It’s that time of the year where everyone is looking for a place to rent. Searching for off-campus housing is a source of headache for many students. But what students shouldn’t have to worry about is invasions of their privacy.
As of now, my landlord could text me saying he has a viewing for the house within the next hour and he’d be allowed to enter the property. Why? According to Ontario’s Residential Tenancies Act, once tenants have given notice to terminate their tenancy, landlords are allowed to show prospective tenants the property so long as they make a “reasonable effort to inform the current tenants of their intentions to do so”.
The ambiguity of “reasonable effort” allows landlords to barely give any notice that they will enter the property. It even states in Section 26 that this “reasonable effort” does not have to be within 24 hours’ notice. Though this is technically legal, it serves as a major inconvenience to tenants who cannot be expected to schedule their day around frequent and inconsistent house showings.
Beyond a mere inconvenience, allowing landlords to enter student-rented property essentially whenever they wish to do so can be seen as a threat to student safety. Without adequate notice, students may have not have time to secure their valuables or ensure that they are not in compromising positions.
Students are in especially vulnerable positions, many of whom are not well-versed in their rights and may even be minors.
Although it may very well be in the best interest of students to allow their landlord to show the property to prospective tenants — as the sooner the new lease is signed, the sooner the invasions of privacy can stop — it does not excuse the blatant disrespect that students have to endure when their landlords appear at odd hours of the day with little notice.
The only requirement of landlords when showing the property to prospective tenants, besides “reasonable effort to inform”, is that they must enter between the times of 8:00 a.m. and 8:00 p.m. This should barely be considered a requirement as that timeframe basically cover the entirety of waking hours.
Realistically, appointments for house showings are made well in advance of 24 hours. As such, landlords should be mandated to inform tenants at least 24 hours in advance prior to entering the property, as they are required to in almost any other situation.
In fact, as it stands, landlords can only enter the property without giving 24-hour notice in cases of emergency, under the tenant’s consent, where the tenancy agreement allows for the landlord to enter the property within specified times to clean or during property showings.
While the other situations make sense, as with the exception of an emergency, they require the tenant’s consent, there is no reason to not give tenant’s 24-hour notice before property showings.
Beyond such a requirement being in the best interests for the tenants, giving adequate notice can benefit the landlord as it gives the tenants time to clean the property and make it look presentable.
The government should seriously consider revisiting their tenancies act in order to make these changes. This not only affects students, but tenants across Ontario.
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Anonymous contributor/ WGEN column
For all intents and purposes, I felt that I had consented to what my partner did to me. I invited him over, we engaged in sexual activities and we stopped when I wanted to sleep. When I woke up a few hours later to find his hand between my legs I felt violated and in distress, but I pretended to sleep. I didn’t tell him to stop what he was doing, but I also didn’t say that I wanted him to touch me like that while we slept. It took a very long time for me to feel comfortable with sex after that encounter, and an even longer time to realize that what he did was wrong.
It can be difficult to tell the difference between someone asking for your consent and someone demanding it.
My story is not unique; many people have had similar confusing and upsetting encounters where someone they are dating crosses a line. Justifications for your partner’s actions are commonplace and understandable and usually stem from the belief that you already gave consent or owe your partner sex even when you don’t want it. This stems from unhealthy understandings of relationships on the one hand and a partner’s sense of entitlement on the other.
Consent should be an easy concept to grasp; when two adults both express that they want to engage in sexual activity, they do. However, consent in relationships can be a grey area because you’ve already established that you are attracted to your partner and want to have a physical relationship with them. In addition, the vulnerability required in a long-term relationship can lead to someone agreeing to sex against their will because they feel that it is their duty to their partner. For those such as myself who’ve never been in a healthy relationship before, it can be difficult to tell the difference between someone asking for your consent and someone demanding it. A partner who respects consent will respect boundaries and take no for an answer (and ask for a “yes” in the first place), while a partner who does not respect you will push and push until you “consent.”
Dating someone doesn’t mean you are entitled to their body at all times. Like casual relationships, just because someone has agreed to something before doesn’t mean that they have to do it again. In a healthy relationship both parties feel comfortable expressing their desires and only proceed if both people are interested. If you find that your partner continually pleads and manipulates you into engaging in sex that you aren’t comfortable with, it’s probably time to take a look at your relationship and its power dynamics.
It’s important to remember that while sex can be a wonderful way to feel closer to someone, it isn’t the only way. We sometimes forget that vulnerability exists outside of the bedroom and that relationships require emotional partnership to be sustainable. Look at most of your platonic relationships — I’m sure those are just as fulfilling as your romantic ones, and probably have few, if any, sexual components to them.
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By: Alex Killian
Welcome Week 2015 saw an innovative and important campaign on campus. From the social media platforms of Facebook and Twitter, to posters all across campus, to the buttons we still see today, the #Consent initiative represented a conversation many students were relieved to have on a safe, open and accepting campus. In the works since April 2012 and based on recommendations from the “It’s Time” project, it represented the first of three awareness campaigns aimed to reduce violence against women on campus.
The #Consent campaign was launched by the Sexual Assault Centre of Hamilton & Area and YMCA Hamilton. In partnership with many campus groups and services, these organizations took a challenging subject and started a conversation about the prevalence and impact of rape culture. The campaign explored what role we play as students and leaders in our school community in dismantling and reacting to our perpetuating harmful systems of oppression. They started a conversation about our generation’s impact on society and the new wave of Marauders on campus.
Yes, it is an uncomfortable conversation for some. However, it is extremely relevant for all as consent extends beyond sexual situations. It is crucial in every interpersonal interaction. In some situations, it is socially implied and expected, such as when we knock on someone’s door, symbolically requesting entry. The Welcome Week initiative on campus took the first steps to making the act of asking for and voicing positive and ongoing consent just as subconscious and normal as knocking on someone’s door before entering.
Welcome Week is supposed to be fun, others might argue. But, once again, the consent conversation applies outside of sexual situations. Positive and ongoing consent is fundamental to fun and enjoyment. Getting dragged to an amusement park against one’s will does not sound like a lot of fun.
The campaign could not have come at a better time in the school year. The first weeks of university are critical. There is a new, potentially vulnerable population on campus, which, by participating in the conversation, becomes more aware, more critical and ultimately safer.
Every Welcome Week is planned with strategic priorities in mind. For Welcome Week 2015, working to end sexual violence was one of those. The conversations throughout Welcome Week underline that understanding and practicing consent is an important part of this process. Social change always starts with education and awareness. As such, we have taken the first steps to creating a culture of respect and consent on our campus—let’s not lose the momentum.
Welcome Week was a chance to educate and raise awareness; Homecoming weekend is a chance to put in all into practice. Continue to ask open-ended questions and to listen for a response. Look out for your friends and make sure to keep checking in with those around you, particularly as the blood alcohol levels start to rise as the day goes on.
Like Welcome Week, Homecoming is an exciting, fast-paced event, with traditions and social expectations. Things can be memorable and enjoyable, when everyone is consenting and on the same page.
With that in mind, have fun this Homecoming! Demonstrate that beautiful maroon and grey Marauder pride while making your fellow Marauders proud by keeping the conversation on #Consent going.
This past Welcome Week, McMaster introduced a new series of lectures for incoming first years, centered on consent and rape culture.
The consent discussions came in many different forms: a workshop entitled “Cookies and Consent,” a supporting role in the annual IRIS production, and graphically displayed across buttons and posters on campus. It was a clearly important part of the week.
As a first year coming to Mac in 2011, some of the lessons shouted at me during Welcome Week were close to the opposite of those greeting this year’s freshmen. While I knew better than to disregard consent as an important and necessary part of my life, hearing reps from my own faculty insultingly scream “virgin” at other students, along with representatives of another faculty chanting “no means yes,” I was startled by what was considered a normal part of Welcome Week at McMaster.
After the controversial Red Suit Songbook was unearthed during the 2013-14 school year and a series of similar incidents occurred on campuses across the country, I am happy to see that our university is making an effort to give students a proper education on what consent means, and why it is a necessary part of our actions and decisions.
During my time as a student, I was lucky to be part of the SACHA Welcome Week training provided for faculty and residence representatives. I was excited to see that SACHA was also involved in this year’s programming for first years. While educating an already keen group of student leaders is important, cementing McMaster’s zero-tolerance policy for rape culture and language into the minds of incoming students can be a much more important asset.
I am proud of our university for taking this step, but while it is easy to look at this situation and think that McMaster is years ahead of other universities, it is important to remember that assault is not something our campus, or any other, is immune to. And whether you were part of this year’s Welcome Week or not, there is still a lot that needs to be said and done before the consent conversation becomes something that we all already agree to.
