Fourth-year student Abi Oladesu is beautifying clients through her business Desu Beauty
Abi Oladesu has been doing makeup for most of her life. She started having fun with her mother’s makeup from the age of 10 and decided a few years later to challenge herself to increase her skills. She did someone else’s makeup for the first time when she was about 16.
During her second year at McMaster University, the biochemistry student started thinking about taking makeup more seriously. However, it wasn’t until she was quarantining during the COVID-19 pandemic that she decided to take the leap and start her business, Desu Beauty on Oct. 30, 2020.
There are three components to Oladesu’s business. As she has received many requests for makeup tutorials and enjoys teaching, she decided that she would post makeup tutorials on Instagram and offer beginner and intermediate lessons.
The second part of her business involves posting her own makeup looks in order to improve her skills and show clients what she can do. Lastly, she does makeup for clients’ weddings, photoshoots, proms, graduations and other events.
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It is important to Oladesu that when she does clients’ makeup, she isn’t turning them into a different person but highlighting the best parts of them. This goal stems in part from her own experience with makeup. When Oladesu was a preteen and early teenager, she used makeup as a way of hiding her face. Now she uses makeup to accentuate her features and seeks to do the same for her clients.
“Obviously nobody wants that for themselves, but I don't think there's anything necessarily bad about [being self-conscious] in the sense that we all feel self-conscious once in a while. We're in a society where the beauty standards are very high and they change all the time, but it's important to remember . . . you're the one that at the end of the day determines your worth to other people,” said Oladesu.
"We're in a society where the beauty standards are very high and they change all the time, but it's important to remember . . . you're the one that at the end of the day determines your worth to other people," said Oladesu.
This mission is embedded in the name of Oladesu’s business. While she originally called it Desu Beauty as a reference to the last four letters of her last name, she realized upon reflection that it had a deeper meaning for her.
“I'm a very large fan of anime and so desu . . . basically means “to be” . . . I am [also] Christian [and] in the Bible, it's like “we are beautifully and wonderfully made” . . . So to be that beautifully and wonderfully creative person, you have to love yourself in every aspect, whether that's with wearing your natural face out and being super proud of it or getting the skills to do your makeup really well so that every time you look in the mirror . . . you’re like, “wow, I feel beautiful, I know I'm beautiful.” . . . I want you to be the best version of yourself or at least to look at yourself and be like "wow, I feel like that beautifully and wonderfully made person,"” explained Oladesu.
Since she started, Oladesu has received positive reception and a lot of support from family and friends. Unfortunately, the ongoing pandemic has decreased the number of events for which people would get their makeup done. At the same time, Oladesu credits the pandemic with giving her the time to start her business.
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Oladesu also sees online classes as a blessing for her since she started her business. Instead of spending all day on campus and then doing makeup appointments, she can better make her own schedule by doing makeup during the day and watching recorded lectures afterwards. Managing the business alongside her demanding degree and other commitments has also encouraged her to better prioritize her time.
Oladesu looks forward to continuing to grow her following and reach more people through her business. As she will be graduating soon, she is considering how she might integrate her love of makeup into her career.
“I'm definitely a cautious person so . . . right now, I definitely am going to finish my biochemistry degree and I'm going to see if I could get a job with that. But working with makeup has gotten me interested in cosmetics in general so [maybe] I can mix my biochemistry major with cosmetics and then possibly go into formulation or something along those lines,” said Oladesu.
"I definitely am going to finish my biochemistry degree and I'm going to see if I could get a job with that. But working with makeup has gotten me interested in cosmetics in general."
To other students with a skill they are considering turning into a business, Oladesu says to just start. She recalls that she felt the need to have high-quality foundations in every colour before she began her business. However, since she started, all her clients have used colours that she had already had.
“There's nothing wrong with humble beginnings. You don't have to have everything, you don't have to have the best of everything," Oladesu said. "It's better to just start because honestly, I feel like people appreciate watching you grow and watching you improve.”
Universities across Canada advocate for greater financial aid
In 2020-2021, the average tuition for full-time undergraduate programs across Canada is $6,580 per year. 52 per cent of students graduate with student debt and an average student has a total of $28,000 in debt when they graduate.
52 per cent of students graduate with student debt and an average student has a total of $28,000 in debt when they graduate.
Student debt in Canada has been deemed a crisis by many. In 2018, Canadian students collectively owed over $28 billion in student debt.
The McMaster Students Union is one of the student unions that have joined in to work on the Debt Free Degree campaign, advocating for more accessible and affordable post-secondary education in Canada.
This campaign is led by the Undergraduates of Canadian Research-Intensive Universities and the University Students’ Council at Western University.
Other student unions that are also taking part in the campaign include the University of Toronto Students’ Union, Students’ Society of McGill University, Waterloo Undergraduate Student Association and more.
These nine student unions represent students of the U15 group of Canadian research intensive universities. Collectively, the student unions represent over 250,000 students.
The campaign is calling for Prime Minister Justin Trudeau and Minister of Employment, Workforce Development and Disability Inclusion Carla Qualtrough to take action.
Mackenzy Metcalfe, vice president of external affairs at Western’s University Students Council and chair of UCRU, said that this would put grants at a total increase of $1200 per student for the 2020-2021 federal budget.
Policy recommendations from the campaign include doubling of investments in Canada Student Grants from what was provided in 2019. Mackenzy Metcalfe, vice president of external affairs at Western’s University Students Council and chair of UCRU, said that this would put grants at a total increase of $1200 per student for the 2020-2021 federal budget.
This amounts to roughly $1 billion from the government. Metcalfe also noted that this was one of the promises made by the Liberal party during the 2019 election. This increase in grants would apply to all students eligible for financial aid.
“Investments in students are investments in the future. Students are really going to make up the workforce of tomorrow and increasing funding for student financial aid will undoubtedly see exponential return in the next couple of years,” said Metcalfe.
“Investments in students are investments in the future. Students are really going to make up the workforce of tomorrow and increasing funding for student financial aid will undoubtedly see exponential return in the next couple of years,” said Metcalfe.
MSU Vice President (Education) Ryan Tse declined an interview but wrote in an email statement that the MSU is excited to work on this campaign.
“The Debt Free Campaign [gives] students the opportunity to share their stories and call on the government to help make postsecondary education more accessible and affordable,” wrote Tse.
In previous years, UCRU had advocated for the transfer of federal tuition tax credits to student grants. Currently, the recommendation for the federal government to transfer tuition tax credit funds to upfront grants is also an MSU policy.
However, the Debt Free Degree campaign had decided not to specify federal tuition tax credits as a source of funding for student grants, but simply advocate for an increase in grants.
“UCRU still believes that tax credits from tuition should be relocated to upfront grants for students, however, during our past few lobby weeks, UCRU received feedback from the government about the proposal. We heard from multiple sources in government that they were not interested in making this change to the tax credit system. However, we did hear that they were interested in supporting students through student financial aid,” Metcalfe explained.
Although recommendations from the campaign ultimately do not eliminate student debt, Metcalfe said that having a larger proportion of financial aid as grants rather than loans will help decrease the amount of accumulated debt.
Aside from an increase in student grants, the campaign also recommends a two-year grace period on all federal student loans. Currently, federal student loans have a grace period of six months.
In other words, students have six months following their study period with no accumulation of interest on their federal student loans. Aside from finishing their final school term, students are also required to repay loans six months after they leave school, take time off school, or transfer from full-time to part-time studies. After those six months, students are expected to begin payment and interests will accumulate.
In Ontario, financial aid for students is regulated by the Ontario Student Assistance Program. OSAP incorporates both federal and provincial student loans and grants.
On a provincial level, student loan requirements differ depending on the province. Students in Ontario are not expected to start repaying their provincial student loans until after the first six months, but their loans do accumulate interest during that period of time.
Across social media, the campaign shares various infographics comparing the average amount of student debt to other various items of the same monetary value such as 112 pairs of AirPods, a Honda Civic, 233 years worth of Netflix subscriptions and 9 million cups of coffee.
$28,000. That's the amount of debt an average student has when they graduate. You can buy a lot with $28,000. Paying off student debt shouldn't be one of those things. It's time for a change - alongside @UCRU_Can, we're pushing @JustinTrudeau & @CQualtro to take action. (1/2) pic.twitter.com/FbeJu13B5J
— McMaster Students Union (MSU) (@MSU_McMaster) November 6, 2020
Students were encouraged to join the movement by writing a postcard to their local member of parliament. A Google form at www.debtfreedegree.ca was available for students to fill out and UCRU will send the postcard on the student’s behalf.
Students were also asked to spread the word by sharing posts with the hashtag #DebtFreeDegree on their social media and provide UCRU with feedback by emailing info@ucru.ca.
The MSU is working alongside @UCRU_Can and Student Unions across the country to advocate for accessible, affordable post-secondary education in Canada, and a #DebtFreeDegree. Learn more about our fight for Debt Free Degrees at https://t.co/t0I4CFpbCP. (1/3) pic.twitter.com/5o9GvsngPy
— McMaster Students Union (MSU) (@MSU_McMaster) November 3, 2020
The campaign ended on Nov. 16 and Metcalfe stated that over 200 students had shared their feedback. These student concerns will be presented to federal policy makers during UCRU’s annual Federal Lobby Week. This year, the federal lobby week is scheduled from Nov. 23-27.
Commercial fishers spark violence as anger builds toward Mi’kmaw fishers’ fishery
In September, Sipekne'katik First Nation launched a self-regulated fishery in Southern Nova Scotia, distributing licenses and regulating harvest amongst Mi’kmaw persons without the Department of Fisheries and Oceans.
According to the Supreme Court Marshall ruling in 1999 and the 1760s Peace and Friendship Treaties, Mi’kmaq people are entitled to fish outside of the DFO regulated season.
However, as Mi’kmaq fishers began to harvest outside of the commercial session, many non-Indigenous people were angered, sparking violence and ultimately, a rehearing of the previous Marshall ruling in November 1999.
A clarification was issued by the high court, stating that the federal government can still regulate the Mi’kmaq fishers if there are concerns over conservation. The clarification also noted that there should be consultation with the First Nations groups first and the government should be able to justify its concerns.
Although the Supreme Court ruling stated that they have the right to hunt, fish and gather in pursuit of a moderate livelihood, the ruling did not clearly define what a moderate livelihood entails. Sipekne'katik First Nation Chief Michael Sack said that the definition of their moderate livelihood should be defined by Mi’kmaq persons themselves.
Canada doesn’t have the right to tell Indigenous people what ‘moderate livelihood’ means, my column #MikmaqRights https://t.co/s5rcJsZmhK
— Tanya Talaga (@TanyaTalaga) October 22, 2020
While non-Indigenous fishers claim to have concerns over conservation, conservation has been and continues to be a priority amongst Mi’kmaq persons. Others have also pointed out that the number of traps non-Indigenous fishers hold are extensively greater than Mi’kmaq fishers.
Now, with the launch of the fishery, non-Indigenous people are once again opposed to the idea of allowing the Mi’kmaq community to fish outside of DFO regulation.
Anger from non-Indigenous fishers has been high since September when dozens of Mi’kmaq and commercial fishers gathered at a wharf in Saulnierville, Nova Scotia.
"We're just here to exercise our right. We don't want to fight with anyone and we ask the commercial fishermen to please respect that,” said Sack.
"We're just here to exercise our right. We don't want to fight with anyone and we ask the commercial fishermen to please respect that,” said Sack.
Over the next few weeks, hostility from commercial fishers continued to escalate and on Oct. 5, a Mi’kmaw fisher’s vessel was destroyed in a suspicious fire. The vessel was used for commercial fishing and the owner of the vessel was one who received new licenses for the Mi’kmaw fishery.
In the next week, non-Indigenous commercial fishers and their supporters raided and vandalized Mi'kmaw lobster storing facilities. Several hundred non-Indigenous fishers had gathered together and made their way to a lobster pound in New Edinburgh. A van was later set on fire, lobsters were stolen and the facility was damaged.
Another raid took place in Yarmouth, a neighbouring county, where Mi’kmaw fisher Jason Marr had to hide within a lobster pound as his vehicle was vandalized by a mob outside. The group called on the fisherman, telling him to give up the lobster that he had harvested.
“They totally annihilated that building, just tore it all apart. They took all the lobster," Marr told CBC.
“They totally annihilated that building, just tore it all apart. They took all the lobster," Marr said.
Marr also noted that the RCMP did not respond efficiently to the situation and did not try to stop the vandalization.
On Oct. 16, Prime Minister Justin Trudeau defended the government’s response, saying that they are active in trying to resolve the situation.
Across social media, there has been a call to action to support Mi’kmaq fishers in standing their ground and spread awareness about the ongoing hostility toward the Mi’kmaq.
Activists are encouraging people to contact the DFO, asking them to stand by the Mi’kmaq, as well as reach out to various politicians such as the Prime Minister, Minister of Indigenous Affairs and Minister of Justice.
“The Canadian government is completely complacent and responsible in their allowance of violence to continue. They uphold the racism, violence & genocide Canada was founded on. It’s time to be actively anti-racist. We need to stand up for the Mi’kmaq as allies & in solidarity to colonial violence that oppresses our Black kin in the same breath," wrote an activism-focused Instagram account, notanotherblacklife.
"... It’s time to be actively anti-racist. We need to stand up for the Mi’kmaq as allies & in solidarity to colonial violence that oppresses our Black kin in the same breath,"
McMaster students bring light to truly thoughtful conversation with Potential Excellence podcast
True, meaningful conversation is a gift. It involves profound, open and encouraging discussion, a sense of feeling heard and an opportunity to learn and grow. Through their podcast, Potential Excellence, second-year McMaster University students Brian Osei-Boateng and Tevin Wellington exemplify this wonderful kind of conversation to support and encourage.
Initially having met in high school, Osei-Boateng and Wellington are the co-creators of Potential Excellence. Described by both as more of a message than just a brand or a podcast, Potential Excellence began initially as a project for the pair’s Grade 11 leadership class where they were asked to invent a brand to address a real cause. They did well on the project and then months later, when they were getting ready to head off to university, the idea came back up again.
“We came to the conclusion that if we could do this good on a fake brand about a real cause as a team for just a school project, imagine if we made this a real thing?” said Osei-Boateng.
We’ve shown our potential to a few, we’ve shown that we can be excellent to some, but to many we have a lot of things to prove #JourneysNeverOver
— Potential Excellence (@PotentialExcel) September 30, 2019
They went back and forth with ideas, drawing on their initial project. They considered their own strengths and past experiences to determine what message and topics they wanted to include.
Gradually it all came together and Potential Excellence began to take form. They officially launched just over a year ago, publishing their podcast in September 2019. Within the last year, they have continued to grow, expanding to more platforms and gaining more followers.
Each podcast episode is centred around a conversation between Osei-Boateng, Wellington and an occasional guest. They have covered a wide variety of topics in their podcast, ranging from dating advice to diversity. When choosing topics they rely on a variety of sources, including input from their followers and also world events.
“It sucks to have an easy topic [because] something tragic is going on in the world, like a certain movement or a certain issue in the political environment or the social environment. We hate to talk about it, but [in] our roles as influencers, we have to bring awareness to various conflicts and issues. So those are the easiest times to think of a topic when there's a big thing happening,” said Osei-Boateng.
While the topic for each episode is selected and roughly outlined ahead of time, the conservation itself is not scripted, flowing organically and feeling as if the audience was just listening to an everyday conversation between the two.
At its core Potential Excellence is about highlighting people’s potential. It’s about making people more aware of not only what they could do, but who they could be and encouraging them to pursue their potential.
Described by both himself and Wellington as a motivational speaker, Osei-Boateng brings enthusiasm and an encouraging spirit to the podcast, emphasizing the importance of openness and growth in all aspects of life when it comes to developing one’s potential.
“I hope someone can become more aware of how they're feeling about their lives, instead of going through the motions and just pushing all the hate and negativity down. I hope someone could become a lot more open-minded about certain topics that are going on and take the time to just really take in what's going on and . . . what they could do to help while also building the best version of themselves in that process,” explained Osei-Boateng.
Described by both himself and Osei-Boateng as being knowledgeable about a wide range of topics and interested in the art of conversation, Wellington is often the facilitator of the conversation, asking the questions to encourage reflection and further thought.
“I want someone to walk away with the ability to understand that I have my opinion, I have my way of seeing things, but that does not automatically mean that my way of seeing things is correct. That does not automatically discount other views and whenever you're in a conversation, whenever you're talking about something you should always be willing to accept that there is a possibility . . . that you could be wrong. You should always be willing to accept that and you should never sacrifice a good conversation, the opportunity to learn, for the sake of being correct,” explained Wellington.
Though they may seem to be approaching the podcast from different angles, their strengths complement each other well and have helped them to create something that is authentic and thoughtful as well as informative and uplifting.
It’s important for the pair that they are not only helping people to recognize their potential but also that their audience comes away with what they were looking for. They recognize that different people at different points in their life will be looking for different things and they hope they’re able to provide whatever is, especially during these difficult times.
“Depending on the mindset you're in, if you're feeling more melancholic at a point in time, you obviously lean more to the motivational side of the podcast as opposed to the actual social aspect and opinionated sides of the podcast,” said Wellington.
Potential Excellence is a wonderful example of not only what good conversation looks like, but also the power that kind conversation has and the ways in which it can be used to encourage and inform people.
Shop Boho is carving out space in the Bohemian market and supporting Black business owners along the way
Stories build communities and celebrate cultures by bringing together ideas, emotions and experiences in a meaningful way. Some stories are told through books or movies, others are told through artifacts or products. At Shop Boho, each accessory paints a landscape and tells a story of a different culture from around the world.
Shop Boho is an e-commerce, Bohemian-inspired accessory and lifestyle brand that was launched in July 2020. Each jewelry is unique and handpicked from vendors by Shop Boho’s founder and McMaster alumna, Yosra Musa. The names of the pieces are inspired by cities whose landscape, aesthetic or culture is reflected in the design of the piece. It is how Musa integrates diversity and breathes life into all of her products.
“I don't want to be wearing what everybody else is wearing. I like to think of my pieces as a statement and as a talking point,” explained Musa.
Musa started the brand because she noticed a lack of representation of people of colour in the market for bohemian lifestyle products.
Bohemian lifestyle describes an unconventional life often lived by constant travellers, artists or other creatives. Bohemian style captures this way of living through objects, colours and patterns from many different cultures. However, a quick Google search of “Bohemian style” yields results that are rather disappointing. Instead of the diversity that you would expect to see, the vast majority of the images are of white blonde women wearing colourful and patterned dresses.
So undeterred by the current pandemic, Musa decided to use her strong background in supply chain management and her interest in alternative lifestyles to address this gap in the market.
Support from the community was a significant factor in successfully opening Shop Boho. Musa was promoted by local platforms such as Blk-Owned Hamont and received a microgrant from Black Artists Union, an art collective that showcases work by Black creators. The microgrant allowed her to expand her resources and have more creative freedom.
As a way to give back to the community, Musa is planning workshops and sharing YouTube videos documenting the challenges she faces as a small business owner and how she overcomes them. She is also sharing other lessons from her supply chain management experience. Musa understands that the initial learning curve of opening a business can be a financial burden and setback for many new business owners or discourage people from pursuing their entrepreneurial goals altogether.
“There's so many people that want to start an online business and anybody can do it. But I'm hoping that people can bypass a lot of the challenges that I faced by sharing that information,” said Musa.
One of the critical values of Shop Boho is representing and supporting Black women-owned businesses. Musa has always been an advocate for anti-racism movements. When she was a student at McMaster, she received the Lincoln M. Alexander Award for her contributions toward removing racial barriers in the community. She helped to establish McMaster’s African and African Diaspora Studies minor and co-founded Nu Omega Zeta, the second Black-focused sorority in Canada.
Musa realized early that it wasn’t enough for her as a Black woman entrepreneur to support and celebrate Black Girl Magic, a movement that highlights the beauty, power and resilience of Black women. She realized that she had to support an entire ecosystem of Black business owners. For example, for her upcoming winter collection, she purchased from women and/or Black-owned vendors.
“It's time for people, especially during this Black Lives Matter movement, to really think about their purchasing decisions. Purchasing from a small Black-owned business shouldn't feel like charity. They should be products that you genuinely enjoy and love. But as a consumer, you just need to be aware of where you're really putting your dollars and who you're supporting,” said Musa.
Currently, Musa is most looking forward to her winter collection, which will feature gold-plated, minimalist and classic jewelry pieces as well as staple everyday accessories such as tote bags and travel mugs. In the future, she hopes to host in-person pop-up shops in the Hamilton and Toronto areas.
The Art Gallery of Hamilton Film Festival moves online amidst the COVID-19 pandemic
By: Samantha McBride, Production Assistant
Every year film enthusiasts and creatives alike descend on Hamilton for the Art Gallery of Hamilton Film Festival. This event promises local and international feature films, short films, competitions and other programming. The festival is also an opportunity for the Hamilton community to support independent artists and engage with an international circle of storytellers.
Amidst the COVID-19 pandemic, this year’s festival has undergone major changes. The festival is currently running from Oct. 16-25, 2020 and is entirely online using the platform, Eventive. Most of the films are available on-demand but there are also live online events.
https://www.instagram.com/p/CGScCQwgtyy/
“It's very important for us to continue to support the creators as well as help the community to see new films that they might not see anywhere else . . . [Films are] a window into someone else's world and someone else's experience and it's an important medium for us to understand the world around us and the experiences other people have in our world,” said Art Gallery of Hamilton Film Curator Ryan Ferguson.
“It's very important for us to continue to support the creators as well as help the community to see new films that they might not see anywhere else . . . [Films are] a window into someone else's world and someone else's experience and it's an important medium for us to understand the world around us and the experiences other people have in our world,” said Art Gallery of Hamilton Film Curator Ryan Ferguson.
One of the more notable live events is the festival’s youth film challenge, an opportunity for anyone under the age of 25 to submit their short film to the festival. The youth challenge is a chance for young filmmakers to showcase their work to the community and beyond. One film from the category will be selected to receive the audience choice award for standout film. This year’s youth and family film challenges will be livestreamed on the last day of the festival.
The festival’s 21 short films are being offered at no cost in categories of six to seven films. These short films are eligible for the audience choice award, given to the film voted best by the audience.
The festival also includes a number of works from local and Canadian filmmakers. One of these works is the world premiere of La Toccata created by Hamilton interdisciplinary artist Radha Menon. La Toccata is set in Sicily and explores the Western obsession with youth and beauty. It is particularly fitting at this time when the pandemic has exposed the individual and systemic lack of care for the lives of elderly individuals.
“[I]t’s all about beauty so [the film is] made to look beautiful . . . because we are obsessed with beauty and it's that beauty that draws us in . . . [I]t has been created in our mind that the ageing process is something to be feared, mine included, everybody, it's so drilled into our psyche . . . [I]n my culture elders – well especially used to be, not so much maybe anymore because Western influences – were revered and the grey hair meant wisdom. But now, we shove our elderly behind closed doors, segregate them so we don't have to see them or be with them and it’s quite foolish because we could be learning from all the wisdom that they have,” Menon explained.
Menon was excited to premiere this work in the city that she calls home, even if it is only online. While she knows audiences will be missing the experience of being in a theatre, she thinks it is valuable to have the opportunity to see what creators are working on during this time.
Ordinarily, the festival is geared toward the Hamilton community but as it shifts to an online event, other audiences have the opportunity to partake in the diverse programming lineup offered by the AGHFF. The move to online creates a more inclusive festival for those who would not ordinarily be able to visit the Hamilton area.
“It's exciting for us to have the opportunity to share what we do every year here in Hamilton with people all over the province," said Ferguson.
“It's exciting for us to have the opportunity to share what we do every year here in Hamilton with people all over the province," said Ferguson.
Overall, the festival promises an interesting online experience for audiences with exciting ways to get involved. Although audiences are not together to watch the films, the community remains united by the stories told.
Please note that this event has been postponed until further notice due to the COVID-19 Virus. For more information please visit: https://accahamilton.com
Since 1979, the Afro Canadian Caribbean Association has been creating a sense of community and empowerment in the African-Canadian Caribbean community in Hamilton. Evelyn Myrie, the president of ACCA, says that even though African-Canadians have been here for hundreds of years, they are still treated as though they don’t belong in this country. On March 13-14, ACCA will be holding an event called “We Are Planted Here: Narratives in Belonging”. The event will combine art and advocacy to dismantle this assumption, establishing the right that African Canadians have to feel at home in Canada, because it is their home.
“[T]he objective of this initiative, symposium, celebration is to assert our existence and long-standing presence on these lands, on this land of Canada . . . there is still a perception [when] you're walking on the streets, there's an assumption that you are from another place. So it's really to situate our position as Canadians in various locations, to have conversations about our rich and diverse contributions to this land and to reassert our presence here . . . We're located here socially, politically and economically,” said Myrie.
Not only is the physical presence of the Black community ignored, but so too are their contributions to Canada. Myrie says that she hopes the event will help to educate people both inside and outside of the Black community about Black history in Canada. She says that many of the social and human rights that we currently have were fought for by the Black community.
“[P]eople don't know that human rights laws, housing laws, we were the ones who were the canary in the mine, because we were the ones who suffered those experiences [and fought] to change laws, immigration laws, especially; Black people were not allowed to come to Canada and it was Black people who fought against [that]. And now we have a whole slew of different people coming to Canada—and wonderfully so—racialized people, who sometimes forget or don't know that they are benefiting from the struggles of the Black community,” said Myrie.
“[P]eople don't know that human rights laws, housing laws, we were the ones who were the canary in the mine, because we were the ones who suffered those experiences [and fought] to change laws, immigration laws, especially; Black people were not allowed to come to Canada and it was Black people who fought against [that]. And now we have a whole slew of different people coming to Canada—and wonderfully so—racialized people, who sometimes forget or don't know that they are benefiting from the struggles of the Black community,”
In the early days of mining, miners are said to have brought canaries with them into mines they worked in. Canaries are more vulnerable to carbon monoxide and other poisonous gases than humans, so a dead or sick canary would alert the miners to danger. In this metaphor, Myrie is suggesting that because Black people are far more likely to experience human rights violations, it frequently and unequally falls on their shoulders to fight for social change. Because they are so unequally adversely affected, they are the first to know when laws need to be changed. They were and are the canary in the coal mine.
Myrie hopes that this event will educate attendees on the pervasiveness of anti-Black racism and the othering of Black people, and the ways that this continues to be perpetuated in Canada, and that it will also encourage allies to examine their own actions and biases, and how they can seek to call out this behaviour in their day-to-day lives. Othering is a part of colonial discourse that creates an “Us versus Them” narrative, where the dominant group becomes accepted and the marginalized group is dehumanized and made into the “Other”. This manifests itself as increased violence towards marginalized groups, and removing them from mainstream media and discourse.
“So to us, anti-Black racism is a key part of this, because it's really just like white supremacy in that it keeps knowledge away . . . So we're telling our stories, because we know that anti-Black racism has kept those stories away from curriculums,” said Myrie.
“So to us, anti-Black racism is a key part of this, because it's really just like white supremacy in that it keeps knowledge away . . . So we're telling our stories, because we know that anti-Black racism has kept those stories away from curriculums,”
“We Are Planted Here: Narratives in Belonging” is a two day symposium. On Friday, March 13, there will be an evening of art and spoken word at the ACCA Banquet Hall (754 Barton St. E), and on Saturday March 14 there will be academic and community discussions at the Hamilton Central Library (55 York Blvd.). Both events are free.
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The bread episode of The Great British Bake Off is notoriously difficult. Every season, contestants struggle to capture that perfectly crunchy crust with a light and fluffy interior. For something with so few ingredients, bread can be extremely finicky. Just one wrong move and you’ll be left wishing you’d never started. As one example, if it’s undercooked it can wind up doughy and inedible. But fear not! With this short recipe and a dash of patience, you’ll soon have your very own freshly baked bread to enjoy.
This recipe is adapted from Edna Staebler’s “Neil’s Harbour White Bread” from her book Food That Really Schmecks.
The Ingredients
1 cup lukewarm water
1 teaspoon white sugar
2 tablespoons yeast
2 cups lukewarm water
1⁄2 cup white sugar
1 tablespoon salt
1⁄2 cup canola oil, or substitute vegetable oil
8 cups all-purpose flour
Part One — Making the dough
Part Two — Proving yourself
Once you’ve finished kneading the dough, it needs a chance to rest and rise—also known as proving. To do this, place the dough in a large bowl that’s been lined in oil. Flip the dough to cover both sides in oil. Loosely cover the bowl with a damp cloth and leave it to prove in a warm spot for 1-2 hours or until it has doubled in size. Leaving it by a sunny window is generally your best bet. Here is a trick to know when you’re ready to move to the next step: when you stick your finger in the dough, your imprint should remain.
Punch the dough down until it has deflated a bit, and divide into 4 equal-sized loaves. Place the loaves onto parchment-lined sheet pans and let rise for another hour in the same sunny spot, covered in a damp tea towel. Make sure to leave room between the loaves.
While you’re waiting for the dough to rise, go enjoy spring days that will hopefully be here soon. You could go for a hike, grab coffee with a friend or maybe catch up on the Netflix show you’ve been binging. Better yet, invite someone over for a date and impress them with your incredible baking skills. You could even make the dough before class and then finish it when you get home.
While you’re waiting for the dough to rise, go enjoy spring days that will hopefully be here soon. You could go for a hike, grab coffee with a friend or maybe catch up on the Netflix show you’ve been binging. Better yet, invite someone over for a date and impress them with your incredible baking skills. You could even make the dough before class and then finish it when you get home.
Part Three — Let’s get this bread
Take the same four loves on the parchment-lined pans and bake at 400 degrees Fahrenheit for 20-30 minutes, until both the top and bottom of the loaves are golden, and the loaves sound hollow when tapped on the bottom. After you’ve removed your loaves from the oven, let them cool on a rack. This is the hardest part, but trust me, if you try to eat it right away you’re going to burn your tongue.
Voilà! You now have four delicious loaves of bread, perfect for any kind of sandwich you can think of. If you try this recipe, make sure to tag the Silhouette, we would love to see your baking adventures!
Voilà! You now have four delicious loaves of bread, perfect for any kind of sandwich you can think of. If you try this recipe, make sure to tag the Silhouette, we would love to see your baking adventures!
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By Shaan Babrah, Contributor
As you drudge through second semester, it is hard to not notice all the business-casual students on their way to class, clutching cups of coffee for warmth. One can only wonder whether there is any point in wearing a button-up and dress shoes to pour over a textbook in the library. The Indeed and LinkedIn tabs that seem to be on every computer in sight certainly don’t alleviate the pressure to be “grown-up” or “professional”.
Though you may feel tempted to emulate your post-grad future in your clothing, you should appreciate the beauty of being untethered to a dress code while you still can. Once the mid-February breeze runs through your favourite overcoat like you’re being possessed by the ghost of cold, you can’t be blamed for reaching for your Michelin Man parka. Now you may be warm, but one can only wonder if it’s necessary to be so amorphous to avoid hypothermia. Just when all hope seems to be lost, a new trend has entered the forefront of fashion to warm the frozen souls of students everywhere.
This look has been appropriately dubbed “hikercore”. Those on board with the movement are trading in their peacoats and chinos for fleeces and cargo pants. The recent popularization of clothes to stumble around the forest in has resurrected some great pieces that have previously been considered faux pas. Montreal’s Ssense, a titan of the retail industry, has taken note of this boom and virtually every major brand right now is releasing pieces that fit within this aesthetic. Many clothing items once considered untouchable are now lining the shelves of stores, looking better than most thought possible.
The trend started when hiking boots trickled into winter office attire and streetwear around the mid-2010s. Since then, hikercore has expanded, as fleeces eclipse knits and hoodies as the statement sweater of the season. This can be seen online, as brands like Snow Peak and Kapital are showing up in forum discussions and all over the Instagram explore page. Don’t feel pressured to prove your stripes as a free solo climber or munch the most muesli in order to take part in hikercore. In fact, most people should start with baby steps. The trailblazer look is not the most ubiquitous trend and you likely haven’t seen many of your peers in full Japanese trekking gear, but there is still plenty of inspiration for the average student to grab onto. By adding a few outdoorsy staples into your rotation, the urban hiker look can inject enough personality into your school wardrobe to prevent complete corporate assimilation.
The first step in the long road to environmental enlightenment begins with your footwear. After the hiking boot trend put brands like ROA in the big leagues, other companies have followed suit to put out more stylish variations on the look. For those fully invested in the style, Salomon Snowcross shoes or Danner boots are a great way to dip your toe into the aesthetic, and start dressing as though you actually have hobbies. I would also check out Salomon or Hoka One One at Sport Chek or Runner’s Den on King Street West as a great functional option for anyone who may want to give hikercore a test run before committing to a whole new aesthetic.
Fleeces, of course, are a staple that have been mainstream since your dad bought his first Columbia half-zip. Unlike the lighter weight dad-core options that are more commonly represented, a good hefty fleece will only inspire you to buy more, furthering your descent into student debt while keeping you toasty and cozy through your midterms. I would strongly advise against wearing any button-ups with a fleece and instead just stick to tees. If you’re shelling out your hard-earned money on a nice sweater, you should be able to appreciate the warm polyester hug.
There are many avenues and side trails to explore for inspiration, but not all are created equal. The Instagram page @organiclab.zip is the best place to start. Brands like South 2 West 8 and Patagonia are also great to check out, as they remain the godfathers of every fashionable outdoorsman or woman. Vintage North Face, Patagonia, Arc’teryx and Nike ACG ads are a gateway to some of the coolest looks that anyone can pull off while imagining the more fulfilling and spiritualistic life that awaits them at the end of the semester. All the biggest high fashion brands steal influence from vintage styles in their huge archive of regular old clothes, and there is no reason you shouldn’t do the same. Save some of your favourite looks and images on your phone and hit the thrift.
http://www.instagram.com/p/B8wItuigUio/
The best way to complete the look, though, is to check out any of Hamilton’s iconic hiking spots and find for yourself what subsection of the culture you identify with. Bruce Trail runs through many of Hamilton’s larger parks and is a great route for runners that prefer greener scenery. Parallel to Bruce Trails is Chedoke Radial Trails, which is perfect for cyclists and dog-walkers alike to get away from their usual concrete path. Of course, the many waterfalls across the city are a tried and true classic for dates and dressing well for the occasion can make you seem stylish and outdoorsy. For those that prefer to think global and act local, Adventure Attic (28 King St. W.) is certainly worth your time and provides the best look into what actual hikers wear and use.
From trail running to mountain climbing and all the way to Whole Foods hippie, there is a place for everybody in the great outdoors. For many, university is the last step before many of us graduate or move onto a tragically adult future full of J. Crew scarves and oxford cloth, so you may as well appreciate your freedom while it lasts.
From trail running to mountain climbing and all the way to Whole Foods hippie, there is a place for everybody in the great outdoors. For many, university is the last step before many of us graduate or move onto a tragically adult future full of J. Crew scarves and oxford cloth, so you may as well appreciate your freedom while it lasts.
Experimentation is an important part of stepping out of the monotony of routines. Despite the constant pressure to grow up and follow suit, it’s difficult to make great personal strides when your shoes are giving you blisters. You may not be a trail veteran, but the spirit of hikercore is carving out your own path. It could be a fully functional outfit with dozens of pockets or just a beloved Arc’teryx jacket for the temperamental weather; the choice is yours. This season, throw on all your favourite fleeces at the same time with your most semi-fashionable outdoorsy shoes and take a hike while you still can.
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This article has been edited as of Feb. 27, 2020
A previously published version of this article stated that Giroux phoned his daughter to ask about Casablancas. This has been corrected to state that he asked his son.
This article is part one of a two part series. Read part two here.
The latter half of the 2010 decade brought with it the rise of various right-winged movements throughout the world. Henry Giroux, a McMaster professor in the department of English and cultural studies, felt a sense of urgency; that the public needed to be educated in order to advance our democracy and combat the right side of politics. We recently had the chance to catch up with Giroux after he published his newest book, The Terror of the Unforeseen, which includes a forward by Julian Casablancas, lead singer of The Strokes.
INTRODUCTION TO CASABLANCAS:
In 2016, Giroux received a phone call from an agent asking if he knew who Julian Casablancas was, to which he responded, “No, I don’t”. He then phoned his son to ask who the mysterious rock star was.
Casablancas brought a film crew to Giroux’s Hamilton home and interviewed the professor about his work. This was the start of the duo’s friendship. Giroux then asked Casablancas if he wanted to write a forward in The Terror of the Unforeseen to open up his narrative to a much-wider audience.
After the forward was written, Casablancas interviewed Giroux in front of a live audience at a McMaster Library event at The Westdale Theatre (1014 King St. W.) on Oct. 24, 2019. The event was entitled “The Looming Threat of Fascist Politics”.
EARLY YEARS:
Giroux was born in Providence, Rhode Island, living in a working-class neighbourhood. He obtained a basketball scholarship from the University of Southern Maine and graduated from the university to become a high school teacher. He received a scholarship to complete his schooling at Carnegie-Mellon University, graduating with a PhD in 1977.
After becoming a professor at Boston University, Giroux began researching what education looks like at universities; what does it mean to get a university education?
In 1981, Giroux’s research inspired his second book, Theory and Resistance in Education: a Pedagogy for the Opposition. In Theory and Resistance, he defends that education has become a privatized endeavour that does not prioritizes the public’s best interests, including the interests of students. This privatization has become apparent through the promotion of maths and sciences, and the undermining of social and behavioural teachings. Giroux concludes that universities are no longer producing public intellectuals, people who think and reason critically, with the absence of humanities and social sciences.
When Giroux went up for tenure at Boston University, everyone but the president of the University wanted to give him the teaching position.
“[The president] was the east coast equivalent of Ronald Reagan, and a really ruthless guy.. he was denying tenure to everybody on the left [side of the political spectrum],” said Giroux.
Giroux moved to Miami University where he started the first cultural studies centre in the United States. He was then offered an endowed chair at Pennsylvania State University. When the opportunity came to apply to McMaster University, Giroux leapt at the offer and was hired in 2004.
THE TERROR OF THE UNFORESEEN:
Casablancas joined Giroux’s project because he saw the value in Giroux’s ideology.
“The idea for the book came out of a certain sense of incredible urgency . . . motivated by the election of Donald Trump and the rise of right-winged movements throughout the world,” said Giroux.
The author coined the term “neoliberal fascism”: a cross between racist ideology and a ruling financial elite class that disregards lower classes. This term is the basis of Giroux’s book, which describes how neoliberal fascism affects universities and media, along with how it has contributed to the creation of alt-right culture.
“I tried to take seriously the notion that politics follows culture, meaning that, you can’t really talk about politics unless you talk about the way in which people are experiencing their everyday lives and the problems that confront them,” said Giroux.
He believes that fascism never goes away, that it will always manifest itself in some context. Giroux used the U.S. as an example. The wealth and power held by the governing financial elite has created a state that does not care about the inequalities faced by most of its citizens.
Giroux links the above issues to the war on youth that much of his work has focused on, with the belief that youth are a long-term investment that are being written out of democracy.
CAMPUS POLITICS:
Giroux sees elements of youth being written out of democracy on our own campus. He also recognized that neoliberal ideology could have been a contributing cause to the province’s financial cuts to universities.
“The [ideal] model for education is now patterned after a business culture and with that, it seems to me, comes with an enormous set of dangers and anxieties,” stated Giroux.
According to Giroux, universities used to operate as public good; however, this is no longer their priority. Instead, universities are constantly worried about their bottom line, due in part to neoliberalism. This is especially evident in the elimination of or lack of funding for programs and courses that bring in less money for universities. Giroux cites the example of liberal arts education, which he believes is vital for every student to obtain. He believes this field teaches students a general understanding of our interactions with the world and how to become a socially responsible citizen; however, Giroux believes that liberal arts are being neglected in favour of teaching science and math.
While he understands that universities run deficits, this need to meet the bottom line can open the door for them to become influenced to opt-in to privatization and corporate influence. Giroux believes the only type of influence major corporations should have on campus are in the forms of sponsorships to allow the university to carry out its business as students are neither clients nor products.
“We have an obligation as educators, not to prepare students for just the work, but to prepare them for the world and what it means.”
When asked about the Ford government’s stance on OSAP cuts, Giroux believes that the government has a limited notion of investment, likely stemming from neoliberalist ideals.
“You don’t invest in students, for them to return profits . . . you invest in students and do everything you can to make sure that they can distinguish between meaningful work and meaningless work; that they can have some vision of the future that’s rooted in democratic values, that has some sense of compassion for what it means to live in a world in which we’re completely interdependent.
The Terror of the Unforeseen is the 71st book by Henry Giroux.
“I write because I believe that writing matters, I believe that elevating ideas into the public realm may help change the way people view the world,” said Giroux.
Stay tuned for part two of this series featuring our interview with Julian Casablancas.
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