The McMaster Museum of Art is hosting a workshop to teach the basics of mini zine making and trading art
For this year's Thrive Week, the McMaster Museum of Art is hosting a mini zine-making workshop. The workshop will be hosted on January 23 from 12 to 1 p.m.
Thrive Week is being held from January 22 to 26, and it is being managed by the McMaster Okanagan Office of Health and Mental Well-being. Its purpose is to bring the university community together to discuss mental health and find ways to support each other. Different areas of campus will be holding events throughout the week for students, alumni, staff and faculty.
Past Thrive Week events have included a therapy dog visit, a guided forest walk, a farm visit and a kind thoughts box.
The event will cover the basics of making mini zines while allowing participants to practice their own unique artistic style. You can also learn about trading your creations and the artistic process of zines in general. The workshop will also have a tour of the museum's exhibition Chasm.
The workshop is free to attend and includes free access to zine-making materials. To attend, you have to register online. Spots are limited!
Students should check out the upcoming event if they are interested in creating art or zines, learning more about different artistic forms or taking a break from studies to do something fun. Students should also keep an eye out for other Thrive Week events, especially if they are looking for ways to prioritize their mental health during the busy start to the semester. The full listing of Thrive Week events can be found here.
McMaster Museum of Art exhibition We Remain Certain portrays Haudenosaunee’s complex history to strike conversations about our future
The We Remain Certain exhibition had its opening reception on Jan. 11 from 5-8 p.m. at the McMaster Museum of Art, and will be available for public viewing until Mar. 22, 2024.
This exhibition was funded in part by the Social Sciences and Humanities Research Council and Lush Fresh Handmade Cosmetics. Their other supporters include the Ontario Arts Council.
We Remain Certain depicts the lasting connection between the Haudenosaunee people and their Grand River Territory home. The Haudenosaunee, also known as “people of the longhouse,” Iroquois or Six Nations, are members of a confederacy of Aboriginal nations that reside across southern Ontario, eastern Quebec and south into New York State. This exhibition is curated by a collective of Haudenosaunee artists, and the contemporary pieces delve into Haudenosaunee land tenure, exploring the intricate history, treaty agreements and displacements along the Grand River. It ultimately aims to ignite conversations and thoughts around our collective future, utilizing Haudenosaunee "Original Instructions" as a foundation for understanding and collaboration.
This collection was curated by Protect the Tract Collective, a Haudenosaunee-led project that conducts research, policy development and encourages civil engagement through the promotion of land stewardship (caring for and continuously learning about a piece of land despite its ownership) over the Haldimand Tract, featuring artists Dakota Brant, Denny Doolittle, Betts Doxtater, Kaya Hill, Rick Hill, Arnold Jacobs, Ken Maracle, Steve Maracle, Shelley Niro, Greg Staats, Steve Smith, Kristen Summers and Jeff Thomas.
The exhibit aims to communicate that, while the past remains certain, the future can be changed based on what we learn from our history.
“Arenhátyen tsi ní:tsi teyottenyonhátye’ kwató:ken tsi nī:tsi yonkwa’nikonhrayén:ta’s. Awęhęgyeh shęh hodęˀ dewahde:nihs, haˀgadagyeˀshǫˀ shęh nˀagwanigǫ̲ha:do:gę: It does not matter what continually changes, our understanding remains certain,” as stated on the M(M)A website.
Arenhátyen tsi ní:tsi teyottenyonhátye’ kwató:ken tsi nī:tsi yonkwa’nikonhrayén:ta’s. Awęhęgyeh shęh hodęˀ dewahde:nihs, haˀgadagyeˀshǫˀ shęh nˀagwanigǫ̲ha:do:gę: It does not matter what continually changes, our understanding remains certain
M(M)A website
The temporary art event held at Pier 8 over the month of Novemeber, immersed community in a unique sound and light show in an effort to draw them to the waterfront
From Nov. 1 to 26 between the hours of 5 p.m. to 10 p.m., the city of Hamilton held a temporary art exhibition at the Pier 8 waterfront called Sonic Runway. The event immersed citizens in a light installation, which sent sound signals to create patterns of light down a walkway. The exhibition was free for everyone to attend.
Peter Fortune, placemaking, public art and projects manager for the city of Hamilton, explained that from, the beginning, the exhibition hoped to create awareness for the waterfront, showcase the potential of Pier 8 and encourage community members to visit.
Fortune's role in the city is to come up with placemaking and public art initiatives to transform spaces and make them appealing places to visit. Placemaking refers to developing a part of a city so that people would want to live and establish themselves there.
Community members can approach Fortune and share with him what they are hoping to see and he can then work with them to bring creativity to the city.
Fortune discussed how Sonic Runway was the first large-scale placemaking initiative the city has run.
"I don't think the site has experienced anything like that before. . . also this is one of the few times that we've brought in nationally recognized artists [for events like] Sonic Runway," said Fortune.
Feedback for the event was overwhelmingly positive. Over 20,000 people visited the exhibition while it was open.
Fortune hoped that, with this event and others like it, the collective creativity identity of the city will continue to develop as the community gains more insight and involvement with Hamilton's creative and artistic side while taking part in placemaking and meaningful experiences.
Fortune also highlighted how the principal part of the exhibition was to encourage students and others to dream, by showing how the things they learn in class can be translated into the real world and offering an opportunity to learn more about the chance to learn about the technical side of placemaking, such as user interface design and electrical engineering. Students could see how they might apply their own skills within this field and how choosing an arts-based career, while it might be difficult, does pay off.
Fortune also hoped the project helped to change student perspective of the city, highlighting how there is more to it than just campus and giving places like the waterfront a new image and identity, rather than being only seen for industrial purposes.
"Instead of just being on campus and cloistered there, go and explore the city and realize that [it] has the ability to surprise you. This is one of those examples of something that could definitely surprise you because I'm not sure if a lot of people [realize that]," said Fortune.
Instead of just being on campus and cloistered there, go and explore the city and realize that [it] has the ability to surprise you. This is one of those examples of something that could definitely surprise you because I'm not sure if a lot of people [realize that].
Peter Fortune, placemaking, public art and projects manager, city of Hamilton
Fortune encouraged students to check out future events the city of Hamilton will host, especially for the winter and holiday season. With so much creativity in the city, there is sure to be something for everyone to enjoy. Events can be found here.
Courtney Downman is a glass artist operating out of the Living Arts Centre in Mississauga. Her work will be showcased at The Cotton Factory as part of the upcoming Work In Progress art exhibit. The exhibit will feature unfinished pieces from 13 artists. Downman says that much of her inspiration comes from the process of creation, which works well for an exhibit of partially finished work.
“A lot of the time I’m inspired through the actual making process, which gives me new ideas as I’m creating,” said Downman.
Downman’s work predominantly focuses on glass that has been carved down with a saw, meaning that the beginning of the piece looks drastically different from the end result.
“My first thought was to bring a piece that’s 60 per cent finished, because they look so different from when it starts as a complete bubble to where I cut it open and it becomes very jagged and you see the white from the saw lines, and then as I finish the last step it brings it all together. So, I was thinking of putting a piece out that’s just about halfway there to show the start to finish,” said Downman.
https://www.instagram.com/p/B2FWNoonRHL/
Glass art is experiencing a rise in popularity at the moment. This is in part thanks to the hit Netflix competition show Blown Away, where glass artists compete to create pieces that match a given theme in a short period of time. Due to the difficulty of working with glass quickly, each competitor was assigned assistants from Sheridan College. Downman was one of the assistants, and she says she’s noticed a positive impact from the show.
“I think overall the community was really happy with the way that it brought exposure; [for] a lot of local studios the show has generated searches for handmade glass. People have been reaching out in local ways, which is kind of neat,” said Downman. “It was really neat as well to work behind the scenes without actually having to compete in the contest.” While glass art has always been popular, having a Netflix show has given it a wider platform than ever before.
The Work In Progress exhibit is being held at The Cotton Factory, a place dedicated to creating a sense of community amongst artists. Downman says that this community is why participating in art exhibits is one of her favourite parts of being an artist.
https://www.instagram.com/p/B2AxJIqHdt3/
“We spend so long working quietly, usually alone in our own studio, so it’s rare that we get a chance to show what we do in a way where we also get to socialize with other people that are like-minded. I love meeting the other artists at the shows because I find there’s always common ground to start with. I’ve had a lot of really cool friendships blossom out of doing different shows,” said Downman.
With 13 artists who are all specialized in different art mediums, there is sure to be something that interests you, whether that be glass, leather, paint or something else entirely. Artists will be standing by their work, so if you have any questions about their process, you can ask them right on the spot. If you find art that you love, they will also have completed works available for sale that you can take home with you.
Work In Progress will take place on Sunday Nov. 17 at 1 p.m. at the Cotton Factory (270 Sherman Ave. N.). Admission is free.
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By: Andrew Mrozowski
For many artists, creating their work is a very emotional experience, forcing them to go through various stages. At one point they could feel wonderful and happy before immediately turning to disappointment. This creates a fragile state for artists and makes them feel vulnerable with their unfinished piece.
On Nov. 30, 13 various artists from Mississauga to Niagara Falls will come together to share pieces that they are working on, amongst other pieces they have done in the past. As they get ready to showcase what they have in store for viewers, three sisters meticulously plan out the second annual Work In Progress art exhibit, taking place in Hamilton’s industrial district.
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Michelle Teitsma, lead artist and curator, came up with the idea after she considered the financial investment that is typically required to participate in other shows, costing artists upwards of a few hundred dollars to display their work. To make ends meet, they need to be confident that the work will sell.
“When you go to a show, you want to see real artists. People who have spent years working on their craft. You also want diversity. Not everybody is into the same type of art, but you still want a nice taste of everything. So, when I put it out to the art world about doing [Work In Progress], my sisters wanted to help out with it,” explained Teitsma.
With the event being sponsored by Marie Phillips and planned by Helen Campbell, the trio of sisters are only charging artists a small fee with all profits from the event going back into the artists’ pockets.
“It’s our hope that the artists leave with more than they put down to be a part of this,” said Teitsma.
For Teitsma, this is the culmination of almost 30 years worth of work in the art world. Graduating from Sheridan College for traditional-style animation in 1983, Teitsma was fascinated with learning different mediums before eventually settling on oils as her medium of choice.
Setting up shop in Dundas, Teitsma has found herself captivated by the world around her. Just stepping outside of her door and experiencing the community of Dundas has its own particular vibe that inspires her.
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“I’ve been doing a lot of street scenes from Dundas. Although, I’m very taken by the feel of Hamilton... Hamilton has a lot to offer with its history, the people, it’s a very working, hands on, soul to the earth mentality, and I think that is really expressed in the paintings,” explained Teitsma.
Teitsma is just one of the thirteen artists who will have their work displayed at the art exhibit. Various artists across many disciplines working with paint, ink, photography and materials including leather, pottery and real flowers will showcase their work. Not one artist is the same as the other and all the works will be in progress.
“With artists showing their fragile side, it opens up conversation between them and the viewer with the hopes of getting them to understand what the artist is trying to do... I want them to leave with their minds opened a little more than they arrived. To see things that they might not have expected to see," explained Teitsma.
Work In Progress will take place on Nov. 30 at 7 p.m. at the Cotton Factory on Sherman Avenue North.
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