[REVIEW] Jhené Aiko - Souled Out
A year after the release of her EP Sail Out and a series of successful features and guest appearances, Jhené Aiko is back to woo us with her sweet voice on her first full studio album Souled Out. While the album suffers from some of the bumps and bruises of her past works, the singer proves that her formula of calming melodies and breezy production still leaves the listener satisfied.
For those unfamiliar, Aiko has had a strong year musically, and it shows. She demonstrated how valuable she can be on other artists’ songs, working with Drake, Kendrick Lamar and Childish Gambino, while proving her ability to stand on her own with songs like “The Worst”. In that time it seems she gained the confidence needed to “sail out” towards an album that relies less on the talents of featured artists, and more on her own abilities.
The result is certainly mixed. On one hand, Aiko’s greatest strength is her voice, or more specifically, using her smooth voice to her advantage in terms of production. While she may not boast the range of Adele or Beyoncé, Aiko possesses an effortless breezy tone that sets her apart from the crowd of other RnB female vocalists. As such, Aiko makes sure to include tracks that pair well with her sound; ethereal and synths, clean guitars, and reverb heavy drums all play a part in constructing Souled Out’s aquatic sound.
Unfortunately, these qualities can also have the unfortunate drawback of simply boring the listener. When Aiko fails to mix up the rhythms in her melodies, the songs tend to blend together, leaving little impression to those tuning in. Many tracks across the album simply sound too similar to each other, leaving an album filled with a bit too much filler. For those who weren’t a fan of her past work - whether it’s her solo tracks or features - it is likely you will find the same flaws in Souled Out.
Still, when Aiko succeeds it’s hard to ignore. Songs like “W.A.Y.S” showcase Aiko at her strongest. Pulling the listener up and down, “W.A.Y.S” is a prime example of her ability to convey raw emotion almost effortlessly, and is easily the best track on the album. This emotion only becomes stronger thanks to the high quality production of veterans Thundercat and Clams Casino. “W.A.Y.S”, an abbreviation for “why aren’t you smiling” a kind of catch phrase of her late brother, deals with loss and the chaotic nature of life without holding back. Because of this, it is easy to get wrapped up in the emotional whirlwind that Souled Out offers. This same energy exists in “Eternal Sunshine” and “Promises” leaving the second half of the album the highlight of the project.
In the end, Souled Out isn’t perfect. The songs at times blend together, lacking distinction, but Aiko’s ability to translate her emotions so effectively into her music makes it worth the price of admission.
