Photos C/O Lauren Goodman
From side tables to sex toys, Hamilton-based artist Lauren Goodman’s work is all about blending functionality, feel and form.
Formally trained in fine woodworking at Williams & Cleal Furniture School in England, Goodman has a business designing and creating handmade furniture.
She also collaborates with other artists at Hamilton Audio Visual Node (HAVN), a multimedia arts collective. Additionally, she co-founded Sister Moon Collective, which focuses on fostering community and safer spaces through art.
In 2013, she helped create sex-positive submission-based zine Milkweed, where she was introduced to the erotic art scene. However, it was only recently that she began making erotic art of her own. She began creating hand carved wooden sex toys as a way to experiment with erotica.
“A friend of mine and I were talking about how wood is not a medium that people make sex toys out of,” said Goodman. “So just kind of sort of playing around using these offcuts to make different shapes and forms and sort of coming to forms that I like.”
Sex toys are a personal project for Goodman. Whereas her furniture is commission-based, her sex toys are more about personal exploration.
“This is me exploring my sexuality and what I want, and breaking down stigma that I have myself,” she said.
Through her erotic art, Goodman aims to normalize discussions about sexuality. By making beautiful, artistic sexual objects, she hopes to help break down taboos around sexuality and encourage people to explore sex openly.
“The idea is to break down this stigma of sexual objects, that they have to be in a little box under your bed,” Goodman said. “Why can’t we put our ‘dirty’ thing on a plinth in our living room, and then when we want to have sex we grab it off the plinth and go have sex?”
Goodman finds that the sex-positive movement is slowly becoming more widely accepted. In some ways, Instagram is helping to encourage this shift.
Instagram facilitates connections between like-minded artists from around the world, and in doing so builds an online community for an art form such as erotica that may have otherwise been considered niche.
Additionally, sites like Instagram provide opportunities for people to explore sexuality while maintaining some level of anonymity. Goodman notes that people who are reserved about sexuality in real life can find a sense of liberation and openness through social media.
However, the advent of digital media presents a unique set of challenges for Goodman. As a woodworker, the visual element of her work is only one part of the picture. The tactile component of her art is also vital.
“Even with the tables that I make, or lamps, or anything like that — I want you to touch them and feel like it’s silky.,” she noted. “I want it to be tactile pleasing as well as aesthetically pleasing, as well as functionally working. And all of these things intersecting to make a beautiful piece of art.”
As online markets replace brick and mortar stores, consumers lose the ability to physically interact with work and provide real time feedback.
Goodman noted that many queer-centric, sex-positive shops are shutting their doors. This means that people lose tactile access to sex objects, as well as the ability to talk to people about sex.
Goodman points to the need for an independent, sex-positive sex shop in Hamilton.
“I would love a Girl On The Wing that just sold sex toys — you know, like the local stuff, really curated with nice colours — that would be amazing, that would be a great store,” she added.
The absence of sex-positive shops in Hamilton speaks to a larger observation about the city’s approach to sexuality.
While Hamilton is known for being an artistic city, it does not have an erotic art scene. She observes a history of sexual repression that pervades into the present day, noting that Hamilton only legalized burlesque last year.
“I think that those deep-seated ‘ickies’ towards sex is really fervent here. And that’s maybe why it’s a little stifled on the erotic side,” she said.
Goodman also points out that the absence of an erotic arts scene in Hamilton is in part to due with the city’s proximity to Toronto. Hamilton-based artists can take their work to Toronto if they are interested in pursuing erotic art in an already established scene.
Despite the lack of an erotic art scene in Hamilton, Goodman finds that artists often explore themes of sexuality in their work. She finds the artist community in Hamilton to be open, progressive and welcoming.
For Goodman, this openness is key. By exploring sexuality openly and honestly in her work, Goodman hopes to work away at her own internalized shame, and encourage others to do the same.